
1142.00 £
Fabbian
Fabbian Wall light Black Metal L 56 cm x H 56 cm - Depth 14 cm Natural or painted aluminium casting reticular structure. Its back panel reflects the light of the LEDs creating a volumetric light effect. LED bulbs (not included) : 26W - IP20 - Its back panel reflects the light of the LEDs creating a volumetric light effect

1142.00 £
Fabbian
Fabbian Wall light Aluminum Metal L 56 cm x H 56 cm - Depth 14 cm Natural or painted aluminium casting reticular structure. Its back panel reflects the light of the LEDs creating a volumetric light effect. LED bulbs (not included) : 26W - IP20 - Its back panel reflects the light of the LEDs creating a volumetric light effect

238.00 £
Fontana Arte
Fontana Arte Wall light White Glass Width 12 cm x H 12 cm - Thickness 2 cm Sole is a versatile, subtle and compact lighting fixture. Its shape resembles a tile, and, just like a tile, Sole integrates seamlessly with the wall or ceiling, making it almost visually imperceptible. Its extra narrow fixture body houses the light source which, positioned behind transparent screen-printed glass, offers an extraordinary light output. This lighting fixture is easy to install: it is equipped with a LED card that operates at mains voltage and therefore does not require a transformer. LED bulbs (included) : 144xLed - 9W/230V - LED plug works without requiring of transformer - IP44

242.00 £
DCW éditions - Lampes Gras
DCW éditions - Lampes Gras Wall light Glossy black,Glossy metal Metal Adjustable long arm : min. L 49 cm / max. L 76 cm - small articulated arm : L 20 cm - Shade : Ø 14 cm x H 17.5 cm - Wall fixation : H 13 cm In 1921 Bernard-Albin GRAS designed a series of lamps for use in offices and in industrial environments. The «GRAS» lamp, as it was subsequently called, was astounding in its simple, robust and yet very ergonomic design. There are neither screws nor welded joints in the basic form. In 1927 the RAVEL company purchased the patent and started production of the «GRAS» lamps. Bernard-Albin GRAS was one of the most innovative designer of the 20th century. The functional esthetic of his lamps and especially the design of details such as those of the arms, stems, brackets and bases were truly original and far ahead of his time. Early on Le Corbusier was seduced by the modern design and user-friendliness of the lamps and became one of Bernard-Albin GRAS's most enthusiastic supporters using the lamps in his own offices as well as employing them in numerous architectural projects all over the world. Others such as Robert Mallet-Stevens, Emile Jacques Ruhlmann and Eileen Gray followed this trend as well. Furthermore, such well-know artists as Sonia Delaunay and Georges Braque also used these lamps in their studios. For the first time in history, a lamp was equally popular in professional as well as in residential applications. Today, the «GRAS» lamp has become sought after a collector's item all over the world, most notably in France, in the United States and in Japan. Bernard-Albin Gras's talented and visionary design has proven to be timeless. Electrical cable with EU plug (EU to UK adapter included) - A ball in bakelite inserted into the support train a joint with kneecap allowing movements in all directions of the arm - Mobile and directional Reflector - Bulb (not supplied): 1 x E14 - ESL 11W

242.00 £
DCW éditions - Lampes Gras
DCW éditions - Lampes Gras Wall light Mat black,Matt red Metal Adjustable long arm : min. L 49 cm / max. L 76 cm - small articulated arm : L 20 cm - Shade : Ø 14 cm x H 17.5 cm - Wall fixation : H 13 cm In 1921 Bernard-Albin GRAS designed a series of lamps for use in offices and in industrial environments. The «GRAS» lamp, as it was subsequently called, was astounding in its simple, robust and yet very ergonomic design. There are neither screws nor welded joints in the basic form. In 1927 the RAVEL company purchased the patent and started production of the «GRAS» lamps. Bernard-Albin GRAS was one of the most innovative designer of the 20th century. The functional esthetic of his lamps and especially the design of details such as those of the arms, stems, brackets and bases were truly original and far ahead of his time. Early on Le Corbusier was seduced by the modern design and user-friendliness of the lamps and became one of Bernard-Albin GRAS's most enthusiastic supporters using the lamps in his own offices as well as employing them in numerous architectural projects all over the world. Others such as Robert Mallet-Stevens, Emile Jacques Ruhlmann and Eileen Gray followed this trend as well. Furthermore, such well-know artists as Sonia Delaunay and Georges Braque also used these lamps in their studios. For the first time in history, a lamp was equally popular in professional as well as in residential applications. Today, the «GRAS» lamp has become sought after a collector's item all over the world, most notably in France, in the United States and in Japan. Bernard-Albin Gras's talented and visionary design has proven to be timeless. Electrical cable with EU plug (EU to UK adapter included) - A ball in bakelite inserted into the support train a joint with kneecap allowing movements in all directions of the arm - Mobile and directional Reflector - Bulb (not supplied): 1 x E14 - ESL 11W

