Joseph Haydn 's Concerto In D Hob.VIIb/2 with cadenzas (Storck). Originally published as Op.101. Reduction for Cello and Piano.

Les Pauvres was expertly composed in 1919 by Belgian organist composer and music educator Joseph Jongen . Les Pauvres translates in English to The Poor . Jongen 's list of opus numbers eventually reached 241 even after he destroyed many of his pieces. Jongen 's Symphonie Concertante is considered by many to be among the greatest works ever written for Organ and Orchestra. Les Pauvres was expertly composed in 1919 by Belgian organist composer and music educator Joseph Jongen . Les Pauvres translates in English to The Poor . Jongen 's list of opus numbers eventually reached 241 even after he destroyed many of his pieces. Jongen 's Symphonie Concertante is considered by many to be among the greatest works ever written for Organ and Orchestra.

En 1959 le chanteur belge d’origine italienne Rocco Granata (1938) décide de produire lui-même son premier 45 tours. Comme il lui faut une face B il compose à la hâte la chanson Marina sans de douter qu’il venait d’écrire son plus grand succès ! Marina se vendra à plus de 100 millions d’exemplaires à travers le monde et fera l’objet de nombreuses versions et adaptations. Il ne manque donc plus que la vôtre. Osez !

This Rodgers and Hart standard has been recorded countless times and remains a popular choice for singers and instrumentalists alike. Mark's lush setting can also be used as a tenor sax feature and includes a brief double-time swing section. This Rodgers and Hart standard has been recorded countless times and remains a popular choice for singers and instrumentalists alike. Mark's lush setting can also be used as a tenor sax feature and includes a brief double-time swing section.

A Vietnam-era peace song with text by Adolph Green and Betty Comden for medium voice and piano.

Edna Mae Burnam wrote these 32 short melodies in 1975 after the runaway success of the main core of the A Dozen A Day series. The book emphasizes playing in a variety of key signatures: major pieces are paired with the relative minor. Like the rest of the series the short pieces are patterned and remain in five-finger position. Burnam's charming hand-drawings reflect the contrast in the mood and feel of the keys. Edna Mae Burnam wrote these 32 short melodies in 1975 after the runaway success of the main core of the A Dozen A Day series. The book emphasizes playing in a variety of key signatures: major pieces are paired with the relative minor. Like the rest of the series the short pieces are patterned and remain in five-finger position. Burnam's charming hand-drawings reflect the contrast in the mood and feel of the keys.

Its fluid rich melody and shimmering sounds will make it a performance favorite. Its fluid rich melody and shimmering sounds will make it a performance favorite.

Paul De Leeuw is probably one of the most popular cabaret artists and presenters in the Netherlands and is also well known beyond that country�s borders. The song �Vlieg met me mee� (fly with me) is very popular and the ideal sing-along for your concerts.

An album of easy traditional and pop tunes arranged for twoinstruments. Includes: I Want It That Way (Backstreet Boys) If YouBelieve (Sasha) Molly Malone Music (John Miles) and A Groovy KindOf Love (Phil Collins).

Op.120 - Viola or Clarinet and Piano accompaniment.

This exciting contains easy arrangements for solo flute of well known pop songs including Bohemian Rhapsody (Queen) Big Big World (Emilia) I Just Called To Say I Love You (Stevie Wonder) and Baby One More Time (Britney Spears) together with many traditional tunes.

Words and melody together capture the thrill of watching shooting stars at night. Written in G position with mostly stepping and skipping quarter notes it is an excellent easy-to-learn supplementary piece. The ending evokes the motion of stars disappearing across the sky. Words and melody together capture the thrill of watching shooting stars at night. Written in G position with mostly stepping and skipping quarter notes it is an excellent easy-to-learn supplementary piece. The ending evokes the motion of stars disappearing across the sky.

Click score above for a larger image For your developing group here's a very easy bossa nova chart to fit any group's playing level. No solos are needed to play this one and rhythmic reading consists of mostly whole notes and half notes. Harry Miedema's great changes flow over the Brazilian bossa beat in the rhythm section. An excellent change-of-pace tune for your beginning jazzers. Click score above for a larger image For your developing group here's a very easy bossa nova chart to fit any group's playing level. No solos are needed to play this one and rhythmic reading consists of mostly whole notes and half notes. Harry Miedema's great changes flow over the Brazilian bossa beat in the rhythm section. An excellent change-of-pace tune for your beginning jazzers.

Inspired by the intense imagery of Lorca's poetry The moon Dances evokes contrasting aspects of dance. The first movement gives a festive exuberance to a carnival atmosphere and in the second the moon dances above the shadows that engulf the dead. In the last the girl on the swing arcs across the sky her dance shimmering beneath the moon. 'Three contrasting dances from the highly respected Ms McDowall starting with exuberance jumping quickly into introspection and ending with the lively Red Star Trembles. Further evidence of the quality of British composers that can be found around every corner' MI Pro

from The Planets-Sheet Music. Theme from 'The Planets' arranged for Organ by Eric Thiman.

Monteverdi's opera L'Orfeo based on the legend of Thracian singer Orpheus and his love of Eurydice is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the Palazzo Ducale in Mantua. When an edition remains true to its sources this certainly does not mean that it is not also practical to use as is demonstrated in this Bärenreiter edition of Monteverdi's L'Orfeo. Edited by Rinaldo Alessandrini the new publication follows the Bärenreiter edition of Monteverdi's Il ritorno d'Ulisse in patria. Two contemporary prints of L'Orfeo from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants not only between the two editions but also amongst the eight surviving copies are listed in the critical commentary. This edition of L'Orfeo offers in addition to Monteverdi's somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should however feel free to follow his own judgment. The notation has been when necessary adapted to suit modern practice for example with regard to the clefs. The sections that were originally written in chiavetta have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. Detailed introduction by the editor (Ital/Eng/Ger) on the work's genesis and performance practice Comprehensive critical commentary (Eng) in the score Idiomatic piano reduction

Celebrating more than 40 years of funk and soul the unmistakable sound of Tower of Power still sounds as fresh and impressive as ever. Mark's chart on this hot tune features the blazing horn lines and driving groove of the original.

The Beatles-Enjoy the timeless music of the Beatles in this 15-minute medley featuring some of their greatest hits. Enjoy the timeless music of the Beatles in this 15-minute medley featuring some of their greatest hits.

A charming lyrical melody over a waltz accompaniment paints a sound picture of a traditional Paris scene. A charming lyrical melody over a waltz accompaniment paints a sound picture of a traditional Paris scene.

This book is part of the Play ‘em Right collection in which besides rock also the Latin and jazz styles are represented. Every one of these books is a challenge for the brass or woodwind player looking to become well-versed in the varied styles of light music. Each book contains a number of exercises in increasing degrees of difficulty - with attention given to various bass rhythms and articulation techniques - plus different performance pieces in which the techniques addressed can be applied. In Play ‘em Right - Rock Volume 2 you will find 8 exercises and 8 pieces to perform.