Pays de Langue française (from 'Anthologie du Chant scolaire et post-scolaire - 2ème Série')

This celebratory 70th Anniversary instrumental edition of one of the most famous MGM movie musicals features an historical essay and colour and black and white movie photos. Included are classic titles Over the Rainbow We're Off to See the Wizard as well as the song deleted from the movie The Jitterbug and more all arranged and edited for the Level 2-3 instrumental player. Also included is a CD which features live demonstration performances of the instrument tracks.

The last record the Rolling Stones released with guitarist Brian Jones Beggars Banquet includes the hit songs Sympathy for the Devil and Street Fighting Man . The Piano/Vocal/Chords edition provides the lyrics along with piano and chord arrangements for all the songs on the records.

Work for Violin and Piano dating from 1925. Work for Violin and Piano dating from 1925.

The Benedictus and Agnus Dei in B flat is published as part of an ongoing policy to reissue works by Charles Villiers Stanford in the Autograph Edition in new engravings but as the composer wrote and approved them with no editing from another hand. Simple in texture but highly effective in performance these two short movements are a useful addition to the repertoire of music available for a traditional celebration of Holy Communion and would suit a small church choir with two or three voices per part.

Symphonie Nr. 2- Full score to Bernstein's second symphony for solo piano and orchestra.

Claude Debussy's Clair De Lune has been arranged for Viola with Piano accompaniment by Alan Arnold.

Chopin. Variations on a them of Rossini. Flute and PIano. Published by Schott.

The Romantic composer Felix Mendelssohn-Bartholdy (1809-1847) has been highly regarded in Britain from the time of his first visit in 1829. The highlight of his career came in 1846 when he was commissioned to write the oratorio Elijah for the Birmingham Festival. It remained hugely popular for over eight decades being performed at the Proms every year until 1930. It draws heavily on influences from Bach and Handel both of whom Mendelssohn admired. O Rest In The Lord is an aria from the second act of the oratorio sung by an Angel to Elijah. It is scored for Alto or Contralto Voice with Piano accompaniment.

Esquisse symphonique (musical argument by C.Teissier)

Cheryl Frances-Hoad's My Day In Hell for String Quartet. Cheryl Frances-Hoad's My Day In Hell for String Quartet.

Linz Symphony- Mozart composed the Symphony In C Major K.425 known as the “Linz Symphony” within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711–1798) in Linz where together with Constanze he stayed for three weeks on the way back from a trip to Salzburg. “On Tuesday the fourth of November” wrote Mozart to his father on 31 October (the day after his arrival in Linz) “I will be giving a concert in the theatre – and since I have no symphony with me I am writing one as fast as I can for it must be ready by then”. Accordingly this work was performed for the first time in the theater inLinz on 4 November 1783. Urtext of the New Mozart Edition Full score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

Music through the Ages-A three-volume graded anthology presenting attractive and lively repertoire for cello and piano from the sixteenth century to the present day. The pieces are presented chronologically within each volume and all include the year in which they were written so you can map your journey through time. Twenty-two pieces for Cello with Piano accompaniment. Time Pieces For Cello contains a selection of terrific works that span almost three and a half centuries.

Violin. Seybold A

Low Voice Piano. Brahms J

No. 6 Margaret Has A Milking Pail-SS. Finzi G

The Cat Fugue' Kp. 30 & Kp. 41 58 93 417-Scarlatti's Five Fugues are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Including informative introductions and performance notes. These are the only 5 surviving Harpsichord fugues from Scarlatti and they have been collected together in this wonderful volume by Richard Jones.

Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century. The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece. First Urtext edition of the orchestral version First scholarly-critical edition of a pioneering work for clarinet Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)

Edited by Michael Tilmouth No comprehensive collection of British music would be complete without reference to the outstanding achievement of Matthew Locke most idiosyncratic and arguably the most original of Restoration composers before Purcell. This first of two chamber music volumes contains duos for two bass viols the consort of two viols the Little Consort and the Flat Consort of rugged chromatic music. First published in 1971 reprinted with corrections 1975.

Music through the Ages in 3 Volumes-Time Pieces is an exciting series of repertoire which explores the wealth of music written from the sixteenth century to the present day. The pieces are presented chronologically within each volume and all include the year in which they were written so you can map your journey through time. Time Pieces is an exciting series of repertoire which explores the wealth of music written from the sixteenth century to the present day. The pieces are presented chronologically within each volume and all include the year in which they were written too. This series allows the pupil to get a real feel for the different styles of music through time and will prove an invaluable varied source of further study and recital repertoire.