Feature your festive flute section on this catchy original by John Moss. Written with a light and appealing sleigh ride feel this is a great program choice for a Christmas or winter concert.

No. 3 in 6 Grand Etudes after N. Paganini-Composed by Franz Liszt edited by Paolo Gallico.

John Berry has come up with an excellent version of this Irving Berlin favorite that maintains a sense of reverence yet will sound great with a jazz ensemble. Easy to learn this will make a nice addition to your programming needs.

This revised and updated collection of 18 popular tunes provides additional teaching repertoire to complement the first books in the Making the Grade series. As with the previous books the pieces have been carefully arrangedand graded and the collection is made up of well-known material which pupils will enjoy. The standard of pieces progresses to Associated Board Grade 2.

Robert Schumann's nine Forest Pieces which have been edited by Clara Schumann.

This was originally written for soprano counter tenor and baritone soloists and chamber orchestra. This version scored for soprano counter tenor and piano was composed in 1997 for a concert given by Deborah York MichaelChance and Julius Drake at the Wigmore Hall.

This R&B favorite was vaulted to fame thanks to the classic recording by Aretha Franklin in 1967. This is one the parents are sure to remember and your students are sure to enjoy.

Eight joyful Christmas tunes arranged as equal-level elementary piano duets: Believe · C-H-R-I-S-T-M-A-S · Do You Hear What I Hear · Frosty the Snow Man · Here Comes Santa Claus (Right Down Santa Claus Lane) · I Saw Mommy Kissing Santa Claus · The Most Wonderful Day of the Year · Nuttin' for Christmas. Eight joyful Christmas tunes arranged as equal-level elementary piano duets: Believe · C-H-R-I-S-T-M-A-S · Do You Hear What I Hear · Frosty the Snow Man · Here Comes Santa Claus (Right Down Santa Claus Lane) · I Saw Mommy Kissing Santa Claus · The Most Wonderful Day of the Year · Nuttin' for Christmas.

from Brazilian Psalm-From Jean Berger's Brazilian Psalm this new arrangement is ideal for all types of ensembles. The exciting vibrancy of South American samba rhythms sets the tone for this buoyant setting. Optional percussion adds to the energy.Available for SATB SAB and SSA. Performance Time: Approx. 2:45

Twenty two introits prayer responses amens and benedictions for use in the church service. Scored for four part chorus of mixed voices.

Two fun concert pieces for fairly advanced secondary chorus

Version for Violin (1994).

Gardner's own setting of the familiar carol moderate difficulty

From Gardner's Six American Hymns In A Free StyleThis one will give your choir a bit of a workout without being too difficult.

The Mystery of Love has been recorded by the Choir of Clare College Cambridge directed by Timothy Brown with the work’s librettist Robert Tear as tenor soloist (EtCetera KTC 1248: A Finer Truth). The Mystery of Love has been recorded by the Choir of Clare College Cambridge directed by Timothy Brown with the work’s librettist Robert Tear as tenor soloist (EtCetera KTC 1248: A Finer Truth). Itwas first performed in its present form by Robert Tear Joseph Cullen (organ) and the St Endellion Festival Chorus conducted by James Burton at the St. Endellion Festival on 3 August 2001.

50 Songs by 29 Composers-This comprehensive collection is the best one-volume source available on the topic with a mix of familiar recital standards and intriguing material awaiting discovery. Includes composers from c. 1900 into the 21st century. Somesongs make their first published appearance in American Art Song : Gian Carlo Menotti's moving The Old Man's Song Michael Tilson Thomas' inspired Grace dedicated to Leonard Bernstein and AaronJay Kernis' A Good Boy as well a boogie-woogie art song by the editor Blue Monday. The same songs appear in High Voice and Medium/Low Voice.This comprehensive collection is the best one-volume source available on the topic with a mix of familiar recital standards and intriguing material awaiting discovery. Includes composers from c. 1900 into the 21st century. Somesongs make their first published appearance in American Art Song : Gian Carlo Menotti's moving The Old Man's Song Michael Tilson Thomas' inspired Grace dedicated to Leonard Bernstein and AaronJay Kernis' A Good Boy as well a boogie-woogie art song by the editor Blue Monday. The same songs appear in High Voice and Medium/Low Voice.

A sprightly addition to the high school spring concert (with flute)

Descriptive piece for violin and piano.

Begun by Bach in 1720 this wonderful collection contains among other pieces chosen for teaching purposes the Inventions numbers 1 - 15 and Sinfonias 1 - 15.

Work for 2 Pianos and 2 Percussion commissioned by Ensemble K4.