Song List: Be Prepared (from THE LION KING) Can You Feel The Love Tonight (from THE LION KING) Circle Of Life (from THE LION KING) Hakuna Matata (from THE LION KING) I Just Can't Wait To Be King (from THE LION KING) This Land (from THE LION KING) To Die For (from Walt Disney Pictures' THE LION KING)

Commissioned by and dedicated to the Katakura High School Band (Japan) Dr. Reed's newest work is a sparkling 6/8 march composed in a stately and grand style. With an array of brass flourishes inventive melodies and a rousingfinal strain here is a march destined to endure the test of time. (Grade 4) (4:00)

Arranger Steven Frackenpohl brings us another outstanding teaching and performance piece for string orchestra with this superb movement from Vivaldi. The well-designed part writing for each section gives ample teaching material inthe time-tested tradition of the grand Baroque style.

The history and beauty of the Wild West comes to life with this new and exciting work by celebrated composer James Swearingen. With its creative scoring and memorable melodies Grand Canyon Overture will inspire your students topaint a musical picture of this stunning national treasure.

Vittorio Monti was born on January 6 1868 in Naples (Italy). His musical education (violin and composition) he enjoyed at the conservatory there. Around his 30's Monti went to Paris. He earned a living as a conductor and wrote several ballets and operettas. In his last years Monti died in 1922 he devoted himself to teaching and composing. His famous Czardas has made his name known even today. Initially the czardas was a Hungarian folk dance but after the mid-nineteenth century it was even a dance for the upper-class. Czardas begins with a slow introduction the Lassan (slow and sad) and then the fast part Friska follows. Czardas is not as somany people think typical gypsy music.

Here's a handy jazzy collection that's great for both concerts and caroling! Set in an easy swinging style these tunes will be a big hit with your audiences. This instrumental pack contains accompaniment parts for all Showtrax choral versions. Here's a handy jazzy collection that's great for both concerts and caroling! Set in an easy swinging style these tunes will be a big hit with your audiences. This instrumental pack contains accompaniment parts for all Showtrax choral versions.

Here's a simple tuneful holiday piece that you can easily add to your next program. Easy diatonic lines and conventional harmony also make it suitable teaching material for your developing string groups. The optional simple percussion can add to the festive flavor.

By the Waters of Babylon by Edwin Fissinger for SATB choir a cappella.

Arranged For Guitar-Although Johann Sebastian Bach did not write any music for the guitar transcriptions of his unaccompanied string music and music for lute have long been a part of the guitar repertoire. Despite the respect that this music commands among musicians and audiences debate still exists as to what constitutes an appropriate means of transcribing interpreting and performing this music on the guitar. It is this debate that prompted this long-awaited edition of Bach's unaccompanied cello suites by scholar and concert guitarist Stanley Yates. This definitive work includes performance scores comparison scores and an invaluable 40-page guide entitled Arranging Interpreting and Performing the Music of J.S. Bach. Furthermore the author offers comments on his arranging process and suggestions on using this edition including: ornamentation slurs fingerings notation and implementation of the comparison scores. Written in standard notation in guitar-friendly keys. Although Johann Sebastian Bach did not write any music for the guitar transcriptions of his unaccompanied string music and music for lute have long been a part of the guitar repertoire. Despite the respect that this musiccommands among musicians and audiences debate still exists as to what constitutes an appropriate means of transcribing interpreting and performing this music on the guitar. It is this debate that prompted this long-awaitededition of Bach's unaccompanied cello suites by scholar and concert guitarist Stanley Yates. This definitive work includes performance scores comparison scores and an invaluable 40-page guide entitled Arranging Interpreting and Performing the Music of J.S. Bach . Furthermore the author offers comments on his arranging process and suggestions on using this edition including: ornamentation slurs fingerings notation and implementation of thecomparison scores. Written in standard notation in guitar-friendly keys.

Uses: Christ the Shepherd General Scripture: Psalm 23; Isaiah 66:10-13 Comforting words adapted from the Psalms display the tenderness and nurturing leadership of Christ the Good Shepherd. Using theHebrew name El Shaddai (the God who supplies our needs) the text reminds us of God's provision for our life. God desires to bless and give us an abundant life and the lush musical substance of this choral ballad helps connectthis promise to the heart of the listener.

