Alessi Basket Blue Metal Ø 20,7 cm x H 8 cm A sheet of steel becomes form and decoration: Joy, like a jewel, a pleasure. Alessi Joy in 18/10 steel. The designer has designed a piece with embossed sides and an uneven, jagged rim. The irregular texture creates a fascinating play of light that enhances the object, invoking the image of master silversmiths' machined surfaces.

Alessi Basket Red Metal Ø 20,7 cm x H 8 cm A sheet of steel becomes form and decoration: Joy, like a jewel, a pleasure. Alessi Joy in 18/10 steel. The designer has designed a piece with embossed sides and an uneven, jagged rim. The irregular texture creates a fascinating play of light that enhances the object, invoking the image of master silversmiths' machined surfaces.

Alessi Centrepiece Blue Metal Ø 37 cm x H 10,4 cm A sheet of steel becomes form and decoration: Joy, like a jewel, a pleasure. Alessi Joy in 18/10 steel. The designer has designed a piece with embossed sides and an uneven, jagged rim. The irregular texture creates a fascinating play of light that enhances the object, invoking the image of master silversmiths' machined surfaces.

Alessi Centrepiece Red Metal Ø 37 cm x H 10,4 cm A sheet of steel becomes form and decoration: Joy, like a jewel, a pleasure. Alessi Joy in 18/10 steel. The designer has designed a piece with embossed sides and an uneven, jagged rim. The irregular texture creates a fascinating play of light that enhances the object, invoking the image of master silversmiths' machined surfaces.

Alessi Basket Steel Metal Ø 25 cm x H 9,5 cm Creator of jewels, Emma Silvestris proposes us a cup to the magnificent drawing. Very inspired, she celebrates the coral while transposing, in the split metal, the symbolic aura that since the antiquity always accompanied this precious organic matter. The harmony of the full and emptinesses of the embroidered lines confers a big elegance. This cutting Mediterraneo is available in steel inox but equally in a colored version.

Alessi Basket Red Metal Ø 25 cm x H 9,5 cm Creator of jewels, Emma Silvestris proposes us a cup to the magnificent drawing. Very inspired, she celebrates the coral while transposing, in the split metal, the symbolic aura that since the antiquity always accompanied this precious organic matter. The harmony of the full and emptinesses of the embroidered lines confers a big elegance. This cutting Mediterraneo is available in steel inox but equally in a colored version.

Alessi Basket Blue Stone L 30 cm x W 40 cm x H 12 cm Created by Italcementi and the Italian design house Alessi, La Trama e l'Ordito is a decorative fruit bowl that appears to be made of a knotted structure but it is actually a fine example of concrete design with amazing details and beautiful muted color pigments including a burgundy red and soft blue. The La Trama e l'Ordito (Warp and Weft) Centrepiece is the winning design that came out of the #Concrete In Design workshop sponsored by Italcementi in collaboration with Alessi, and coordinated by Laura Polinoro and Desall. The objective of this research was to investigate the possibility of using an innovative version of the material that we commonly call concrete and, in this case, refers to a special mortar called i.design Effix. Made in Italy. Indoor and outdoor use - Concrete in Design 2014

Alessi Basket Red Stone L 30 cm x W 40 cm x H 12 cm Created by Italcementi and the Italian design house Alessi, La Trama e l'Ordito is a decorative fruit bowl that appears to be made of a knotted structure but it is actually a fine example of concrete design with amazing details and beautiful muted color pigments including a burgundy red and soft blue. The La Trama e l'Ordito (Warp and Weft) Centrepiece is the winning design that came out of the #Concrete In Design workshop sponsored by Italcementi in collaboration with Alessi, and coordinated by Laura Polinoro and Desall. The objective of this research was to investigate the possibility of using an innovative version of the material that we commonly call concrete and, in this case, refers to a special mortar called i.design Effix. Made in Italy. Indoor and outdoor use - Concrete in Design 2014

Alessi Basket Steel Metal Ø 29 cm x H 11,6 cm Designed by French architect Odile Decq Twist Again is a stylish fruit basket with an attractive pinwheel-like shape. A dance around the fruits, the skirt is flying all over, and the fruits remain in. The designer's angular serving tray plays on tradition with a planar twist from corner to corner that appears to originate at varying perspectives. Twist Again is available in black or mirror-polished stainless steel (shown). Alessi's Twist Again is made by Alessi in Italy. Simple, stylish and functional.

