Replacement or spare battery equivalent to Panasonic DMW-BCK7E.3.6V700mAh2.5Wh

Bushnell 10x50 Binoculars have a big 50mm objective for a larger, brighter field of view.Features Include: BaK-4 prismsFully multi-coated optics100% waterproof / fogproofWide-angle field of viewRubber armored for secure gripCentre focusTwist-up eyecupsLong eye reliefSpecifications:Close Focus: ft/m: 18/5.5Field of View: ft@1000yds/m@1000m: 341/114Eye Relief: 18mm Weight: oz/gr: 30.5/865

Take a new approach to lighting with a Speedlite flash that’s powerful, versatile and portable. Radio-frequency triggering makes off-camera flash easy to do, and opens up new ways to get creative with your photography.Powerful, yet compact enough to take anywhereSimple controls and an intuitive interfaceUse remote flash to create the look you wantShoot flattering portraits using bounced lightIntegrates with other Speedlites as part of the EOS FamilyThe power of light in the palm of your handThe new Speedlite 430EX III-RT is Canon’s most capable mid-range Speedlite flash to date. A maximum Guide Number of 43 at ISO 100 provides enough power to light subjects in a wide range of conditions, with the flexibility to work alongside additional flashes using the radio or optical remote control system. Plus, with a lens coverage range of 24mm to 105mm, or to 14mm via the built-in adapter, the Speedlite 430EX III-RT offers a wide or narrow spread of light which is controllable by the user.Powerful, yet compact enough to take anywhereA guide number of 43 (m, ISO100) means there’s enough power for most occasions.The Speedlite 430EX III-RT weights just 295g and is only 113.8mm long, so there’ll always be room for it in your bag.Powered by readily-available AA batteries, the flash recycles following a full-power flash in just 3.2s.Simple controls and an intuitive interfaceThe controls on the Speedlite 430EX III-RT echo those of many EOS cameras. Shortcut controls give access to key features, and a control wheel allows quick adjustments to be made. A lock switch prevents settings from being changed accidentally. An LCD screen shows settings and shooting information at a glance, and is illuminated for low-light conditions.Use remote flash to create the look you wantSpeedlite 430EX III-RT flashes can also be placed away from the camera, to simulate light coming from different directions.Using Radio frequency triggering, Speedlite 430EX III-RT units can be controlled from up to 30m away, and do not require direct line of sight with the camera. This means they can be situated in more places, letting you create even more moods and effects.The Speedlite 430EX III-RT can also be remotely controlled with optical triggering, so it will fit in immediately with your existing flash set up. It can be fired from 10m away using the optional Speedlite Transmitter ST-E2 or the Integrated Speedlite Transmitter built in the some EOS cameras.Use multiple flashes together in groups, controlling the power of each group separately. Up to five groups can be created, with a maximum of 15 flashes in each group.Shoot flattering portraits using bounced lightA movable flash head allows light to be bounced from large surfaces, like walls or ceilings, creating soft, shadow-free lighting that’s perfect for portraiture.A built-in reflector panel can be deployed to create sparkling ‘catch lights’ in a subject’s eyes, bringing their expression to life.Fit the included

Colorama background papers offer the widest choice of sizes and colours available. As well as being used as a photographic backdrop, Colorama is also ideal for creating theatrical sets, shop window displays and exhibition use. These paper backgrounds require the use of a support system.

The Colorama 2.72m Rolleasy Wall Mount is an exceptionally robust, hassle free professional studio background support system. Unlike other systems on the market it will fully support a 3.55m (12ft) wide roll without the roll bowing over time. The system uses a detachable crank to smoothly raise and lower each background which is then automatically locked in position. With the Colorama Rolleasy there are no obstructions within the shooting area, no chains or free swinging parts.The system is available as complete kits or as separate components to create a customised system. It is also expandable as supplementary units can be installed at any time to increase the number of rollers.

Bowens Triple Speedlite Mount is an optional accessory for the Bowens Universal Softbox/Umbrella Adaptor.If you are using larger softboxes and need more light, then this handy add-on allows you to use three speedlites to create a large amount of light.

