Fünf Sonaten für zwei Violinen Orgel Violoncello und Bass- About Complete Church Sonatas. Volume 25 Sonatas for two Violins Organ Violoncello and Bass. By Wolfgang Amadeus Mozart. Edited by Minos E. Dounias. For Violin 1 Violin 2 Organ Violoncello Contrabass. Playing Score; Set of Parts; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA4732) ISBN M006454525. Contents:KV 244 F-dur /4`KV 245 D-dur /5`KV 274 (271d) G-dur /5`KV 328 (317c) C-dur /4`KV 336 (336d) C-dur /3`

The conductors score for the First Year Charts Collection For Jazz Ensemble. This edition comes with a CD of all the charts.

Violin Piano. Dvorak A

A tremendous work for Solo Piano dating from 1916. This is number 10 in his set of 13 Pieces . Jean Sibelius’ 13 Morceaux Op.76 were all composed between 1911 and 1919 and form a fantastic set of pieces that contains much variation in tempo mood and character.

Quarter Military Band QMB 380-Symphonic Band (score & parts). Copland A

Feature the section that “delivers the energy” in this great new arrangement by James Curnow. Based on a French folk song that tells a story about three young drummer boys the music uses imitation question and answer and stylistic rhythmic figures to challenge these proud musicians.While featuring the Percussion section there are also great parts for everyone else so the entire group will stay engaged and productive in rehearsal.Spirited!

7 Christmas carols in easy arrangements for 2 or 3 recorders- These arrangements of well-known Christmas songs supplement the collection of 645 tunes and exercises that are included in the ten volumes of Fun and Games with the Recorder. The pieces are intended for use both as practice material and for performance in school and music centre concerts. Above all the aim is to encourage ensemble playing. Suitable for children from 7 to 8 years old with 2 to 3 years playing experience.

The Man Who Mistook His Wife For A Hat investigates the world of a person with visual agnosia – such people “see but do not see”. This Chamber Opera by Michael Nyman with libretto by Oliver Sacks ChristopherRawlence and Michael Morris was based on the book of the same title by Oliver Sacks and first performed in London on 27 October 1986. This full score edition contains introductions in English French German and Italian.Scored for Soprano Tenor Baritone Harp Piano 2 Violins Viola and 2 Cellos it has duration 70 minutes. Performance material is available to hire from the publishers.

Work for two Sopranos Alto and Band composed in 1990. Work for two Sopranos Alto and Band composed in 1990.

Graded piano recital repertoire in four volumes edited by Carole Bigler and Valery Lloyd-Watts. Each volume includes a rich selection of the works of the greatest masters from all eras. Book 1 repertoire is sequenced so that it would range from Levels 1-3 of piano methods.

Piano. Hummel B

Composed in 1998; score & separate Flute part included. Beat Furrer was born in Schaffhausen (Switzerland) in 1954 and received his first musical training on piano at the Music School there. After moving to Vienna in 1975 he studied conducting with Otmar Suitner and composition with Roman Haubenstock Ramati at the Hochschule für Musik und Darstellende Kunst. In 1985 he founded the Klangforum Wien which he directed until 1992 and with which he is still associated as conductor. Commissioned by the Vienna State Opera he composed his first opera Die Blinden. Narcissus was premiered in 1994 as part of the Festival “steirischer herbst” at the Graz Opera. In 1996 hewas composer-in-residence at the Lucerne Festival. His music theatre work BEGEHREN was premiered in Graz in 2001 the opera invocation in Zürich in 2003 and the sound theatre piece FAMA in Donaueschingen in 2005. In autumn 1991 Furrer became a full professor of composition at the Hochschule für Musik und Darstellende Kunst in Graz. He has been guest professor in composition at the Hochschule für Musik und Darstellende Kunst in Frankfurt 2006–2009. In 2004 he was awarded the Music Prize of the City of Vienna and in 2005 became a member of the Academy of Arts in Berlin. He was awarded the Golden Lion at the Venice Biennale in 2006 for his work FAMA. In 2010 his music theatre WÜSTENBUCH was premiered in Basel.

Composed by Schumann Album fur die Jugend is published within ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes. This edition prepared and annotated for the ABRSM by Howard Ferguson.

The score and solo part to Steve Reich's Vermont Counterpoint for Flute and Tape or Flute Ensemble.

Two fantasies on the thematic fragments from the string quartets.- '- Two fantasies on the thematic fragments from the 9th & 3rd string quartets of Paisiello. Matthias Pintscher was born in Marl in North Rhine-Westphalia Germany in 1971 and studied composition with Giselher Klebe and Manfred Trojahn. Formative influences were his encounters with Hans Werner Henze who invited him to Montepulciano in 1991 and 1992 and with Helmut Lachenmann Pierre Boulez and Peter Eötvös. Awards include first prize in the Hitzacker Composition Competition (1992) the Rolf Liebermann Prize and the Opera Prize from the Körber Foundation Hamburg (1993 and 1996) the Prince Pierre de Monaco Prize (1999) Composition Prize from the Salzburg EasterFestival and the Hindemith Prize from the Schleswig Holstein Music Festival (2000). In 2002 he was awarded the Hans Werner Henze Prize (Westphalian Music Prize). Pintscher first came to international attention with the opera Thomas Chatterton at the Semper Opera Dresden (1998) and later with his second opera L'espace dernier at the Opéra National de Paris (2004). He was composer-in-residence with the Cleveland Orchestra in 2002 the following seasons at the Konzerthaus Dortmund Lucerne Festival with the Radio Symphony Orchestra Saarbrücken at the Philharmonie Cologne and at the RSO Stuttgart . From 2010 onwards Pintscher is “Artist-in-Association” at the BBC Scottish Symphony Orchestra since 2014 Artist-in-residence at the Danish Radio Orchestra. As a conductor Matthias Pintscher works regularly with leading orchestras and ensembles in Europe and the USA. From 2007 to 2009 he was Professor of Composition at the University of Music and Performing Arts Munich and 2010 to 2011 at the New York University. He is Music Director of the Ensemble intercontemporain and since the 2013–14 season. As of September 2014 he is Professor for composition at the Juilliard School of Music New York.

Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr- Requiem K.626 The Requiem completed by Franz Xaver Sussmayr in its traditional form. Mozart's final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer's early death truth and legend fragments and attempts to complete the work. The completion of the fragmentary score by his assistant Franz Xaver Sussmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart's thoughts. - Urtext of the New Mozart Edition - Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale - Facsimile edition BVK2346

Organ Piano. Copland A

Sing-along with 8 great-sounding tracks!

Trombone Piano. Schiffmann E

Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.