Alessi Basket Black Metal Ø 29 cm x H 11,6 cm Designed by French architect Odile Decq Twist Again is a stylish fruit basket with an attractive pinwheel-like shape. A dance around the fruits, the skirt is flying all over, and the fruits remain in. The designer's angular serving tray plays on tradition with a planar twist from corner to corner that appears to originate at varying perspectives. Twist Again is available in black or mirror-polished stainless steel (shown). Alessi's Twist Again is made by Alessi in Italy. Simple, stylish and functional.

Alessi Centrepiece Natural rottan Cane & fibres Ø 52 cm x H 23 cm Alessi Vime Fruit Basket/Bowl by Campana made from 100% rattan weave. Rattan round fruit bowl, a centerpiece in the kitchen, a taking point on your table, Vime is literally bursting with style! This impressive rattan fruit basket has plenty of space for all your fruit with a diameter of 20.5 inches. Making a great display on the table or on the kitchen counter, Vime has a hole in it's center in which branches, twigs or a flower can be placed. The stunning Vime makes a brilliant center piece and a striking home decor accent. A perfect addition to any Alessi collection and always makes for an interesting talking point. Hand made

Alessi Centrepiece Glossy metal Metal Ø 37 x H 10,4 cm This table centerpiece, (Ø 37 cms), drawn by the creator Claudia Raimondo, is characterized by a pure and graphic line and an incredible structural lightness. The steel folded in thousand facets adopts an original shape and a magnificent reflections. A magnificent work which gives life to the metal.

Alessi Basket Polished steel Metal Ø 26 x H 7 cm Nautilus is a mollusk from the cephalopod family. Considered extinct based on the discovery of fossils dating back to the Paleozoic Era, only in 1829 was it observed alive for the first time, and therefore classified as a living fossil. Its shell, imported through trade with the East Indies, was well known and used in jewelry as early as the seventeenth century. The shell's highly characteristic structure was the inspiration for the Trinity Bowl: every year another chambre is added to its shell, producing a beautiful, durable and lightweight spiral. The young Australian designer's intent was to blend the beauty of a natural structure with modern manufacturing processes.

Alessi Basket White Metal Ø 26 x H 7 cm Nautilus is a mollusk from the cephalopod family. Considered extinct based on the discovery of fossils dating back to the Paleozoic Era, only in 1829 was it observed alive for the first time, and therefore classified as a living fossil. Its shell, imported through trade with the East Indies, was well known and used in jewelry as early as the seventeenth century. The shell's highly characteristic structure was the inspiration for the Trinity Bowl: every year another chambre is added to its shell, producing a beautiful, durable and lightweight spiral. The young Australian designer's intent was to blend the beauty of a natural structure with modern manufacturing processes.

Alessi Basket Polished steel Metal Ø 33 x H 8 cm Nautilus is a mollusk from the cephalopod family. Considered extinct based on the discovery of fossils dating back to the Paleozoic Era, only in 1829 was it observed alive for the first time, and therefore classified as a living fossil. Its shell, imported through trade with the East Indies, was well known and used in jewelry as early as the seventeenth century. The shell's highly characteristic structure was the inspiration for the Trinity Bowl: every year another chambre is added to its shell, producing a beautiful, durable and lightweight spiral. The young Australian designer's intent was to blend the beauty of a natural structure with modern manufacturing processes.

