The first Beatles hit to reach #1 in the US this song is characterized by strong rhythms and a catchy melody. There are sure to be some Beatle fans in your band and even more in your audiences.

This refreshing sounding concert march by Bert Appermont was composed for and commissioned by the Koninklijk Fanfare Vrede en Eendracht van Kachtem (Belgium). The composer paid great attention to a full orchestration in order to enable most bands to perform this work.

This rhythm and blues classic was rediscovered by the Blues Brothers and quickly became one of their signature tunes. Featuring the trademark trumpet melody riff this is also a great solo number for alto and trumpet with easy its chord changes. This rhythm and blues classic was rediscovered by the Blues Brothers and quickly became one of their signature tunes. Featuring the trademark trumpet melody riff this is also a great solo number for alto and trumpet with easy its chord changes.

Description: Buster's Bounce is an energetic solo for the early intermediate pianist. Purpose: The piece was inspired by Buster Keaton the great silent film comedian. My intent was to instill a dramatic flare to the music with each section reflecting a different mood. Suggestions for Instruction: Try to imagine yourself accompanying a silent film. What actions might be happening on the movie screen as you play? Be sure to emphasize the lefthand melody in the first and final sections while keeping the right hand chords light. Key: C minorDescription: Buster's Bounce is an energetic solo for the early intermediate pianist. Purpose: The piece was inspired by Buster Keaton the great silent film comedian. My intent was to instill a dramatic flare to the music with each section reflecting a different mood. Suggestions for Instruction: Try to imagine yourself accompanying a silent film. What actions might be happening on the movie screen as you play? Be sure to emphasize the lefthand melody in the first and final sections while keeping the right hand chords light. Key: C minor

Like ‘Hijo de la Luna’ ‘Enamorada’ is another great Latino song regardless of the fact that it was composed by Belgian songwriters. Stef Minnebo who is an expert in this kind of music thanks to his work as a bass and guitar player made an original but faithful adaptation of this Belle Perez hit. It’s time to put your lambada outfit on and dream of the South.

G. Schirmer's Editiion of Scores of Orchestral Works and Chamber Music No. 162-(Full score). Fine I

Four Songs for Voice and Piano by Richard Hundley.

Arrangement for Piano (alternatively Keyboards or Accordion) Guitar and Bass by Harro Steffen.

Scholarly critical edition with many corrections in the score and orchestral parts. Clear presentation of orchestral parts in an enlarged format 25.5 cm x 32.5 cm. “ Prélude A L’Aprés-Midi D’Un Faune ” often referred to as the first composition of the “modern” era is one of Debussy ’s most popular and frequently performed orchestral works. The piece comes down to us in an array of sources and several important ones are drawn upon for the first time in Bärenreiter’s scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which however contains many engraver errors.When the corresponding orchestral parts are also taken into consideration countless discrepancies are revealed. Bärenreiter’s Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes found in no other source include metronome markings different pitches and additional notes as well as added tempo and articulation markings which all subtly enhance Debussy ’s finely sculpted work. There is even a breath mark added to the famous solo Flute passage which opens the work.

For 3 Horns 3 Trumpets 3 Trombones Tuba and 1 or 2 percussionists: tom tom crash cymbal sus cymbal tubular chimes. Score.

2 Trumpets 2 Trombones

Hans Vansant wanted something different with this lively number. Instead of I Will be Missin� You he composed I Won�t be Missin� You! After all each end of a friendship is a new beginning.

A dozen songs from the chart-topping third CD project by synthpop musician Adam Young. Features the megahit single Fireflies and: The Bird and the Worm Cave In Dental Care Hello Seattle Meteor Shower On the Wing The Saltwater Room Tidal Wave The Tip of the Iceberg Umbrella Beach Vanilla Twilight.A dozen songs from the chart-topping third CD project by synthpop musician Adam Young . Features the megahit single Fireflies and: The Bird and the Worm; Cave In; Dental Care; Hello Seattle; Meteor Shower; On the Wing; The Saltwater Room; Tidal Wave; The Tip of the Iceberg; Umbrella Beach; Vanilla Twilight.

Volume 8

Tjak! has been inspired by a Balinese musical ceremony long known to world music fans as Ketjak or The Monkey Chant. Is has adopted many aspects of the Balinese music including much of the timbre and texture of the music. Enjoy this very unique piece of literature not usually associated with the context of traditional choir repertoire! SSSS. Hatfield S

In diesem Heft mit unterlegt Liedtexten sind alle Solo-Blockfloetenspieler mit ihren Sopran-Floeten und Saenger eingeladen mitzumachen. Die Ausgabe ist mit den Ausgaben fuer Bfl.-Ensemble und mit der Klavierausgabe kombinierbar. fuer Bfl.-Ensemble und mit der Klavierausgabe kombinierbar.Deutsche Ausgabe. This music is for solo descant recorder player with narrative and this edition can be used in conjunction with the other Recorder and Piano accompaniment parts. German edition.

Sanctus-In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about Joan of Arc Bernstein’s music was deliberately evocative of that Saint’s medieval era. Sanctus from The Lark arranged for Full Chorus of Mixed voices or Septet of Solo Voices.

as performed by Whitney Houston-This colourful and light piece is a great starter to warm up your audience.As the title suggests ‘A Touch of Salsa’ is not pure salsa; the salsa rhythm simply forms the foundation of this fantasy composition. A light musical snack to get your audience in that Mediterranean mood. Suitable for all orchestras and composed with the necessary doublings.

For Voice and Piano in the key of B flat.

This wonderful song by Neil Sedaka has been transformed into a magnificent solo for the trumpet by Georges Moreau. The piece can also be played by the alto or soprano sax.The attractive melody and the soft accompaniment which has been orchestrated with the necessary transparency and doubling allows your soloist to concentrate on the sound and musicality.