For Violin and orchestra (piano reduction). Violin/Piano reduction for this work for Violin and Orchestra.

From Destiny's Child the hottest girl group on the current scene this is one powerhouse R & B hit from the top of the Billboard Hot 100!Available separately: SATB SAB SSA Instrumental Pak ShowTrax CD. Performance Time:Approx. 2:15. Survivor is a song by American R&B group Destiny's Child . It was written and composed by band member Beyoncé Anthony Dent and Mathew Knowles for the band's third studio album of the same name (2001). The song won the Best R&B Performance by a Duo or Group with Vocals at the 2002 Grammy Awards. As part of the ‘Chart Topper Series’ Survivor is arranged here by Mark Brymer for SSA Voices with Piano accompaniment. Destiny's Child has sold more than 60 million records worldwide to date. Billboard magazine ranks the group as one of the greatest musical trios of all time and the ninth most successful artist/bandof the 2000s.

Picking up right where the popularity of the first High School Musical left off the second movie offers more catchy tunes and energetic rhythms. Here is a solidly scored medley including What Time Is It You Are the Music in Me and All for One. Dur: 4:00

The warm-up is one of the most important components of a good rehearsal for it sets the rehearsal atmosphere for the day and warms up the musician's muscles mind instruments and ear. Consisting of 'Chop Builders Technique Builders ' 'Articulate Builders ' 'Ear Trainers ' 'Tuning Exercises ' and Chorales Great Warm-Ups for Young Bands will improve the musicianship of young instrumentalists and set the framework for successful rehearsalsand performances.

Sometimes it is difficult for us to understand the love that God shows yet we remember that is His plan for us. He loved us so much He sent Jesus so it is appropriate that we say Thank you You have been good to me!

A whole new generation has been introduced to the music of Elvis through Lilo and Stitch. This new concert choir arrangement uses rich vocal textures and a flowing accompaniment to make it a perfect addition to your program.Available: SATB SAB 2-Part ShowTrax CD. Approx. Time: 3:00. A whole new generation has been introduced to the music of Elvis through Lilo and Stitch. This new concert choir arrangement uses rich vocal textures and a flowing accompaniment to make it a perfect addition to your program. Available: SATB SAB 2-Part ShowTrax CD. Approx. Time: 3:00.

For SSATBB choir. For SSATBB choir.

Uses: Communion invitation Scripture: Matthew 26:26-29 Mark 14:22-26 Luke 22:17-20 Heartwarming and full of gentle grace this new communion moment works for groups of all sizes. For thecommunion processional or to prepare hearts for the Lord's Table this anthem is sure to be well received. Beautiful imagery and thoughtful arranging capture this sacred moment with sensitivity and grace.

Mishima String Quartet (String Quartet No.3) originally appeared as parts of the film score for Mishima by film maker Paul Schrader. The film follows a complex narrative structure which divides the life of thisfamous contemporary Janpaeses novelist into 3 parts - his childhood his mature years and the last day of his life. These subjects were intercut to produce a shifting kaleidoscopic vision of Mishima's life. The scenes of hischildhood were filmed in black and white and scored for String Quartet. An excellent contemporary string quartet by the innovative Philip Glass.

This concerto for Guitar and Orchestra was composed by Ernesto Cordero one of Puerto Rico's outstanding contemporary composers. The pastoral first movement portrays the idyllic Antillean landscape using a combination of continental Spanish and Antillean Spanish Creole influences which are most discernible in the lush romantic cadenza. The second movement is distinguished by the alternation of two melodies: one a melody blending a number of ancient influences and the second distinctly Cuban in nature. This movement was inspired by the peaceful summer calm of the Antillean seas. The third movement is the only one in the work to draw directly on Puerto Rican folklore quoting a fragment of the seis milonga a traditional dance. This excerpt is united in this movement with its familiar Argentinean counterpart. The last movement is the most challenging movement of the three for the guitar soloist demanding a nearly virtuosic performance. The full score calls for Flute Oboe Clarinet in B-flat Bassoon Horn in F Trumpet in B-flat Timpani and Strings in addition to the Guitar soloist. Orchestral parts are available for rental from the publisher. This conductor's score is 60 large-format (13.75 x 10.25) pages. This concerto for Guitar and Orchestra was composed by Ernesto Cordero one of Puerto Rico's outstanding contemporary composers. The pastoral first movement portrays the idyllic Antillean landscape using a combination ofcontinental Spanish and Antillean Spanish Creole influences which are most discernible in the lush romantic cadenza. The second movement is distinguished by the alternation of two melodies: one a melody blending a number ofancient influences and the second distinctly Cuban in nature. This movement was inspired by the peaceful summer calm of the Antillean seas. The third movement is the only one in the work to draw directly on Puerto Rican folklore quoting a fragment of the seis milonga a traditional dance. This excerpt is united in this movement with its familiar Argentinean counterpart. The last movement is the most challenging movement of the three for the guitarsoloist demanding a nearly virtuosic performance. The full score calls for Flute Oboe Clarinet in B-flat Bassoon Horn in F Trumpet in B-flat Timpani and Strings in addition to the Guitar soloist. Orchestral parts areavailable for rental from the publisher. This conductor's score is 60 large-format (13.75' x 10.25') pages.