Alessi Basket White Metal Ø 33 x H 8 cm Nautilus is a mollusk from the cephalopod family. Considered extinct based on the discovery of fossils dating back to the Paleozoic Era, only in 1829 was it observed alive for the first time, and therefore classified as a living fossil. Its shell, imported through trade with the East Indies, was well known and used in jewelry as early as the seventeenth century. The shell's highly characteristic structure was the inspiration for the Trinity Bowl: every year another chambre is added to its shell, producing a beautiful, durable and lightweight spiral. The young Australian designer's intent was to blend the beauty of a natural structure with modern manufacturing processes.

Alessi Basket White Metal Ø 26 x H 12 cm Nautilus is a mollusk from the cephalopod family. Considered extinct based on the discovery of fossils dating back to the Paleozoic Era, only in 1829 was it observed alive for the first time, and therefore classified as a living fossil. Its shell, imported through trade with the East Indies, was well known and used in jewelry as early as the seventeenth century. The shell's highly characteristic structure was the inspiration for the Trinity Bowl: every year another chambre is added to its shell, producing a beautiful, durable and lightweight spiral. The young Australian designer's intent was to blend the beauty of a natural structure with modern manufacturing processes.

Alessi Basket White Metal Ø 33 x 16 cm Nautilus is a mollusk from the cephalopod family. Considered extinct based on the discovery of fossils dating back to the Paleozoic Era, only in 1829 was it observed alive for the first time, and therefore classified as a living fossil. Its shell, imported through trade with the East Indies, was well known and used in jewelry as early as the seventeenth century. The shell's highly characteristic structure was the inspiration for the Trinity Bowl: every year another chambre is added to its shell, producing a beautiful, durable and lightweight spiral. The young Australian designer's intent was to blend the beauty of a natural structure with modern manufacturing processes.

Alessi Centrepiece Polished steel Metal 60 x 34 cm x H 7,5 cm Une délicate broderie en métal… C'est inspiré par la passion de sa mère pour le crochet et les aiguilles que le designer Guido Venturini a réalisé ce superbe centre de table en acier découpé au laser. Très raffinée, cette structure ajourée extrêmement fine évoque une précieuse dentelle. Guido Venturini raconte : ‘'Quand j'étais petit, assis à côté d'elle sur le canapé, j'ai appris les premiers rudiments du crochet […] C'est seulement plus tard que j'ai commencé à apprécier les décorations, les broderies et les moulures, primitives, populaires, médiévales ou classiques, qui s'accordent si bien aux riches volutes de l'âme. Lorsqu'Alessi m'a demandé de travailler sur un chantournage du métal, j'ai commencé par dessiner et expérimenter à l'aide d'encre de Chine, de nombreux pinceaux et papiers différents, du papier de riz au carton. En suivant ma main, j'ai vu naître des broderies et formes différentes. J'ai suivi cette inclination naturelle, en faisant glisser le pinceau. ‘

Alessi Centrepiece Red Metal 61 x 34 cm x H 7,5 cm Une délicate broderie en métal… C'est inspiré par la passion de sa mère pour le crochet et les aiguilles que le designer Guido Venturini a réalisé ce superbe centre de table en acier découpé au laser. Très raffinée, cette structure ajourée extrêmement fine évoque une précieuse dentelle. Guido Venturini raconte : ‘'Quand j'étais petit, assis à côté d'elle sur le canapé, j'ai appris les premiers rudiments du crochet […] C'est seulement plus tard que j'ai commencé à apprécier les décorations, les broderies et les moulures, primitives, populaires, médiévales ou classiques, qui s'accordent si bien aux riches volutes de l'âme. Lorsqu'Alessi m'a demandé de travailler sur un chantournage du métal, j'ai commencé par dessiner et expérimenter à l'aide d'encre de Chine, de nombreux pinceaux et papiers différents, du papier de riz au carton. En suivant ma main, j'ai vu naître des broderies et formes différentes. J'ai suivi cette inclination naturelle, en faisant glisser le pinceau. ‘