There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

When Christa Landon presented the first printed version of her edition of Joseph Haydn's piano sonatas Haydn's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then Haydn's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. Since the Haydn anniversary in 2009 this 'legendary' edition has been thoroughly revised for over the course of more than forty years new sources have come to light and questions of authenticity have been resolved not least because the editorial principles for 18th-century music have changed considerably. The new edition is published in fourvolumes the content of each volume being compatible with the volumes of the previous edition. Volume 3 of the new edition comprises the 17 sonatas Hob. XVI:21–32 and Hob. XVI:35–39 contained in Vol. 2 of the previous Wiener Urtext edition including popular works for music lessons such as Hob. XVI:27 35 and 37. In the Notes on Interpretation Robert D. Levin explains important aspects of Haydn's performance practice and with the help of numerous examples shows possibilities to embellish the pauses frequently used by Haydn. When Christa Landon presented the first printed version of her edition of Joseph Haydn 's Piano sonatas Haydn 's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then Haydn 's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. Since the Haydn anniversary in 2009 this 'legendary' edition has been thoroughly revised for over the course of more than forty years new sources have come to light. Questions of authenticity have also been resolved not least because the editorial principles for 18th-century music havechanged considerably. The new edition is published in four volumes the content of each volume being compatible with the volumes of the previous edition. Volume 3 of the new edition comprises the 17 sonatas Hob. XVI:21-32 and Hob. XVI:35-39 contained in Vol. 2 of the previous Wiener Urtext edition including popular works for music lessons such as Hob. XVI:27 35 and 37. In the Notes on Interpretation Robert D. Levin explains important aspects of Haydn 's performance practice and with the help of numerous examples shows possibilities to embellish the pauses frequently used by Haydn .

for SATB and organ In this arrangement of the hymn tune St Clement traditional verses alternate with those newly arranged by John Rutter. The piece is part of a wider collection of hymn arrangements which have been recorded by the Cambridge Singers on the Collegium CD Sing ye heavens (COLCD 126). The Day Thou Gavest arranged by John Rutter for SATB Choir and Organ. In this arrangement of the hymn tune St Clement traditional verses alternate with those newly arranged by John Rutter . The piece is part of a wider collection of hymn arrangements which have been recorded by the Cambridge Singers on the Collegium CD Sing Ye Heavens (COLCD 126).

Jo Kondo 's A Contemplation for solo Piano. This work was composed in 2013 for Hauke Harder and was first published in 2014. Jo Kondo 's A Contemplation for solo Piano. This work was composed in 2013 for Hauke Harder and was first published in 2014.

for SATB congregation & organ Glory To Thee My God This Night arranged by John Rutter for SATB choir congregation and Organ.

A bright well-crafted setting of the classic spiritual with a strong rhythmic feel. Easy countermelodies and excellent voice leading can't miss! Available: 2-Part.

With Piano reduction of Instrumental Parts.

A highly accessible and mellifluous arrangement for unaccompanied SATB. The delicate scoring smooth vocal lines and well-judged splashes of harmonic colour allow the simple beauty of the tune to be heard. A highly accessible and mellifluous arrangement for unaccompanied mixed voices. The delicate scoring smooth vocal lines and well-judged splashes of harmonic colour allow the simple beauty of the tune to be heard.

'Cadiz' Serenata by I. Albeniz transcribed for the guitar by Miguel Llobet. 'Cadiz' Serenata by I. Albeniz transcribed for the guitar by Miguel Llobet.

for SATBarB and optional organ William Byrd's Vigilate set here for SATBarB choir with organ reduction for rehearsal only. Edited by John Morehen.

for SATB and organ Thomas Mudd 's Let Thy Merciful Ears O Lord for SATB choir and Organ.

Nr. 10 Requiem-TTBB (Choral Score). Reger M

for SATB (with divisions) unaccompanied This festive arrangement of a traditional German carol features an English text translated and adapted by John Rutter. The first two verses are sung by soloists (or alternatively by a semi-chorus) over a background of choral hums before all singers come together in the final verse. John Rutter 's Still Still Still for SATB choir (with divisions) unaccompanied. This festive arrangement of a traditional German carol features an English text translated and adapted by John Rutter . The first two verses are sung by soloists (or alternatively by a semi-chorus) over a background of choral hums before all singers come together in the final verse.

Dances-Turnbull's style envinces an unostentatious yet individual sense of lyricism textural balance clarity and technical mastery. During his lifetime only a handful of songs and Piano pieces were published; therefore the aim of this edition is to bring together the best of his published and unpublished works and gain a greater insight into Turnbull's far more varied output and compositional ability.

for SATB (with divisions) and organ This jubilant carol sets a fifteenth-century text that rejoices in the birth of the baby Jesus. An ideal opener for any Christmas Carol concert the work is featured on the Choir of Truro Cathedral's CD A Year at Truro (Regent Records). This jubilant carol sets a fifteenth-century text that rejoices in the birth of the baby Jesus. An ideal opener for any Christmas Carol concert the work is featured on the Choir of Truro Cathedral's CD A Year at Truro (Regent Records).

Novello Voices Show Singles (From Evita.) Arranged by Barrie Carson Turner. Fabulous SATB arrangements of popular modern songs from West End shows and the worlds of jazz and pop music.

Dressed In White-Thomas Simaku 's Albanian Wedding Song for SSA choir. This song is part of a set published as Three Albanian Folk Songs for Female Choir. Qenke veshur me të bardha (Dressed in White - Kosova) is the most popular wedding song which is sung not only in Kosova but in every Albanian wedding. As in most folk songs these tunes are remarkably short. The melodies themselves have not been altered but have been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary for each song. Within the overall folk idiom of the piece each song has its own flavour and character. Thomas Simaku 's Albanian Wedding Song for SSA choir. This song is part of a set published as Three Albanian Folk Songs for Female Choir. Qenke veshur me të bardha (Dressed in White - Kosova) is the most popular wedding song which is sung not only in Kosova but in every Albanian wedding. As in most folk songs these tunes are remarkably short. The melodies themselves have not been altered but have been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary for each song. Within the overall folk idiom of the piece each song hasits own flavour and character.

One of Stanford's larger choral works the oratorio Eden was written to the words of Bridges in 1891.

A collection of songs jigs hornpipes airs polkas and arches from the Celtic lands of Scotland Ireland and England. The songs are arranged for mountain dulcimer primarily in 1-5-8 (Mixolydian) tuning along with a few tunes in 1-5-5 (Ionian) tuning. The arrangements make use of the capo as well as playing tunes in Em and Bm and include a Part II for a suggested harmony on selected songs. The book is accompanied by an audio recording of each tune. Song titles include: George Brabazon Off She Goes Irish Lamentation Keel Row Water Is Wide Loch Lomond Foggy Dew and many more. Intermediate playing level suggested. Includes access to online audio. A collection of songs jigs hornpipes airs polkas and arches from the Celtic lands of Scotland Ireland and England. The songs are arranged for mountain Dulcimer primarily in 1-5-8 (Mixolydian) tuning along with a fewtunes in 1-5-5 (Ionian) tuning. The arrangements make use of the capo as well as playing tunes in Em and Bm and include a Part II for a suggested harmony on selected songs. The book is accompanied by an audio recording ofeach tune. Song titles include: George Brabazon Off She Goes Irish Lamentation Keel Row Water Is Wide Loch Lomond Foggy Dew and many more. Intermediate playing level suggested. Audio download available online.

For Piano and String Quartet. Published in 2001. Parts. For Piano and String Quartet. Published in 2001. Parts.