Arranged for SATB Choir and Piano by Roger Emerson.

Composed in 1972

Alto-Solo I by Patrick Marcland for solo Viola.

Shadowplay for soprano saxophone and piano was commissioned by Audrey Innes. The work was premièred at the World Saxophone Congress XVI in St. Andrews in July 2012 and played by Rocio Banyuls Bertomeu (sopranosaxophone) and Audrey Innes (piano).

Work for Soprano or Tenor and Guitar. Commissioned by and dedicated to Peter Pears. Premiered by Pears and Julian Bream. Text: Walter de la Mare

A fantastic selection of famous Tangos arranged by Rupert Cowlin for Accordion or Piano with vocal refrains.

Score-For flute clarinet violin cello percussion and piano. For Flute Clarinet Violin Cello Percussion and Piano.

For Unison voices and Piano. For Unison voices and Piano.

Edition Collins

For voice and string quartet. Score and Parts.

VOCALISE OP. 34 NO. 14 is a song by Sergei Rachmaninov published in 1912 as the last of his FOURTEEN SONGS Op. 34. Written for voice (soprano or tenor) with piano accompaniment it contains no words but is sung using any one vowel (of the singer’schoosing). Rachmaninov's Vocalise is one of the few members of an elite repertory niche: popular non- avant-garde vocal works without text. It was dedicated to Antonina Nezhdanova who can be presumed to have possessed a singularly pleasingand flexible voice given the sustained almost violin-like character of the piece. The piece has also been arranged for orchestra piano various chamber ensembles and solo string instruments but this is the original song forHigh Voice and Piano.

W.A. Mozart's Sonata In C K545 for Piano solo.

Following the highly successful publication Strings Extraordinaire ! this collection offers 25 arrangements for Christmas Chanukah and wintertime. Like its predecessor Holidays Extraordinaire! is a progressive collection designed for students of different playing levels. All pieces are scored with an advanced and beginning part for each instrument while being progressively ordered throughout. Two selections feature a special advanced solo obbligato part. Holidays Extraordinaire! is perfect for those festive December concerts when orchestras of varied levels perform together!Following the highly successful publication Strings Extraordinaire ! this collection offers 25 arrangements for Christmas Chanukah and wintertime. Like its predecessor Holidays Extraordinaire! is a progressivecollection designed for students of different playing levels. All pieces are scored with an advanced and beginning part for each instrument while being progressively ordered throughout. Two selections feature a special advancedsolo obbligato part. Holidays Extraordinaire! is perfect for those festive December concerts when orchestras of varied levels perform together!

A collection of sensual ballads specially arranged for sax from beginner to intermediate standard. Jack Long's full-sounding arrangements include two sets of chord symbols above melody the melody line so guitarists or keyboardplayers can accompany you whether you are playing Eb or Bb sax. A perfect addition to your saxophone library.

Edmund Sears pastor of the Unitarian Church in Lancaster MA wrote the poem which provides the text for this popular Christmas carol. In this arrangement by Goodyear you can hear the influence of Bach's Prelude in E-flat.

Bert Transcribed presents 24 songs by legendary singer-songwriter and guitarist Bert Jansch. Each song has been meticulously transcribed and annotated to detail every aspect of Bert Jansch’s groundbreaking style and technique. The result of years of extensive research by an international team of leading Jansch experts this celebratory volume includes: - Guitar tab standard notation chord symbols guitar chord boxes melody line and complete lyrics for 24 songs spanning his entire career - Extensive background notes and performance analysis for every song - A comprehensive introduction giving insight into Jansch’s unique sound - Album-by-album discography - Exclusive coloursection with new photography showing Bert’s guitars. Bert Transcribed presents 24 songs by legendary singer-songwriter and guitarist Bert Jansch. Each song has been meticulously transcribed and annotated to detail every aspect of Bert Jansch's groundbreaking style andtechnique. The result of years of extensive research by an international team of leading Jansch experts this celebratory volume includes: Guitar tab standard notation chord symbols guitar chord boxes melody line and complete lyrics for 24 songs spanning his entire career Extensive background notes and performance analysis for every song A comprehensive introduction giving insight into Jansch's uniquesound Album-by-album discography Exclusive colour section with new photography showing Bert's guitars.

