Radiant Music was written for flautist Alice K. Dade at her request for a short recital piece. The CD part is made up of several episodes of shimmering music for flutes dulcimers organs and sampled baroque strings trumpet and choir. This piece attempts to obsess over a repeated sequence of chords - this progression appears in the opening bars of the piece. This sequence reappears in each episode as a harmonic goal for the flute whose part circumnavigates it but never hits it exactly. Also at play in Radiant Music is a notion of fast music that moves slowly versus slow music that moves quickly. This is most evident in the Throbbing music which is very fast but hasan immensely slow harmonic motion and in the conclusion which is made of one chord reworked over a long stretch of time. Radiant Music is dedicated to Alice K. Dade with thanks to Alex Sopp who edited the part in 2007. Download the pre-recorded element HERE . If you encounter any problems please email promotion@musicsales.co.uk . Radiant Music was written for flautist Alice K. Dade at her request for a short recital piece. The CD part is made up of several episodes of shimmering music for flutes dulcimers organs and sampled baroque strings trumpet and choir. This piece attempts to obsess over a repeated sequence of chords - this progression appears in the opening bars of the piece. This sequence reappears in each episode as a harmonic goal for the flute whose part circumnavigates it but never hits it exactly. Also at play in Radiant Music is a notion of fast music that moves slowly versus slow music that moves quickly. This is most evident in the Throbbing musicwhich is very fast but has an immensely slow harmonic motion and in the conclusion which is made of one chord reworked over a long stretch of time. Radiant Music is dedicated to Alice K. Dade with thanks to Alex Sopp who edited the part in 2007. Download the pre-recorded element HERE . If you encounter any problems please email promotion@musicsales.co.uk .

Commissioned by the 2011 St. Louis Metro District #8 Middle School Honor Choir this energetic arrangement for both 3-part and 2-part voices is everything you desire for your young singers. Driving piano accompaniment solid vocalwriting and dynamic twists and turns set this spiritual on fire. Available: 3-Part Mixed; 2-Part; PianoTrax CD.Didn't My Lord Deliver Daniel (Arr Gilpin Greg) 3 Part Mixed Choral

Score and Parts-Premiere performance was given by the Audubon Quartet and James Campbell on November 24 1987 in New York. Score and Parts. Premiere performance was given by the Audubon Quartet and James Campbell on November 24 1987 in New York.

Dan Hall's lyrical setting of W.B. Yeats' moving poetry expands on a lovely Welsh tune to create a warm gentle and melodic choral work. Suitable for HS mixed choirs and both secular or sacred contexts it would make a fine concert addition.

This lively original is set in the style of a Hungarian csardas with sparkling dance-like rhythms and a whirling twirling text that evokes the gypsy-style violin that it describes. Perform it as a concert piece or use theenergetic ShowTrax Cassette to display a variety of European folk dances. Available: SAB 2-Part ShowTrax Cassette. Performance Time: Approx. 2:30.

This American folk song tells the story of a girl wearing a yellow ribbon around her neck until her far-away love returns to her. The story told in unison and easy part-singing will delight your young singers. The piano mimics afiddle player at a country dance but the optional fiddle part lets you have the real thing if desired! A bright performance piece from the American folk song heritage.

Twelve beautiful solos based on favorite hymns and sacred melodies. Selections are appropriate throughout the church year and are moderate in difficulty. Includes The Old Rugged Cross: Stand Up for Jesus: How Great Thou Art: In the Garden and more. Keyboard accompaniment included for each selection. Includes a 24-page pull-out part for the trumpet. Twelve beautiful solos based on favorite hymns and sacred melodies. Selections are appropriate throughout the church year and are moderate in difficulty. Includes The Old Rugged Cross; Stand Up for Jesus; How Great Thou Art; Inthe Garden and more. Keyboard accompaniment included for each selection.

with The Solid Rock- Uses: General youth praise team Reformation Scripture: Matthew 7:25-26 This new retro-styled anthem speaks to foundational truths and even incorporates a classic hymn text. Alive with rhythmic vigor the composer uses a minor mode to bring a captivating element to this confident statement of faith. Available: SATB LiteTrax CD. Duration: ca. 2:27.

Mid-Intermediate Level 1 Piano 4 Hands-In this lovely duet the Primo sings a carefree melody that soars over the Secondo's easy syncopated beat evoking happy memories in one of the most romantic cities in the world. Key: C Major. In this lovely duet the Primo sings a carefree melody that soars over the Secondo's easy syncopated beat evoking happy memories in one of the most romantic cities in the world. Key: C Major.

Teaching Tips Tools and Assessment-Teach with Freddie the Frog® and kids fall in love with music! And now teachers can go 'beyond the books' and expand musical learning with a valuable resource and CD-ROM. Teaching tips tools and assessment strategiesinclude: 14 sequential lessons teacher tips to keep the wiggliest kids captivated reproducible student flashcards assessment strategies and reports 25 educational coloring pages interactive whiteboard activities Freddie theFrog Clip Art and more!