242.00 £
DCW éditions - Lampes Gras
DCW éditions - Lampes Gras Wall light Mat black Metal Adjustable long arm : min. L 49 cm / max. L 76 cm - small articulated arm : L 20 cm - Shade : Ø 14 cm x H 17.5 cm - Wall fixation : H 13 cm In 1921 Bernard-Albin GRAS designed a series of lamps for use in offices and in industrial environments. The «GRAS» lamp, as it was subsequently called, was astounding in its simple, robust and yet very ergonomic design. There are neither screws nor welded joints in the basic form. In 1927 the RAVEL company purchased the patent and started production of the «GRAS» lamps. Bernard-Albin GRAS was one of the most innovative designer of the 20th century. The functional esthetic of his lamps and especially the design of details such as those of the arms, stems, brackets and bases were truly original and far ahead of his time. Early on Le Corbusier was seduced by the modern design and user-friendliness of the lamps and became one of Bernard-Albin GRAS's most enthusiastic supporters using the lamps in his own offices as well as employing them in numerous architectural projects all over the world. Others such as Robert Mallet-Stevens, Emile Jacques Ruhlmann and Eileen Gray followed this trend as well. Furthermore, such well-know artists as Sonia Delaunay and Georges Braque also used these lamps in their studios. For the first time in history, a lamp was equally popular in professional as well as in residential applications. Today, the «GRAS» lamp has become sought after a collector's item all over the world, most notably in France, in the United States and in Japan. Bernard-Albin Gras's talented and visionary design has proven to be timeless. Electrical cable with EU plug (EU to UK adapter included) - A ball in bakelite inserted into the support train a joint with kneecap allowing movements in all directions of the arm - Mobile and directional Reflector - Bulb (not supplied): 1 x E14 - ESL 11W

251.00 £
DCW éditions - Lampes Gras
DCW éditions - Lampes Gras Wall light Mat black,Matt red Metal Long arm : L 38,8 cm / Short arm : L 20 cm - Shade : Ø 14 cm x H 17,5 cm In 1921 Bernard-Albin GRAS designed a series of lamps for use in offices and in industrial environments. The «GRAS» lamp, as it was subsequently called, was astounding in its simple, robust and yet very ergonomic design. There are neither screws nor welded joints in the basic form. In 1927 the RAVEL company purchased the patent and started production of the «GRAS» lamps. Bernard-Albin GRAS was one of the most innovative designer of the 20th century. The functional esthetic of his lamps and especially the design of details such as those of the arms, stems, brackets and bases were truly original and far ahead of his time. Early on Le Corbusier was seduced by the modern design and user-friendliness of the lamps and became one of Bernard-Albin GRAS's most enthusiastic supporters using the lamps in his own offices as well as employing them in numerous architectural projects all over the world. Others such as Robert Mallet-Stevens, Emile Jacques Ruhlmann and Eileen Gray followed this trend as well. Furthermore, such well-know artists as Sonia Delaunay and Georges Braque also used these lamps in their studios. For the first time in history, a lamp was equally popular in professional as well as in residential applications. Today, the «GRAS» lamp has become sought after a collector's item all over the world, most notably in France, in the United States and in Japan. Bernard-Albin Gras's talented and visionary design has proven to be timeless. A ball in bakelite inserted into the support train a joint with kneecap allowing movements in all directions of the arm - Mobile and directional Reflector - Bulb (not supplied): 1 x E14 40W

199.00 £
DCW éditions - Lampes Gras
DCW éditions - Lampes Gras Wall light Mat black Metal Total length extending arm : 41 cm (Arm length : 17 cm) - Shade : Ø 14 cm x H 17,5 cm - Wall support : Ø 9,5 cm In 1921 Bernard-Albin GRAS designed a series of lamps for use in offices and in industrial environments. The «GRAS» lamp, as it was subsequently called, was astounding in its simple, robust and yet very ergonomic design. There are neither screws nor welded joints in the basic form. In 1927 the RAVEL company purchased the patent and started production of the «GRAS» lamps. Bernard-Albin GRAS was one of the most innovative designer of the 20th century. The functional esthetic of his lamps and especially the design of details such as those of the arms, stems, brackets and bases were truly original and far ahead of his time. Early on Le Corbusier was seduced by the modern design and user-friendliness of the lamps and became one of Bernard-Albin GRAS's most enthusiastic supporters using the lamps in his own offices as well as employing them in numerous architectural projects all over the world. Others such as Robert Mallet-Stevens, Emile Jacques Ruhlmann and Eileen Gray followed this trend as well. Furthermore, such well-know artists as Sonia Delaunay and Georges Braque also used these lamps in their studios. For the first time in history, a lamp was equally popular in professional as well as in residential applications. Today, the «GRAS» lamp has become sought after a collector's item all over the world, most notably in France, in the United States and in Japan. Bernard-Albin Gras's talented and visionary design has proven to be timeless. A ball in bakelite inserted into the support train a joint with kneecap allowing movements in all directions of the arm - Mobile and directional Reflector - Bulb (not supplied): 1 x E14 - ESL 11W - On/Off switch on the base