The Sony Cyber-shot DSC-RX100 IV is a versatile and advanced compact camera featuring a large 20.1-megapixel 1 Exmor RS CMOS back-illuminated sensor to produce high-resolution still images and 4K video. The built-in Zeiss Vario-Sonnar T* 2.9x zoom lens provides a 24-70mm (35mm equiv.) range, covering wide-angle to portrait-length. The f/1.8-2.8 maximum aperture is great for high quality low light photography.20.1 MP (effective) 1.0-type Exmor RS CMOS sensorThe world's first2 1.0-type stacked CMOS image sensor with DRAM chip enables up to 40x super slow motion and up to 1/32000 sec. super-high-speed shutter beyond human perception. The extended circuit features higher signal processing capacity and more than five times faster3 high-speed readout than conventional models. ZEISS®Vario-Sonnar T* lensThe ZEISS Vario-Sonnar T* 24-70mm1 F1.8-2.8 lens allows wide-angle shooting out to 24 mm. Maximum aperture of F2.8 brightness at the telephoto end enables shooting images without camera shake and subject motion blur and capturing photos (such as portraits) with beautiful background defocusing. ZEISS T* Coating reduces ghost and flare. BIONZ X™ for superior detail and textureDigital cameras convert light captured by their sensor into digital images. Since the engine that powers conversion is as important as your lens and sensor, the RX100 IV features the high-speed BIONZ X processor for more natural details, more realistic images, richer tonal gradations, and lower noise while shooting photos and movies.Direct 4K movie recordingThe RX100 IV can record high-precision 4K movie data. Moreover, stunning high-precision 4K images with suppressed moiré and jaggies can be delivered via data readout without pixel binning or line skipping.Super slow motion4 at maximum of 40xUsing the mode dial to select HFR, it's easy to create super slow motion movies containing split-second moments of action. Choose shooting frame rates of 960/1000fps, 480/500fps, or 240/250fps (NTSC/PAL)5, depending on which is most suitable for your needs. The end trigger mode also enables you to capture 2 or 4 seconds before the MOVIE button is pressed, letting you capture the decisive moment.Up to 16fps continuous shooting without blackoutThanks to the new super-high-speed image sensor—and despite its 20.1 MP8 high pixel count—the camera features accelerated readout speed that helps achieve continuous shooting up to 16fps. This lets you capture moments of fleeting beauty or facial expressions.180˚ tiltable LCD screen for flexible compositionHigh-resolution 3.0-type screen with tilt capability is perfect for taking selfies and framing of otherwise impossible overhead or low-angle shots. You can use it in high/low shooting positions for greater flexibility in capturing creative compositions.Rapid AFThe camera adopts Fast Intelligent AF featuring high-speed, highly accurate contrast-detection autofocus. Improved from the AF system used in α7 series, it achieves focus by mini

The Manfrotto Vivace 20 holster bag provides extra padded protection for your Digital SLR camera with attached 18-55 zoom lens or similar. There is also room for extra accessories in the easy access pockets.External Dimensions (H x L x W): 18.5 x 16.5 x 13.5cmInternal Dimensions (H x L x W): 17 x 14.5 x 13cmWeight: 315g

TheColorama 100x170cm White/Sky Colorgrad is a PVC Graduated background which will add extra colour and depth to table top photography. The same effect is easily repeated time and time again due to the Colorgrads being made from durable wipe down PVC and they come packed in a cardboard tube for easy transportation.

The i40 Flash Gun - Fuji is the new pocket size flashgun from Nissin. Weighing in at only 203g, it is ideal for travelling incorporating many features such as the LED video light, wireless TTL, tilting, rotating flash head, supporting up to 1/8,000 seconds shutter speed any many more.Selector dial - Simple operation panelNissin i40 has two selector dials controls: Function dial and Power dial. The Indicated lamp A/B/C will show the position of adjustment.LED Video LightNissin i40 has a video light function, which has 9 steps of output level adjustment.Professional flash head designThe flash head rotates horizontally 180° to right and left and tilts up 90° which is suitable for close up photography.Focal Length CoverageThe Nissin i40 has a flash output of GN40 at 105mm and supports 24-105mm auto zoom as well as manual zoom being available in M, SD, SF and Wireless mode. The i40 includes a fill-in reflector, light diffusing panel and softbox to soften the flash and reduce shadows.Metal hotshoe - Quick release buttonIt has a durable metal hotshot design with quick release button, which is easy to install and reduces the chance of damage caused by installation.Four size-AA batteriesIt takes 4 AA batteries to operate the i40.Key FeaturesLightweight design at only 203g Powered by 4 AA batteriesSupports up to 1/8,000 seconds shutter speedWireless TTLProfessional flash head design rotating horizontally 180° and tilts 90° up.LED Video Light with 9 steps adjustmentFocal length range of 24-105mm auto zoom and GN40 at 105mm.SpecificationsGuide No (ISO 100 in Metres): 40 at 105mm zoom position, 27 at 35mm zoom position. Recycling time: 0.1 ~ 4secNumber of flashes: 220 ~ 1,700 flashesFlash duration: 1/800 ~ 1/20,000secColor Temperature: 5,600 KWireless Mode: Wireless TTL slave, non-TTL SlaveFlash Exposure Control: 1st & 2nd curtain synchronization, High speed synchronization, redeye reduction, slow synchronization, FE/ FV lock (set on camera).AF-assist beam effective range: 0.7 - 5m.Manual mode power ratio: 1/256 ~ 1/1Dimension (Approx.): 85(H)x61(W)x85(D)mm