Select Contradanzas Habaneras by 19th century Cuban composer Manuel Saumell (1817-1870). Saumell is known as the Father of nationalism in Cuban music. In more than 50 Contradanzas Habaneras Saumell never repeated himself for within those 8 or 16-bar phrases he was capable of astounding rhythmic and melodic invention. This group of contradanzas were originally written for the piano and arranged here for flute and guitar by Elias Barreiro. Presented in standard notation only with separate pull-out sections for guitar and flute.Select 'Contradanzas Habaneras' by 19th century Cuban composer Manuel Saumell (1817-1870). Saumell is known as the 'Father of nationalism in Cuban music'. In more than 50 Contradanzas Habaneras Saumell never repeated himself forwithin those 8 or 16-bar phrases he was capable of astounding rhythmic and melodic invention. This group of contradanzas were originally written for the piano and arranged here for flute and guitar by Elias Barreiro. Presented instandard notation only with separate pull-out sections for guitar and flute.

Combining one of our best-loved hymns with rhythmic vocal jazz background makes this a stunning crossover work to be enjoyed by both singers and audience. The eight-part arrangement will work very well even with a smaller butstrong group of singers. A work that will surely bring light and joy to your program! Duration: ca. 4:50.Combining one of our best-loved hymns with rhythmic vocal jazz background makes this a stunning crossover work to be enjoyed by both singers and audience. The eight-part arrangement will work very well even with a smaller but strong group of singers. A work that will surely bring light and joy to your program! Duration: ca. 4:50.

Ten top hits from these arena rock legends! Includes bass transcriptions in notes & tab for: Amanda * Don't Look Back * Feelin' Satisfied * Foreplay/Long Time (Long Time) * Hitch a Ride * Let Me Take You Home Tonight * More Than aFeeling * Peace of Mind * Smokin' * Something About You.Ten top hits from these arena rock legends! Includes bass transcriptions in notes & tab for: Amanda • Don't Look Back • Feelin' Satisfied • Foreplay/Long Time (Long Time) • Hitch a Ride • Let Me Take You Home Tonight • More Than a Feeling • Peace of Mind • Smokin' • Something About You.

Score-This third essay for Orchestra was written by Samuel Barber in 1978.

One of the most recognized anthems from the English Renaissance in a new adaptation specifically geared to the limits of younger voices and middle school choirs. Intimate and expressive this would work well in both concert and worship settings and provides a great way to introduce young singers to historical choral works. Available for SSA and 3-Part Mixed. One of the most recognized anthems from the English Renaissance in a new adaptation specifically geared to the limits of younger voices and middle school choirs. Intimate and expressive this would work well in both concert and worship settings and provides a great way to introduce young singers to historical choral works. Available for SSA and 3-Part Mixed.

As the title implies here is an exciting and powerful composition for very young players. Written in minor and using a single tempo throughout this piece provides nice feature spots for your horns/saxes as well as trumpets. Theclarinet parts are all written below the break and these players will enjoy the menacing-sounding trills. (Grade 1.5)

Based on the Pervigilium Veneris Anonymous Latin Stanzas of the 2nd or 4th century A.D. and is translated by Thompson for baritone and orchestra. Virgil Thomson 's The Feast Of Love based on the Pervigilium Veneris Anonymous Latin Stanzas of the 2nd or 4th century A.D. For Baritone Voice and Piano. The Feast Of Love originally for Baritone and Orchestra was commissioned by the Library of Congress and first performed there at the Elizabeth Sprague Coolidge Birthday Festival on November 1 1964. The soloist was David Clatworthy and theconductor was Walter Hendl. The work is a setting in the composer's free translation of the Pervigilium Veneris a collection of rhymed Latin stanzas from the second or fourth century A.D. celebrating the tree day festival ofvenus.

Premiered at the 2005 ACDA convention this setting of a poem by William Butler Yeats begs the listener to tread softly on our dreams. Available for SSAA and TTBB.

Henry Mancini's concert albums and countless live concerts featured some of his finest work as an arranger. This well-crafted medley features four of the Andrew Lloyd Webber's beloved songs from the classic Broadway show.Includes: Superstar Everything's Alright King Herod's Song I Don't Know How To Love Him.

This piece has the potential to be a superstar. Synagogues churches and secular choirs alike young and old will thrill to this upbeat anthem of rejoicing. Its simple text (Hallelujah!) and bright joyous unflagging energy make it equally perfect for choral festivals and for Easter Sunday.This piece has the potential to be a superstar. Synagogues churches and secular choirs alike young and old will thrill to this upbeat anthem of rejoicing. Its simple text (“Hallelujah!”) and bright joyous unflagging energy make it equally perfect for choral festivals and for Easter Sunday.