199.00 £
DCW éditions - Lampes Gras
DCW éditions - Lampes Gras Wall light Mat black,Matt red Metal Total length extending arm : 41 cm (Arm length : 17 cm) - Shade : Ø 14 cm x H 17,5 cm - Wall support : Ø 9,5 cm In 1921 Bernard-Albin GRAS designed a series of lamps for use in offices and in industrial environments. The «GRAS» lamp, as it was subsequently called, was astounding in its simple, robust and yet very ergonomic design. There are neither screws nor welded joints in the basic form. In 1927 the RAVEL company purchased the patent and started production of the «GRAS» lamps. Bernard-Albin GRAS was one of the most innovative designer of the 20th century. The functional esthetic of his lamps and especially the design of details such as those of the arms, stems, brackets and bases were truly original and far ahead of his time. Early on Le Corbusier was seduced by the modern design and user-friendliness of the lamps and became one of Bernard-Albin GRAS's most enthusiastic supporters using the lamps in his own offices as well as employing them in numerous architectural projects all over the world. Others such as Robert Mallet-Stevens, Emile Jacques Ruhlmann and Eileen Gray followed this trend as well. Furthermore, such well-know artists as Sonia Delaunay and Georges Braque also used these lamps in their studios. For the first time in history, a lamp was equally popular in professional as well as in residential applications. Today, the «GRAS» lamp has become sought after a collector's item all over the world, most notably in France, in the United States and in Japan. Bernard-Albin Gras's talented and visionary design has proven to be timeless. A ball in bakelite inserted into the support train a joint with kneecap allowing movements in all directions of the arm - Mobile and directional Reflector - Bulb (not supplied): 1 x E14 - ESL 11W - On/Off switch on the base

180.00 £
Kartell
Kartell Wall light White Plastic material Ø 28 cm - Height/Depth : 22 cm A lamp as precious as Murano glass, as irreverent as a rock opera - Bloom literally blooms in a scintillating and lavish cascade of crystal. Bloom is composed of a tubular polycarbonate framework entirely overlaid with a structure of tiny polycarbonate double corolla flowers. The result is a lamp produced industrially but with all the forms and complexities of a unique handcrafted piece. A series of tiny lights located within the skeletal structure beams light shafts through the petals to refract on the faceted surfaces of the petals and multiply a thousand reflections. Bloom is a new way of interpreting a traditional lamp with that added special touch. A work of art that can furnish and fill a room all by itself, creating that sparkling atmosphere of splendour. Lampshade delivered in kit form : to build oneself (easy assembly) - Halogen bulbs (included) : 3 x 33W max G9 - 220-240V - IP20

180.00 £
Kartell
Kartell Wall light Transparent Plastic material Ø 28 cm - Height/Depth : 22 cm A lamp as precious as Murano glass, as irreverent as a rock opera - Bloom literally blooms in a scintillating and lavish cascade of crystal. Bloom is composed of a tubular polycarbonate framework entirely overlaid with a structure of tiny polycarbonate double corolla flowers. The result is a lamp produced industrially but with all the forms and complexities of a unique handcrafted piece. A series of tiny lights located within the skeletal structure beams light shafts through the petals to refract on the faceted surfaces of the petals and multiply a thousand reflections. Bloom is a new way of interpreting a traditional lamp with that added special touch. A work of art that can furnish and fill a room all by itself, creating that sparkling atmosphere of splendour. Lampshade delivered in kit form : to build oneself (easy assembly) - Halogen bulbs (included) : 3 x 33W max G9 - 220-240V - IP20

180.00 £
Kartell
Kartell Wall light Lavander Plastic material Ø 28 cm - Height/Depth : 22 cm A lamp as precious as Murano glass, as irreverent as a rock opera - Bloom literally blooms in a scintillating and lavish cascade of crystal. Bloom is composed of a tubular polycarbonate framework entirely overlaid with a structure of tiny polycarbonate double corolla flowers. The result is a lamp produced industrially but with all the forms and complexities of a unique handcrafted piece. A series of tiny lights located within the skeletal structure beams light shafts through the petals to refract on the faceted surfaces of the petals and multiply a thousand reflections. Bloom is a new way of interpreting a traditional lamp with that added special touch. A work of art that can furnish and fill a room all by itself, creating that sparkling atmosphere of splendour. Lampshade delivered in kit form : to build oneself (easy assembly) - Halogen bulbs (included) : 3 x 33W max G9 - 220-240V - IP20