This cleaning tool has a specially articulated head designed to enable easier access to your camera's CCD or CMOS sensor. Recommended for use in conjunction with the SensorKlear Loupe for a better view of your working area.PLEASE NOTE: CCD and CMOS sensors are extremely delicate and we recommend that you proceed with extreme caution. If a mark proves particularly difficult to remove it is often better to refer work to a specialist than cause irreparable damage to the sensor.

Colorama background papers offer the widest choice of sizes and colours available. As well as being used as a photographic backdrop, Colorama is also ideal for creating theatrical sets, shop window displays and exhibition use. These paper backgrounds require the use of a support system.

The Nikon AF-S NIKKOR 200-500mm f/5.6E lens is an FX-format lens aimed at people interested in Wildlife Photography and capturing fast-moving action. Featuring a constant f/5.6 aperture enables photographers to have uncompromising control over their shutter speed and depth of field. This means that when progressing through the focal range of this lens, the aperture will not change unless the photographer is shooting in shutter speed priority mode or if they choose to adjust the aperture manually. The 9-blade aperture construction of this lens also helps to deliver attractive out-of-focus highlights as the lens creates attractive separation between the intended subject and the background. To combat the instability inherent in using a large telephoto lens, the NIKKOR 200-500mm features Nikon’s advanced Vibration Reduction technology. This will allow users to take pictures with shutter speeds up to 4.5 stops slower, while SPORT VR mode boosts performance when tracking fast action. High quality extra-low dispersion (ED) glass elements are included in the structure of this 200-500mm lens. The three ED elements help to minimise the impact of chromatic aberrations and boost image clarity. The 200-500mm also benefits from Nikon’s Silent Wave Motor technology, quietly and quickly moving its 19 glass elements in 12 groups, for accurate focusing. When paired with a full-frame Nikon DSLR camera, the reach of this 200-500mm lens can be extended to 300-750mm when the camera is switched to DX-format mode. This same increase in reach occurs when this lens is used on a DX-format camera such as the Nikon D500.

The B + W Circular Polarising Filter will increase colour saturation, especially for blue skies (therefore picking out cloud outlines too) and foliage. They also drastically cut reflections from non-metallic surfaces like glass and water. A polariser is possibly a photographer’s most useful filter and one whose effects are virtually impossible to exactly recreate using digital software.B+W Circular Polarisers are suitable for both digital and film cameras. They have MRC (Multi Resistant Coating) that protects against dirt and repels surface water. This filter is very good at preventing linear polarisation which can confuse many camera exposure and AF metering systems due to light beams being split by pentaprisms or mirrors inside the camera.Made from Schott glass of the highest quality, B+W filters represent the pinnacle of optical precision in filter manufacture. They use computer controlled grinding and polishing, the glass being set in a brass mount which itself is made on a CNC machine.