The 1970 pop hit by Stevie Wonder in a full-blown show choir setting. Sensational! Available: SATB SAB 2-Part Instrumental Pak ShowTrax CD. Performance Time: Approx. 2:30. The 1970 pop hit by Stevie Wonder in a full-blown show choir setting. Sensational! Available: SATB SAB 2-Part Instrumental Pak ShowTrax CD. Performance Time: Approx. 2:30.

For Orchestra (Triple Winds) For Saxophone SAT Percussion Piano Harp and Strings. First performance: Cambridge University Musical Society Second Orchestra conducted by Neil Chippington 8th December 1989. Recorded and broadcast by BBC Symphony Orchestra conducted by Robert Ziegler 6th February 1992. For Orchestra (Triple Winds) For Saxophone SAT Percussion Piano Harp and Strings. First performance: Cambridge University Musical Society Second Orchestra conducted by Neil Chippington 8th December 1989. Recordedand broadcast by BBC Symphony Orchestra conducted by Robert Ziegler 6th February 1992.

The title of this work is taken from a poem of the same name by the Polish poet Wislawa Szymborska (winner of the Nobel Prize for Literature in 1996) and considers the importance of revolutions tyrannicides and political conspiracies in relation to that of skimming shadows fluttering white butterflies and windblown clouds. No Title Required has two movements. The first is fast and virtuosic the second lyrical and colouristic. Both have the same formal pattern - a series of variations where one aspect of each section provides the theme' for the following variation. Whereas the first movement juxtaposes blocks of material to create a disjunct segmentedstructure the second weaves lines together to create a single flexible texture (disrupted towards the end by reminiscences' of the work's opening). No Title Required was commissioned by Double Image (to whom the work is dedicated) and has received several performances worldwide. The work was chosen to represent Australia in the ISCM World Music Days Hong Kong in The title of this work is taken from a poem of the same name by the Polish poet Wislawa Szymborska (winner of the Nobel Prize for Literature in 1996) and considers the importance of revolutions tyrannicides and politicalconspiracies in relation to that of skimming shadows fluttering white butterflies and windblown clouds. No Title Required has two movements. The first is fast and virtuosic the second lyrical and colouristic. Both havethe same formal pattern - a series of variations where one aspect of each section provides the theme' for the following variation. Whereas the first movement juxtaposes blocks of material to create a disjunct segmented structure the second weaves lines together to create a single flexible texture (disrupted towards the end by reminiscences' of the work's opening). No Title Required was commissioned by DoubleImage (to whom the work is dedicated) and has received several performances worldwide. The work was chosen to represent Australia in the ISCM World Music Days Hong Kong in

This work for Clarinet in A Violin Cello and Piano was premiered in May 2002 in the Fitzwilliam Museum Cambridge. The piece has a fast rhythmic opening in which the violin and cello answer short statements by the pianowith the clarinet mediating between them. The work is decorated by rhythmic and melodic flourishes on the clarinet violin and cello and development sees the piece pick up in tempo and activity. Score edition of PeterMaxwell Davies 'Economies Of Scale'. Parts available: SOS15774

This powerful original spiritual recounts the tale of Shadrach Meshach and Abegnego as they escape the mighty fiery furnace of King Nebuchadnezzar. A super showcase for men's groups! Performance Time: Approx. 3:40

Here is an expressive setting of the traditional Irish hymn tune that makes a wonderful feature for treble choirs and is ideal for sacred concerts.Available separately: 3-Part Treble. Performance Time: Approx. 3:00.

From the familiar Choral Masterworks Series this edition uses the original organ reduction and combines the original French text with an English translation designed to fit the music as well as possible. The interpretive markings are as they appear in the original.

TTBB with piano or organ-An arrangement for Men's Voices (TTBB) with Piano or Organ accompaniment of one of the most renowned choruses. Stimulating rousing and uplifting the Hallelujah Chorus from Handel's Messiah truly is a classic in the repertoire. This version has been arranged by F. Heath.

Contents: Sonata in Bb Major œ Sonata in C minor œ Sonata in F Major œ Sonata in G Major. Edited by Milton Wittgenstein with figured bass realised by Thomas Wilt.

Edited by Carl Mikuli.