180.00 £
Kartell
Kartell Wall light Mint Plastic material Ø 28 cm - Height/Depth : 22 cm A lamp as precious as Murano glass, as irreverent as a rock opera - Bloom literally blooms in a scintillating and lavish cascade of crystal. Bloom is composed of a tubular polycarbonate framework entirely overlaid with a structure of tiny polycarbonate double corolla flowers. The result is a lamp produced industrially but with all the forms and complexities of a unique handcrafted piece. A series of tiny lights located within the skeletal structure beams light shafts through the petals to refract on the faceted surfaces of the petals and multiply a thousand reflections. Bloom is a new way of interpreting a traditional lamp with that added special touch. A work of art that can furnish and fill a room all by itself, creating that sparkling atmosphere of splendour. Lampshade delivered in kit form : to build oneself (easy assembly) - Halogen bulbs (included) : 3 x 33W max G9 - 220-240V - IP20

174.50 £
Dix Heures Dix
Dix Heures Dix Wall light Black Textile H 62 cm x Ø 16 cm Since 2002, Dix heures Dix has been developing design lighting fixtures like Colonne, a wall lamp in white or coloured pleated fabric. Thanks to their different cultural backgrounds and industrial experiences, Dix heures Dix's designers, Catherine Grandidier and Fabrice Berrux, create original lighting designs with a twofold objective: exceptional aesthetics and efficient lighting effect. Bulb (not included) : FluoCompact 1 x 23W max - E27 - 230/240V - Transparent power cable - Adjustable height and depth

282.00 £
Flos
Flos Wall light White Metal W 62 cm x l 12,5 cm x D 1,4 cm Wall mounted lamp Each head can be rotated 45° on its vertical axis - The diffuser is fixed to the body by a nickel-plated neodymium magnet - LED bulb (included) :28 x LED 2700K 2 x 320lm - CRI 80 - 4,5W - The feed for the LEDs is located within the rose - The paint is water-based and therefore eco-friendly

90.00 £
Anglepoise
Anglepoise Wall light Yellow Metal Shade : Ø 17 cm x H 18 cm - Wall bracket : L 12 cm Type1228 wall light. The two tone shade is coloured on the outside and white on the inside giving a good working light and a pleasant ambience around the room. The Type1228 was also the first product of Anglepoise where the shade can be rotated vertically. Switch on the shade - Fluo energy saving bulb (not included) : 1 x 15W max E27 - 230/240V - The shade can be rotated vertically - Supplied fixing screws (verify if the supplied screws are appropriate for the wall)

194.00 £
Foscarini
Foscarini Wall light White Metal W 22 cm x l 7,5 cm x D 9 cm Falena is an aluminium wall lamp available in three different sizes and in two neutral colours - white and grey. It accommodates the most diverse lighting requirements. Halogen bulb (not provided) 1x80 W Rs7 - IP 20 - Electronic ballast

387.00 £
Foscarini
Foscarini Wall light White Metal W 76,5 cm x l 7,5 cm x D 9 cm Falena is an aluminium wall lamp available in three different sizes and in two neutral colours - white and grey. It accommodates the most diverse lighting requirements. Halogen bulb (not provided) 1x24W G5 - IP 20 - Electronic ballast

503.00 £
Foscarini
Foscarini Wall light White Metal W 136,5 cm x l 7,5 cm x D 9 cm Falena is an aluminium wall lamp available in three different sizes and in two neutral colours - white and grey. It accommodates the most diverse lighting requirements. Halogen bulb (not provided) 1x54W G5 - IP 20 - Electronic ballast

135.00 £
Nemo
Nemo Wall light White,Grey Metal H 16,5 cm x W 12,5 cm x D 7 cm Made in 1962 for the first time, the APPLIQUE À VOLET PIVOTANT by Charlotte Perriand is still keeping its functional and architectural value. The pivoting screen in aluminium creates a different beam of light according to different needs. Originally made in different colours, today, the pivotant diffuser is painted with epoxy resin. In april 2011, month of the re-edition of APPLIQUE À VOLET PIVOTANT wall lamp, the work of Charlotte Perriand will be exhibited at the Petit Palais at Musée des Beaux-Arts de la Ville de Paris, analizing Charlotte Perriand's approach to creativity via inspiration coming from photography both as a creative input and a decorative element. Direct raccord into the wall. Reissue of the original model made in 1962 - Pivoting pannel to adjust the light - Halogen bulb (not included) : 1 x E14 Max 48w R7s 78mm - Direct raccord into the wall