Y'a pas le feu au lac Stool Light wooden wooden Ø 31 cm x H 47 cm The image of crooked slats in a weathered picket fence originally impelled Alissia Melka-Teichroew to explore the idea of asymmetrical wooden pieces supporting each other. She found a similar kind of irregularity and balancing act in the old-fashioned one-legged milk stool. By merging the two concepts she arrived at the Milk Stools, a sturdy but uneven chair propped up by expressive and lopsided legs.

Y'a pas le feu au lac Stool Black wooden Ø 31 cm x H 47 cm The image of crooked slats in a weathered picket fence originally impelled Alissia Melka-Teichroew to explore the idea of asymmetrical wooden pieces supporting each other. She found a similar kind of irregularity and balancing act in the old-fashioned one-legged milk stool. By merging the two concepts she arrived at the Milk Stools, a sturdy but uneven chair propped up by expressive and lopsided legs.

Y'a pas le feu au lac Stool Black wooden Ø 31 cm x H 47 cm The image of crooked slats in a weathered picket fence originally impelled Alissia Melka-Teichroew to explore the idea of asymmetrical wooden pieces supporting each other. She found a similar kind of irregularity and balancing act in the old-fashioned one-legged milk stool. By merging the two concepts she arrived at the Milk Stools, a sturdy but uneven chair propped up by expressive and lopsided legs.

Y'a pas le feu au lac Stool Light wooden wooden Ø 31 cm x H 47 cm The image of crooked slats in a weathered picket fence originally impelled Alissia Melka-Teichroew to explore the idea of asymmetrical wooden pieces supporting each other. She found a similar kind of irregularity and balancing act in the old-fashioned one-legged milk stool. By merging the two concepts she arrived at the Milk Stools, a sturdy but uneven chair propped up by expressive and lopsided legs.

Y'a pas le feu au lac Stool Light wooden wooden Ø 31 cm x H 47 cm The image of crooked slats in a weathered picket fence originally impelled Alissia Melka-Teichroew to explore the idea of asymmetrical wooden pieces supporting each other. She found a similar kind of irregularity and balancing act in the old-fashioned one-legged milk stool. By merging the two concepts she arrived at the Milk Stools, a sturdy but uneven chair propped up by expressive and lopsided legs.