Lyrische Szenen in 3 Aufzügen-Libretto (English). Tschaikowsky Pi Libretto (English). Tschaikowsky Pi

Girolamo Frescobaldis music influenced composers like Froberger Buxtehude Johann Sebastian Bach and Muffat. Bärenreiter sets a benchmark in six editions next to the well-tried Pidoux-edition.

Andre Jolivet's Sonatina For Flute And Clarinet as composed in 1961.

Sonate für Orgel und Kammerorchester Streicher ohne Viola- The 17 Church or 'Epistle' Sonatas were composed between 1772 and 1780. They are short single-movement pieces intended to be played during a celebration of the Mass. Three of the Sonatas are scored for small Orchestra including Oboes Horns Trumpets and Timpani and the rest are scored for Organ and Strings without Violas. The Sonata in this Volume 5 is the Sonata in C major K.263 (Organ Solo 2 Trumpets Strings).

About Violoncello ConcertoUrtext der Haydn-Gesamtausgabe. By Franz Joseph Haydn. Edited by Sonja Gerlach. For Cello Solo oboe (2) bassoon ad lib. horn (2) strings. Score; Urtext Edition. Hob. VIIb:2. Duration 22'. Published by Baerenreiter-Ausgaben (German import). (BA4675) ISBN M006501915.

from Islas y Montanas-Seis Manuel is the 3rd movement of the 4-movement suite Islas y Montañas and represents the traditional song and dance form of the Jibaro people peasant farmers from the mountains of Puerto Rica. Solos are given to low brass and clarinets important instruments in Puerto Rican military bands. Symphonic Band (full score). Hanson S

These variations are based on the concept of Beethoven's 32 variations in C Minor. In Beethoven's work all the variations are eight bars long without any changes in tempi or time signature. Each variation is complete in itself but the variations are carefully grouped and juxtaposed to have a cummalitive effect. His individual variations are always very clearly connected with the original theme both melodically and harmonically. Rather than occupyinghimself solely with decoration of the original melody Beethoven's concern was with piano figuration and technique. In following the principles Beethoven created in this work Elias has attempted to concern himself with the samepreoccupations; by using clealy audible motifs that permit him to concentrate on writing for the instrument and by using short sharply defined phrases (always of eight bars) to build up a larger structure.

Serge Rachmaninoff's celebrated Vocalise Opus 34 No.14 is arranged here for Alto Saxophone and Piano in the edition by John Harle. This edition includes pieces featured in grade exams (ABRSM Saxophone (Alto/Baritone) from 2014). Rachmaninov's famous and favourite Vocalise Op.34 set here for Alto Saxophone with Piano accompaniment.

I had a little nut tree-SS. Bertaux B

Marian Montgomery with Richard Rodney Bennett in words music and pictures. Compiled by M Easton.

A collection of pieces which have been set for ABRSM's piano exams over the years. Available in three series each containing five graded volumes and reflecting the wide variety of pieces on the syllabuses. The series concentrate on the baroque and romantic sections of the syllabus. Twenty-two pieces from the Baroque to the late Romantic period edited by Howard Ferguson for the ABRSM. Includes works by Purcell Haydn Schumann and Tchaikovsky.

Instrumental Solos for Worship- More Great Hymns contains hymns from around the world. They are delightfully arranged in fresh settings by some of the foremost arrangers in the instrumental field. The accompaniment CD (included in the solo book) provides a demonstration performance of each solo. It also allows the soloist to practice or perform with the CD when an accompanist is not available. Contains: Amazing Grace O for a Thousand Tongues to Sing Holy Holy Holy Softly and Tenderly and others

Geoffrey Poole's Look Behind You! for Piano Trio. The title signals a piece that is full of surprises exploiting the rapid response factor of lively young performers and responding to the brilliance of Turkish wedding music. It was composed shortly before its premier on 15 March 2002 at the Victoria Rooms Bristol (as part of the Schubert Ensemble's residency at Bristol University) and is dedicated to the composer's predecessor and colleague Adrian Beaumont. - Geoffrey Poole

The music of Sigmund Romberg has been sung and treasured by generations of music lovers. This collection includes selections from The Student Prince The New Moon The Desert Song My Maryland and others arranged for piano and vocal with guitar chord symbols.

A selection of 13 popular repertoire pieces including show tunes pop hits and TV themes. Graded progressively to reach Grade 3 standard.

Easier Piano Pieces 36-The Op. 39 Waltzes were composed by Johannes Brahms in 1865. Originally intended as piano duets the composer arranged simplified versions of the duets for solo piano two years later. The Waltzes are perhaps the least demanding of Brahms's output for piano and they provide an ideal and attractive introduction to the music of this great composer. Easier Piano Pieces Vol.36. Edited for this ABRSM volume by Howard Ferguson.

Hawkes Pocket Scores HPS 729-Study Score - Hawkes Pocket Score 729. Shostakovich D

First published in the 1930's and still going strong! Otto Langey's classic tutors include helpful diagrams and illustrations fingering charts and many studies and examples from standard repertoire as well as exercises in ornamentation and passage work for the more advanced player. A fantastic reference and tutor book which covers the rudiments of music and playing the saxophone and includes scales studies miniatures and duets for saxophone. Written by Otto Langey this book will help to develop and secure your technical control offering a wide range of studies and short pieces which will also extend your stylistic understanding.

A collection of evergreen soul classics.

Unusually for him Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto initiated by the strings and only at the entry of the soloist does the tempo relax to thatof a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song around fantastical ornamentation from the soloist. The finale is again a recitative and dance with a slow coda.The whole work is an immense show of stamina poetry and athleticism for the bassoon set against an orchestra coloured by low wind (alto flute clarinet in A bass clarinet contrabassoon horns). Bassoon part with pianoreduction of the orchestral score.