Anton Karas grew up in a modest household in Vienna and became a self taught zither vituoso. He wrote the legendary Harry Lime Theme for the 1949 British film noir The Third Man . The melody became so popular many people began calling The Third Man “The Zither Movie”! Toshio Mashima carefully turns this typically Viennese melody into a creative piece for concert band.

Viola and Piano accompaniment- Haydn to Humperdink show tunes to spirituals - variety is the spice of musical life and the essence of First Repertoire For Viola . This book contains 19 carefully graded intermediate pieces for Viola with Piano Accompaniment which skillfully explore the instrument's unique sonorities and provide a superb introductory literature for the young player. The solo viola part is also included on a separate insert.

This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line. This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line.

A Musical Caper About Finding a Place to Belong!-Welcome to Camp Runamok and the wackiest summer camp experience you could ever wish for! This musical has everything you love and fear about the summer camp experience from the morning routine to corny camp skits and the ultimatetalent show. Put away your technology and allow this nostalgic romp to take you on a journey of finding a place to belong through the mighty highs and comic lows of Summer Camp! This 40-minute musical features seven originalsongs and connecting script with over 50 speaking parts. The Teacher Edition is filled with quality performance material including piano/vocal song arrangements and choreography script helpful production guide and teachingobjectives linked to the National Standards for each song. For added value the ready-to-use student books include songs and script and will enhance the musical experience for your young aspiring actors/singers! Availableseparately: Teacher Edition Singer 5-pak Preview CD (with vocals & dialog) Preview Pak (1 singer 1 Preview CD) Performance/Accompaniment CD and Performance Kit/CD (Teacher 20 singer books P/A CD). Approximate PerformanceTime: 40 minutes. Suggested for grades 4-8.Welcome to Camp Runamok and the wackiest summer camp experience you could ever wish for! This musical has everything you love and fear about the summer camp experience from the morning routine to corny camp skits and the ultimatetalent show. Put away your technology and allow this nostalgic romp to take you on a journey of finding a place to belong through the mighty highs and comic lows of Summer Camp! This 40-minute musical features seven originalsongs and connecting script with over 50 speaking parts. The Teacher Edition is filled with quality performance material including piano/vocal song arrangements and choreography script helpful production guide andteachingobjectives linked to the National Standards for each song. For added value the ready-to-use student books include songs and script and will enhance the musical experience for your young aspiring actors/singers! Availableseparately: Teacher Edition Singer 5-pak Preview CD (with vocals & dialog) Preview Pak (1 singer 1 Preview CD) Performance/Accompaniment CD and Performance Kit/CD (Teacher 20 singer books P/A CD). Approximate PerformanceTime: 40 minutes. Suggested for grades 4-8.

Concerto for Percussion and Orchestra - Percussion duo parts only. What determines the special character of a piece of music written for percussion instruments is the very choice of sets of instruments. In Udacrep Akubrad I have chosen a similar set of instruments for each of the players: a marimba two Darbuka and a tom-tom. This piece draws its inspiration from the “Eastern” music extending the boundaries of the region as far as the Indian sub-continent. The main source materials in this piece are scales and the rhythms emanating from the traditional classical music of the peoples of the Mediterranean; and repetitive minimalism fromthe music tradition of the Middle East as well as the recently developed techniques in western music . — Avner Dorman

Originally commissioned for the celebration of Tennessee's Homecoming '86 Jug Blues & Fat Pickin' is inspired by recordings of the Memphis Jug Band the most recorded and perhaps most popular of the jug bands to spring up on Memphis' Beale Street in the late 1920's and also bluegrass banjo pickin'. Freund's composition is a unique musical offering that melds blues elements with minimalist technique. (Grade 5) Dur: 8:00

Riduzione Per Pianoforte-The Adagio In G Minor for Strings and Organ composed by Giazotto from two thematic drafts and a Figured Bass by Albinoni. This arrangement for Piano solo may also serve as a short-score representation of the original.

Revised & Expanded Edition- Revised and expanded edition of Edition Peters Art Of Song Grade 8 for Low Voice and Piano.

Grade 3

Easy Piano solo selections from the haunting score by Oscar-nominated composer Alexandre Desplat. Desplat is highly regarded and the winner of numerous awards including 2008's Film Score of the Year and Best Original Score for a Drama Film by the International Film Critics Association for The Curious Case Of Benjamin Button winner of the 2007 Golden Globe for Best Original Score for The Painted Veil and two-time Academy Award Nominee ( The Queen and The Curious Case Of Benjamin Button ) Easy Piano solo selections from the haunting score by Oscar-nominated composer Alexandre Desplat. Desplat is highly regarded and the winner of numerous awards including 2008's Film Score of the Year and Best Original Score for a Drama Film by the International Film Critics Association for The Curious Case Of Benjamin Button winner of the 2007 Golden Globe for Best Original Score for The Painted Veil and two-time Academy Award Nominee ( The Queen and The Curious Case Of Benjamin Button )

This first volume contains fifteen of her greatest songs transcribed for Piano with Voice and Guitar chord boxes.

