Per Nørgård 's 2 Nocturnes - for 12 voices (2003) 1. Summer's Sleep (text: Ole Sarvig) 2. Michael's Night (text: Ib Michael) English version. Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title året The Year): Michael's Night is based on an earlier simple choral song (Star Mirror 1987) now for 12 voices and composed such that an original idea of simultaneously displaced opposite motions cf. the poem) comes out as desired. Of the Nocturnes Nørgård writes: Summer's Sleep wascomposed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems') and forms the picture of the summer of life which is asleep - while the heaven seed waits for the summer wind (invisible to every mind). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep summer dream. The second nocturne Michael's Night takes its name from the author Ib Michael whose poem Star Mirror (from the collection Himmelbegravelse ('Sky Funeral') (1986) I pushed/coaxed him to expand from one to nine stanzas. The four selected stanzas set in the nocturne focus on the pan-erotic elements of the moonlit starlit night. With the titles I have chosen I have stressed the mythic layer of the text the summer night not as a dream but as sensual reality. The two nocturnes are dedicated to Ivan Hansen on the occasion of his fiftieth birthday on 25th February 2003 out of gratitude for over a quarter of a century of inspiring collaboration. Danish version available: KP01444 Per Norgard 's 2 Nocturnes - for 12 voices (2003) 1. Summer's Sleep (text: Ole Sarvig) 2. Michael's Night (text: Ib Michael) English version. Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title 'aret' The Year); Michael's Night is based on an earlier simple choral song (Star Mirror 1987) now for 12 voices and composed such that an originalidea of 'simultaneously displaced opposite motions' cf. the poem) comes out as desired. Of the Nocturnes Norgard writes: 'Summer's Sleep was composed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of 'the summer of life' which is asleep - while the 'heaven seed' waits for the summer wind ('invisible to every mind'). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and

This 'Air' comes from Bach’s Orchestral Suite No.3 in D major. Its popular title 'Air on the G String' is from an arrangement for violin and piano by the great German violinist August Wilhelmj who played most of the melody notes on the “G” string of the violin. This arrangement for piano will be an ideal piece for use during wedding services.

Eulenburg Miniature Score of the Overture to Richard Wagner's grand opera Tannhauser .

The Austrian violinist and composer Jakob Dont (1815-1888) very early became a member of the Vienna Hofburg Theatre later of the Court Chapel. Although he had made a name for himself as a soloist he decided in favour of a career in education. For his instrument the violin he wrote about 50 works most of them modern opera pot-pourris and character pieces which are forgotten today. Apart from the preliminary exercises for Kreutzer and Rohde his 'Studies and Caprices' (opus 35) however have become an integral part of violin lessons. Praised by Joachim Auer and Flesch these outstanding studies were edited by Max Rostal in consideration of a modern violin technique andcomplemented by preparatory exercises and variants.

Valerie Shields presents an arrangement of A La Nanita Nana for 2-part Upper Voices with accompaniment for Piano Cello and 2 Trumpets.

Also suitable for flute violin and oboe

Thirty-five easy Pieces for Double Bass and Piano. A wealth of short and enjoyable tunes for school concerts festivals and exams. A tremendous amount of music packed into 48 pages. I highly recommend this book ...useful for a variety of levels of students'. American String Teacher. Contains a selection of pieces for the ABRSM and AMEB (Australian Syllabus) Double Bass examinations.

Niels Viggo Bentzon: Sonatine Op.143 For 2 Klaverer is a Piano duet beautifully composed by Danish composer Niels Viggo Bentzon Sonatine Op.143 For 2 Klaverer is a Piano duet beautifully composed by Danish composer Niels Viggo Bentzon. Manuscript copy.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

The classic Gershwin melody arranged for easy-play piano The theme from Gershwin's ever-popular Rhapsody In Blue has been arranged here for easy Piano by Henry Duke.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Treble Clef In E Flat-Easy well known melodies for Eb solo instrument with piano accompaniment. 41 tunes from folk to classical. 'This is ideal teaching material.. Good value.' Sheet Music Magazine. 'Here are the usual favourites...but also many well-known melodies not found in other collections. The piano parts are very simple too. This album should help to encourage the beginner to attempt new pieces on his own and to keep the momentum going through the summer holidays.' AWT Grade: Easy

Written in 1989 a work for classical accordeon. Written in 1989 a work for classical accordeon.

2004 for Baritone String Quartet and Electronic ElementText by Hans Christian Andersen Parts = WH31591A Electronic Element = WH31591E Pelle Gudmundsen-Holmgreen's Moving Still (2004) for Baritone String Quartet and Electronic Element. Text by Hans Christian Andersen. Dedicated to Paul Hillier and the Kronos Quartet Commissioned by Symphonic Fairytales (celebrating the 200th Anniversary of Hans Christian Andersen in 2005) for Paul Hillier and the Kronos Quartet . Parts = WH31591A Electronic Element = WH31591E

Arranged for Clarinet and Piano by Ivan C. Phillips.

Also suitable for violins

Eulenburg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Nr. 7 Voglio dire- Voglio Dire is a delightful Arietta from Handel's opera Partenope . For Medium Voice and Piano.

The première of Daudet's play L'Arlésienne with incidental music by Bizet at the Théâtre du Vaudeville on 30 September 1872 was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber however was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion for the première of the first Arlésienne suite took place only six weeks later at the Concertspopulaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Thus before his death in June 1875 Bizet had the satisfaction that his suite from L'Arlésienne was played by all the major concert societies in Paris and it has remained firmly in the concert and recorded repertoire ever since. The première of Daudet's play L'Arlésienne with incidental music by Bizet at the Théâtre du Vaudeville on 30 September 1872 was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber however was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion for the première of the first Arlésienne suitetook place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Thus before his death in June 1875 Bizet had the satisfaction that his suite from L'Arlésienne was played by all the major concert societies in Paris and it has remained firmly in the concert and recorded repertoire ever since.

Woodwind Ensemble-Agincourt Carol is the best known of many songs written soon after the famous Battle of Agincourt in 1415. Nothing to do with Christmas carols!. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.