These ergonomic heads are designed to be intuitive to use in a variety of different settings. While being gripped by your hand, the head is free to move but is securely loced in position as soon as you let go. This latest generation of joystick heads offers reduced weight from improved materials and improved speed and comfort.Main FeaturesSingle locking leverFriction control using hollow sphere technologyErgonomic DesignMagnesium Body Shell for strength and lightnessSpecificationsConstruction: MagnesiumCamera Attachment: 1/4 ScrewTripod Attachment: 3/8 Female ThreadBubble Level: YesBall Friction Setting: YesFront Tilt: +/-90°Overall Height: 10.1cmLateral Tilt: +90°/-3Max Load: 5.5kgPanoramic Rotation: 360°Quick Release Plate: 200PL-14Secondary Safety System: YesWeight: 0.62kg

The AF-S NIKKOR 18–35mm is a portable wide-angle zoom Lens that is ideal for capturing beautiful landscapes, detailed interiors and vibrant travel photographs. Nikon’s Silent Wave Motor (SWM) gives you fast, precise, super-quiet autofocus operation.FX-format compatible, wide-angle zoom lensWith a focal-length range of 18–35mm and f/3.5–4.5 aperture, it’s ideal for capturing sweeping landscapes, taking detailed shots of interiors, and shooting impromptu photographs on the street.High resolution and superior contrastThe optical system incorporates three aspherical lenses and two ED (extra-low dispersion) glass elements for superior resolution and correction of unwanted aberrations and distortions.Nikon Super Integrated CoatingEffectively reduces ghosting and flare even in backlit situations.SWM (Silent Wave Motor)For fast, precise, and super-quiet autofocus operation. Works with all Nikon DSLRs.High-quality constructionFeaturing metal mount with rubber weather sealing.

The Celestron X-Cel LX Series Eyepieces offer a 60º apparent field of view, perfect for the Moon, the planets, and a plethora of deep-sky objects. The premium six-element optical set is finished with multiple layers of high-transmission coatings for clear, sharp images. The edges of the optics are blackened for increased contrast. The X-Cel LX eyepiece body is made of black-anodized aluminum. The pop-up eyecups make it easy to adjust the height for different users, simply turn them in one direction to extend the length, and the other direction to provide a flat surface.Key Features: Optimized for planetary viewing, offering a 60º field of view through a six-element fully multi-coated lens system Pop-up rubber eyeguards provide comfort and increase contrast, simply raise and lower with a simple twist A treaded rubber grip offers a no-slip grip, even with gloves on Specifications: Focal Length: 9 mm (0.35 in) Eye Relief (mm): 16 mm (0.63 in) Number of Lens Elements: 6 Barrel Size: 1.25 in (32 mm)

Fits securely around the Action Cam’s waterproof casing Bright yellow design for easy Action Cam retrieval in water Supplied with a leash cord for secure attachment Lightweight 45g design

The Westcott Mini Apollo is a 16 softbox that collapses to only 17 long, making it easily fittable into most backpacks or gear bags. It's compact size makes for an ideal hair light or accent light and is perfect for on location, home studio or a studio on the go.The Mini Apollo provides 104-degrees of light spread, fits on virtually all compact studio lights so no need for an adapter ring and is perfectly paired with speedlites.Key FeaturesFits into a backpack or gear bag Collapses in secondsNo adapter ring requiredIdeal hair or accent light104-degree light spread

Kenko Teleplus Pro 300 DGX Converters are made with precision quality multi-coated optical glass supplied by Hoya Corporation, the worlds largest manufacturer of optical glass. These glass elements were designed to match the optical quality of the prime lens (even at the edges) and telephoto zoom lenses. The optical design of the elements and light path is wide enough not to cause vignetting.The Pro 300 family are designed specifically to be used with prime telephoto lenses of 100mm or above, such as 300mm f/2.8 lenses, and work best with telephoto lenses of 200mm to 500mm. The PRO 300 can be used with telephoto zoom lenses as well as prime lenses. However, Kenko does not recommend them for zoom lenses that have a range starting under 50 mm.Kenko Pro 300 AF Teleplus converters have genuine Gate Array IC (Integrated Circuitry). It means that the converter’s own unique circuitry maintains signal integrity between the camera body and lens. These converters are designed to electronically operate the same way as an original manufacturer’s converter.Full AF operation with PRO 300 2.0x DGX is possible when using camera lenses with maximum aperture of F2.8 or brighter. Please be aware that AF will work properly only if there is enough light and contrast on the subject to activate the camera’s AF sensors. (Manual focusing is required when using lenses with smaller maximum f-stop value than those given above.)The DGX Teleplus converters have updated circuitry to record exif data more accurately. In the exif exposure data (meta-data recorded with a digital picture) DGX converters record the equivalent aperture and focal length of the lens setting plus tele-converter. Optically and mechanically they are the identical to the prior high-quality DG series converters.