La suite orchestrale Les Planètes de Gustav Holst est considérée comme l’une des œuvres classiques du XXe siècle dont la palette sonore est la plus complète. Jupiter Hymn de Robert van Beringen est basé sur le quatrième mouvement de la suite consacré à Jupiter celui qui apporte la Gaîté .

Some of Mozart's most enduring and popular music was composed for relatively minor occasions — parties weddings and more — including these multi-movement instrumental pieces. 'Eine kleine Nachtmusik ' K.525 'Posthorn' Serenade K.320 Serenade in E-flat Major K.375 Serenade in B-flat K.361/370a Serenade in D Major K.203/189b and more. Reprint of selections from Series 9 10 and 13 from Wolfgang Amadeus Mozart's Werke Breitkopf & Härtel Leipzig 1880–1881.

Collection of English Choral Classics-Five classics from three compositional masters in the English choral tradition make this a useful and valued collection for mixed choruses in schools colleges and communities. Includes; My Soul There Is a Country Far Beyondthe Stars (C.H.H. Parry) There Is an Old Belief (C.H.H. Parry) Justorum Animae (Charles Villiers Stanford) The Blue Bird (Charles Villiers Stanford) They Are at Rest (Edward Elgar). Five classics from three compositional masters in the English choral tradition make this a useful and valued collection for mixed choruses in schools colleges and communities. Includes; My Soul There Is a Country Far Beyond the Stars (C.H.H. Parry) There Is an Old Belief (C.H.H. Parry) Justorum Animae (Charles Villiers Stanford) The Blue Bird (Charles Villiers Stanford) They Are at Rest (Edward Elgar).

The composer has set Garrison Keillor's lovely words with sensitivity and care evoking the warmth longing and hopefulness of love. The setting allows for the choir to be driven by the natural rhythm and text stress of the poetry to shape each phrase. A beautiful love song not to be missed. Duration: ca. 5:00

Just wake up the public? With this snack it remains difficult to sit still! Before you know it everyone folds to the joyful sounds of the circus band.

The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights so it was believed evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year and therefore became symbols of immortality. These 'living' trees said to be the work of benign spirits were brought into people's houses to ward off evil life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles such as apples and wafers but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song 'O Tannenbaum' the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction however it is transformed into a solid rock version and the beat has been changed. In the second part the familiar three-four time is back but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.

The Twilight: Breaking Dawn- Part 2 (Piano/Vocal/Guitar) songbook is a must-have companion to the movie experience. The Twilight: Breaking Dawn- Part 2 (Piano/Vocal/Guitar) includes sheet music for 14 fantastic songs from the soundtrack to the epic final installment of the Twilight Saga . The Twilight: Breaking Dawn- Part 2 (Piano/Vocal/Guitar) songbook is a must-have companion to the movie experience. The Twilight: Breaking Dawn- Part 2 (Piano/Vocal/Guitar) includes sheet music for 14 fantastic songs from the soundtrack to the epic final installment of the Twilight Saga .

from Newsies-This lovely duet is one of the new songs in the Broadway musical Newsies transformed here into a beautiful choral piece that speaks movingly about finding the courage to seek your dreams. Wonderful for graduation and many other concert programs!

Includes versions for High Medium or Low Voice (G F or E flat) with Piano accompaniment. Performance note by Gordon Stewart. Preface: The words for Panis Angelicus are from a longer hymn text Sacris Solemnis written by St Thomas Aquinas in the thirteenth century for the newly established Feast of Corpus Christi and would originally have been sung to a plainchant. César Franck set this verse of seven lines in 1872. His deep religious feelings fashioned a memorable melody one which is within the scope of all singers - its range is only a seventh and if you follow the word patterns the breathing sits comfortably. It is in its way simple and direct but with the chance to use the voice to its full. The Latin words are not hard to sing but if you prefer to perform it in English the translation conveys the essential meaning. Franck originally wrote Panis Angelicus for Tenor Cello Harp Organ and Double Bass but it slips easily into the Keyboard arrangement. The colours of the original scoring are evident – the Organ's sustained chords the semi-staccato notes for the Harp and the Cello's countermelody beginning in bar 38 (which could be transferred to another melodic instrument if that suits the occasion). Some discreet repetition of the long tied notes and doubling of the bass at the octave can give the Piano more resonance. The accompaniment probably works best with a minimum pedalling and an Organist's style of fingering. The dynamics ask for a triumphant final statement of the words 'pauper servus' in bar 53. It makes complete musical sense to make a diminuendo for the word 'humilis' in bar 56 leading to a thoughtful postlude.