Bass Clef Version-Richard Reed Parry 'S Duet For Heart And Breath Bass Clef Version For Cello (Or Other Instrument Of Suitable Range) And Piano (Or Other Polyphonic Instrument). The Performers Wear Stethoscopes Positioned Over Their Hearts So That Each Can Follow His Or Her Own Heart Rate. Two Eighth Notes (Quavers) Correspond To The Two Sounds Of A Normal Heartbeat And Performers Should Match As Closely As Possible The Staccato And Irregular Rhythm They Hear. When Instructed To ‘Play To Breath’ The Natural Cycle Of One Inhalation And One Exhalation Or Vice Versa Will Determine The Length Of The Bar (Two Quarter Notes/Crotchets) Without Any Attempt To Make It Metronomic. ' This Piece IsBased Around The Idea Of Using The Widely Varying Internal Rhythms Of The Performers’ Bodies As Performance Parameters. There Is No Actual Tempo Or Meter Built Into The Piece. The Breathing Rates Of The Players Are Used In Alternation With The Individual Performers’ Heart Rates To Determine The Pace At Which All Of The Musical Material Is Played. This Requires That The Performers Generally Play Quietly And Delicately With Little Or No Vibrato So As To Be Able To Hear Their Heartbeats Adequately. This In Combination With Thenatural Variance Between The Different Heart Rates Results In A Kind Of Delicate Musical “Pointillism”: Starts And Stops Which Are Somewhat Staggered Parts Which Repeatedly Line Up And Fall Out Of Synch With Each Other Different Individuals’ Pulses Rising And Falling. The Piece Is Never Performed Exactly The Same Way Twice. ' - Richard Reed Parry . Richard Reed Parry 's Duet For Heart And Breath Bass Clef version for Cello (or other instrument of suitable range) and Piano (or other polyphonic instrument). The performers wear stethoscopespositioned over their hearts so that each can follow his or her own heart rate. Two eighth notes (quavers) correspond to the two sounds of a normal heartbeat and performers should match as closely as possible the staccato andirregular rhythm they hear. When instructed to ‘play to breath’ the natural cycle of one inhalation and one exhalation or vice versa will determine the length of the bar (two quarter notes/crotchets) without any attempt to makeit metronomic. ' This piece is based around the idea of using the widely varying internal rhythms of the performers’ bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathingrates of the players are used in alternation with the individual performers’ heart rates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly anddelicately with little or no vibrato so as to be able to hear their heartbeats adequately. This in combination with thenatural variance between the different heart rates results in a kind of delicate musical “pointillism”:starts and stops which are somewhat staggered p

A celebratory anthem of worship for mixed voices with Organ accompaniment. A celebratory anthem of worship for mixed voices with Organ accompaniment.

Contents: Brubeck: Dad Plays the Harmonica Cowell: Exultation The Lilt of the Reel Dello Joio: Salute to Scarlatti (No. 1 from A Suite of Sonatas) Harris: Andante Ostinato from Sonata for Piano Helps:Song (from In Retrospect) Hovhaness: Mountain Idylls (Moon Dance Mountain Lullaby) Husa: Allegretto moderato from Sonatina Ives: The Alcotts from Piano Sonata No. 2 (Concord) Jenni: A Game of Dates Nos. 1 and 3 Johnson: Spaces Wyner: Short Fantasy No. 3. Repertoire for Piano from American composers of the 20th Century including Ives Cowell and Brubeck.

16 Pieces by 10 Composers-16 pieces by Bartók Beethoven Brahms Chopin Debussy Grieg Liszt Rachmaninoff Schumann and Scriabin. All are at the early advanced level in a slim affordable volume. Includes - BARTËK - Allegro barbaro - BEETHOVEN: Adagio cantabile from Piano Sonata in c minor Pathétique Op. 13 - Adagio sostenuto from Piano Sonata in C-sharp minor Moonlight Op. 27 No. 2 - BRAHMS: Rhapsody in G minro Op. 79 No. 2 - Intermezzo in A Major from Six Pieces for Piano Op. 118 No. 2 - CHOPIN: Fantaisie-Impromptu in C-sharp minor Op. 66 (Posthumous) - Nocturne in E-flat Major Op. 9 No. 2 - Waltz in D-flat Major Minute Op. 64 No. 1 - DEBUSSY: Clair de lunefrom Suite bergamasque Arabesque No. 2 from Two Arabesques La cathÚdrale engloutie from Préludes Book 1 - GRIEG: Wedding Day at Troldhaugen from Lyric Pieces Op. 65 No. 6 - LISZT: Liebestraum No. 3 from Three Liebestraüme - Three Notturnos - RACHMANINOFF: Prelude in G minor Op. 23 No.5 - SCHUMANN: Warum? (Why?) from Fantasiestücke Op. 12 No. 3 - SCRIABIN: Prelude in A minor Op. 11 No. 2 16 pieces by Bartok Beethoven Brahms Chopin Debussy Grieg Liszt Rachmaninoff Schumann and Scriabin. All are at the early advanced level in a slim affordable volume. Includes - Bartok; Allegrobarbaro; Beethoven: Adagio cantabile from Piano Sonata in c minor Pathétique Op. 13; Adagio sostenuto from Piano Sonata in C-sharp minor Moonlight Op. 27 No. 2; Brahms: Rhapsody in G minro Op. 79 No. 2; Intermezzo in A Major from Six Pieces for Piano Op. 118 No. 2; Chopin: Fantaisie-Impromptu in C-sharp minor Op. 66 (Posthumous); Nocturne in E-flat Major Op. 9 No. 2; Waltz in D-flat Major Minute Op. 64 No. 1; Debussy: Clair de lunefrom Suite bergamasque Arabesque No. 2 from Two Arabesques La cathédrale engloutie from Préludes Book 1; GRIEG: Wedding Day at Troldhaugen from LyricPieces Op. 65 No. 6; Liszt: Liebestraum No. 3 from Three Liebestraume; Three Notturnos; Rachmaninoff: Prelude in G minor Op. 23 No.5; Schumann: Warum? (Why?) from Fantasiestucke Op. 12 No. 3; Scriabin: Prelude in Aminor Op. 11 No. 2