Written for SATB choir organ and optional solo trumpet. Words by John Donne.

Howells wrote Penguinski for a visit made to the Royal College of Music in London on 10 May 1933. This score pays light and affectionate tribute to the considerable popularity of Stravinksy in London from the teens of the twentieth century. In Penguinski Howells creates a knockabout piece which shadowboxes Petrushka . Whilst underlining Howells's versatility the score gives a colourful insight into the prevailing influences of the time and is an intriguing example of how Stravinsky must have sounded to his English contemporaries. Howells wrote Penguinski for a visit made to the Royal College of Music in London on 10 May 1933. This score pays light and affectionate tribute to the considerable popularity of Stravinksy in London from the teens of the twentieth century. In Penguinski Howells creates a knockabout piece which shadowboxes Petrushka . Whilst underlining Howells's versatility the score gives a colourful insight into the prevailing influences of the time and is an intriguing example of how Stravinsky must have sounded to his English contemporaries.

Six hits for children's choir from the best-selling series. Contents: Irish Lullaby Al Shlosha d'varim Simple Riffs Thula s'thandwa Hamisha Asar This is the Day. Everything you need to train young choirs. Choral Music Experience (CME) is a performance-based curriculum for music education developed by award-winning educator Doreen Rao. It brings a new integrated approach to music education combining the development of performance skills with the acquisition of musical knowledge. In the past these complementary aspects of music have been taught and treated separately. Today we know that when students perform they are demonstrating their knowledge - they are singingtheir understanding. Guided by this performance model Doreen Rao's Choral Music Experience focuses on distinctive diverse multicultural choral repertoire in which students can experience the joy of learning through singing. An invaluable resource for conductors teachers and student teachers. There is an extensive library of graded repertoire specially written & edited for young voices which introduces a very wide range of styles: folk gospel jazz blues classical and contemporary. The teaching materials cover vocal technique and conducting technique and includes rehearsal guides evaluation questions and assessment materials. Upper Voices (pack of 10). Rao D

Written for two-part treble voices this setting of words by Lord Byron would work successfully for treble voices of all ages. Tom Shelton a successful middle school teacher understands quite well the capabilities of treble voices.

For 16 instruments. Published 2004. 1.0.1.1 / 1.1.0.0 / hp.pf.2perc / 2.2.2.1 Commissioned by the Music Department of the Calouste Gulbenkian Foundation. First performance: Birmingham Contemporary Music Group cond. Susanna Malkki Gulbenkian Auditorium Lisbon 28th February 2005. Score. For 16 instruments. Published 2004. 1.0.1.1 / 1.1.0.0 / hp.pf.2perc / 2.2.2.1 Commissioned by the Music Department of the Calouste Gulbenkian Foundation. First performance: Birmingham Contemporary MusicGroup cond. Susanna Malkki Gulbenkian Auditorium Lisbon 28th February 2005. Score.

Sancta Maria by Bjarne Hersbo scored for Soprano Voice and Organ. Sancta Maria by Bjarne Hersbo scored for Soprano Voice and Organ.

A setting for soprano voices-A new printing and a new cover for this increasingly popular setting for the Latin text. Ideal for school and young people's choirs and for those churches with SA choirs. Fine melodic vocal writing and a gracious organ part. to the accompanist. A new printing and a new cover for this increasingly popular setting for the Latin text. Ideal for school and young people's choirs and for those churches with SA choirs. Fine melodic vocal writing and a graciousorgan part. For services or concerts. Malcolm Archer Organist and Master of the Choristers at Wells Cathedral is a foremost composer of enormously popular church music.

French composer Alfred Désenclos (1912-1971) described his music as romantic. His music is expressive and atmospheric as heard in his Plain-Chant Et Allegretto for Trombone and Piano. Désenclos studied at the Roubaix Conservatory and he won the 1942 Prix de Rome. His Plain-Chant Et Allegretto was published in 1965 towards the end of the composer's life. A typical performance lasts around eight minutes in which the Trombone solo line is enhanced by rhythm and technique. As expected the two movements are contrasting suitable for the advanced trombonist. For all Tromboneplayers seeking alternative and challenging repertoire Désenclos' Plain-Chant Et Allegretto makes for a riveting performance.

This work was commissioned by Riga Youth Choir who gavethe first performance in Riga on 3rd July 2008. Based on a poem by Frithjof Schuon. The composer writes Frithjof Schuon's poem The Eternal Sun speaks of our earthlysun as a reflection of the Divine Sun which no earthly eye can see and the music reflects this in its mirror images. The opening music for the main choir should glow with magnificence and splendour representing theunattainability of the Heavenly Sun but the later passages especially the music for the distant semi-chorus should be more nostalgic and haunting.

Outstanding edition from Haydn's 'Mass in Time of War.' Includes Latin pronunciation guide and optional English text. No divisi no solos moderate ranges.

The antiphon 'O Sapientia' (with a text from the Old Testament Book of Wisdom) bears testimony to Pawel Lukaszewski's genuine artistry and to his fascinating very individual musical imagination as an academic composer (hestudied composition at the Music Academy in Warsaw where he is a lecturer at present) as well as to his vast knowledge and profound understanding of the immense wealth of choral church music tradition. He is a man deeplyinvolved in the development of new liturgical music the organiser of an association a competition and a festival of sacred music as well as founder of a choir in one of Warsaw's two cathedrals. 'O Sapientia' is neither eclecticnor experimental - it is rather a mature continuation of the tradition on the highest artistic level. For unaccompanied SATB chorus (with divisions) with a Piano accompaniment for rehearsal purposes.

4 Saxophones. Mower M

SATB. Nardone P

Saturnalia is a feast in honour of Saturn that originated in the Roman Empire (circa 800-510 BC). It was celebrated for the first time on 17 December 497 BC when the gods Saturn and Janus ruled Italy. These gods assured affluence fertile land good harvests and introduced writing to the people. Saturn�s symbol was a sickle denoting that all citizens were equal and that no one had the right to individual possessions. During the feast of Saturnalia the roles of slaves and masters were reversed. This varied work by Ben Haemhouts is suitable for competitions or concerts.

For solo Piano two Harps and Strings (full score).

Christmas classic arranged in a two part harmony.

A Latin Fantasy-Composed by Alfred Reed in 1986 El Camino Real continues to be a repertoire staple for advanced ensembles. By shortening the duration and reducing the instrumentation and extreme technical demands Robert Longfield hasmasterfully adapted this gem into an authentic sounding edition for younger players. A rewarding and distinctive work! Dur: 5:00

to the concerto for piano and orchestra in G Major Hob. XVIII:4- Felix Mendelssohn's 6 Songs Without Words for Piano.

Das Kinder-Weihnachtsalbum mit den bekanntesten und beliebtesten Weihnachtsliedern- A children's Christmas book containing the most popular Christmas songs and carols in easy and very easy arrangements for piano or keyboard.

Carefully graded carols are placed in order of difficulty within each book. Every carol has a duet part for the teacher or parent. May be used with any method.