Reprinted in 2000 this collection contains Sydney's poetry collections Nothing Fixed or Final; Love More or Less previously published separately together with The Feel of Wood as well as a previously unpublished poem. 107 poems by this prolific writer. Some will recognise the Housman influence in them. All can enjoy their language. ISBN 0 85249 287 1

Concert Overture- The Hebrides Op.26 Concert Overture The Hebrides the third in Bärenreiter's series of critical editions of Mendelssohn's great overtures is one of Mendelssohn Bartholdy's most performed compositions. Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s. The new Bärenreiter edition consist of two versions each containing additional material from further sources. Version one the Rome version exists itself in two versions and has never been published in a performing edition. Version two the London version also exists in two versions one of which was published by Mendelssohn in 1835. This pioneering edition documents the development of the composition and the various changes made by Mendelssohn . The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

Arranged by Malcolm Lawson for unison choir.

Bach composed these suites early in life before any of the other suite sets such as the French suites. They portray a young Bach bursting with energy dexterity and ideas and rapt enthusiasm for the newest styles of the day - the Italian concertos of Vivaldi and the French harpsichord suites of D'Anglebert Daquin and Couperin. Melding these powerful forms with the already Italianate German fantasy or toccata Bach produced some of the world's first true virtuoso keyboard masterpieces. Little wonder that his contemporaries were dazzled. This Urtext edition edited by Alfred Durr provides you with a clear and accurate realisation of Bach's exciting English suites.

Who Want to Live Forever is a rather grim title given Freddie Mercury’s untimely death but his songs and especially his recordings with Queen will live on forever. The title refers to the immortal Connor MacLeod from the movie Highlander and reached number 24 on the British charts. Now Thijs Oud’s arrangement lets this song live on forever as part of your brass band’s repertoire.

Burleske Szenen in 4 Bildern-One of the most famous ballet scores of the twentieth century. Completed in 1911 Petrouchka was the second of Stravinsky's great ballets and is equally at home in the concert hall as in the theatre. Now published in The Masterworks Library: Landmark 20th century works from the Boosey & Hawkes catalogue available for the first time in full score format at pocket score prices with introductory notes illustrations and photographs. Ideal for students conductors performers libraries CD collectors and general music enthusiasts. The full score revised in 1947 of Stravinsky's burlesque in four scenes. Originally completed in 1911 Petrouchka was the second of Stravinsky's great ballets and is one of the most famous ballet scores of the twentieth century equally at home in the concert hall as in the theatre.

Eric Clapton’s CD Unplugged is one of the top-selling albums of all time. The collection of hits inspired Ron Sebregts to create the medley The Cream of Clapton . It consists of Sebregts favourite songs by this legendary blues and rock guitarrist singer and songwriter. This medley is guaranteed to be an audience and band favorite for many years to come!

9 Boogie-Woogies for Windinstruments-Nine pieces in 1930’s boogie woogie style with play-along backingCD featuring a live band. Titles include: Best Friend Boogie BlueNote Boogie Cool Boogie and Game Boy Boogie!

for 2 soprano recorders

New edition of a tutor that generations of violinists have grown up with. Fundamental work by a leading Violin educator. Three volumes in increasing order of difficulty: easy – moderate – difficult. Methodological notes by the editor (Cz/Eng/Ger) The School of Bowing Technique Op.2 is the second important Violin tutor by Otakar Šev ík (1852–1934) and deals with the elementary technical demands of the right hand. Divided into three sections the tutor contains more than 4 000 systematically arranged bowing exercises in increasing order of difficulty. This new edition of the School of Bowing Techniquecombines the original six volumes in groups of two. It is largely based on the first edition published in the early 20th century and on other sources from Šev ík’s estate. The editor Jaroslav Foltýn is a professor of violin at the Prague Conservatory as was Šev ík himself. Already published: Otakar Šev ík School of Violin Technique Op.1 Book 1 1st Position BA 9552 Book 2 2nd–7th Position BA 9553 Book 3 Changing Positions BA 9554 Book 4 Exercises in Double Stops and Harmonics BA 9555

Fantaisies symphoniques-Study Score - Hawkes Pocket Score 832.

Composed by the Czech composer Bohuslav Martinu in 1930 Suite Miniature is a chamber work for Cello and Piano that lasts 10 minutes and 30 seconds. The difficulty for Cello is considered as medium and for the Piano easy to medium. Suite Miniature is divided in seven sections: I. Moderato II. Poco andante III. Poco moderato IV. Andante V. Poco allegro VI. Allegretto VII. Moderato Good for recitals this piece is really melodic and cheerful with some parts quiet and others quite energetic. BohuslavMartinu (1890-1959) also wrote 13 other ballets 15 operas and 6 symphonies and some orchestral and chamber music.

Ausgabe für Gesang-Titles include: Jasbo Brown Blues * Summertime * A Woman Is a Sometime Thing * Here Come de Honey Man * They Pass by Singin * Oh Little Stars * Gone Gone Gone * Overflow * My Mans Gone Now * Leavin for the Promise Lan * It Take a Long Pull toGet There * I Got Plenty O Nuttin * Buzzard Song * Bess You Is My Woman * Oh I Cant Sit Down * I Aint Got No Shame * It Aint Necessarily So * What You Want Wid Bess? * Oh Doctor Jesus * Strawberry Woman * Crab Man * I Loves You Porgy * Oh Hevnly Father * Oh de Lawd Shake de Heavens * Oh Deres Somebody Knockin at de Do * A Red Headed Woman * Clara Clara * Theres a Boat Dats Leavin Soon for New York * Good Mornin Sistuh! * Oh Bess Oh Wheres My Bess * Oh Lawd * Im on MyWay. Porgy & Bess vocal score complete.

Sonntagsorgel is a collection of stylistically varied pieces for the amateur organist comprising three volumes. The edition is ideal for use in church services or for teaching purposes. This the First Volume includes festive preludes toccatas and fugues trios and pastorals by German and French composers from the 17th through to the 20th century. In the second volume meditative pieces by composers ranging from Christian Heinrich Rinck to Théodore Salomé are presented. The third volume will contain chorale preludes and hymn accompaniments for liturgical purposes. This collection of Organ music covers a broad range ofcompositional styles. The pieces are easy to sight-read are not technically demanding and sound effective; the edition will be appreciated by amateur and professional church musicians alike. - Collection of Organ music which does not require much practicing - Ideal for amateur organists - Suitable for teaching purposes

Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions drawing on a full palette of acoustic echo effects Gregorian melodies and organ based choral themes.The work “ Catedrals” opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme “Salve Regina” which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms including a fugue. The work then builds towards its first climax from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.

The Watch Tower-La marche Hoch Heidecksburg compte parmi les plus célèbres marches militaires. En associant habilement les passages en forme de fanfare et les mélodies fluides et harmonieuses caractéristiques de la version originale Wolfgang Wössner préserve le caractère traditionnel de cette marche.

e-Moll- Franck's Ave Maria for SATB.

Mittlere Stimme / Medium Voice- Walther Durr one of the most distinguished Schubert-scientists publishes an addition to the new Urtext-edition of Schubert-songs in high middle and low range.

Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically. The lieder in volume five were composed in the years 1811 to 1814. The first – 'Hagars Klage' (D 5) dated 30 March 1811 – is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811–1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which – the only one of these songs – was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied. - Excellent new engraving based on the 'New Schubert Edition' - Foreword by Walther Dürr discussing the history the works’ composition and transmission together with a list of sources for each song (Ger/Eng) - English translation of the song texts by Richard Wigmore Contents: Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 – D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l’onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104

Study Score - Hawkes Pocket Score 1112. Bartok B