MusicWorks - Grade 2 This energetic work makes an impressive statement for young bands. Written in a single tempo throughout you'll be amazed at the amount of excitement that can be generated with limited technicaldemands. Richard uses active percussion figures (augmented with optional additional mallet parts) along with powerful brass statements and layers of woodwind lines to create a wonderful overall effect. (3:10)MusicWorks - Grade 2 This energetic work makes an impressive statement for young bands. Written in a single tempo throughout you'll be amazed at the amount of excitement that can be generated with limited technical demands. Richard uses active percussion figures (augmented with optional additional mallet parts) along with powerful brass statements and layers of woodwind lines to create a wonderful overall effect. (3:10)

This syncopated and vibrant psalm setting will be accessible and impressive in performance. An excellent choice for concert festival and contest. Includes parts for optional percussion (Sus. Cymbal Triangle and Castanets). Performance Time: Approx. 2:40

Available: SATB divisi a cappella TTBB a cappella.

Together We Sing Series-This popular spiritual sings of a plaintive soul on the journey through life. It has been beautifully arranged here for SSA and SAB voices with striking vocal writing haunting piano accompaniment and mournful solo violin. Aunique and fresh approach for concert and festival use.This popular spiritual sings of a plaintive soul on the journey through life. It has been beautifully arranged here for SSA and SAB voices with striking vocal writing haunting piano accompaniment and mournful solo violin. A unique and fresh approach for concert and festival use.

The edition is part of the ABRSM syllabus (grade 5)

This matching drum folio to the legendary album includes 17 transcriptions: Are You Experienced? * Fire * Foxey Lady * Hey Joe * Highway Chile * Love or Confusion * Manic Depression * May This Be Love * Purple Haze * Red House *Remember * Stone Free * Third Stone from the Sun * The Wind Cries Mary * more. This matching drum folio to the legendary album includes 17 transcriptions: Are You Experienced? · Fire · Foxey Lady · Hey Joe · Highway Chile · Love or Confusion · Manic Depression · May This Be Love · Purple Haze · Red House · Remember · Stone Free · Third Stone from the Sun · The Wind Cries Mary · more.

The Spiders' Revenge is a short music-theatre work (duration about 25 minutes) designed for performance by primary school children. The work was written for Evie Primary School a small rural school in Orkney of about 60 pupils between the ages of five and eleven and was specially devised to enhance an environmental studies project on 'mini-beasts'. All the pupils in the school took part in the first performance. Two children playing in a garden delight in tormenting ladybirds snails spiders and other living creatures who they claim 'have no right to be'. The spiders teach the children a salutary lesson during the course of which they learn a great deal about the waysof these creatures finally recognizing the wonder of the insect world and acknowledging that all 'have their place on the earth'. The songs include simple recorder and percussion parts and guitar chords. Vocal part. This is a special item which is made to order. Please e-mail our Mail Order Department for further information. The Spiders' Revenge is a short music-theatre work (duration about 25 minutes) designed for performance by primary school children. The work was written for Evie Primary School a small rural school in Orkney of about 60 pupils between the ages of five and eleven and was specially devised to enhance an environmental studies project on 'mini-beasts'. All the pupils in the school took part in the first performance. Two children playing in a garden delight in tormenting ladybirds snails spiders and other living creatures who they claim 'have no right to be'. The spiders teach the children a salutary lesson during the course of which they learn a great deal aboutthe ways of these creatures finally recognizing the wonder of the insect world and acknowledging that all 'have their place on the earth'. The songs include simple recorder and percussion parts and guitar chords. Vocal part. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Now available for women's voices! Rollicking and upbeat this playful setting of a traditional Irish children's song is accented with hand-clapping and foot-stomping. Limited ranges and familiar harmonies enhance its accessibilityand make it a winner! Duration: ca. 2:15. Now available for women's voices! Rollicking and upbeat this playful setting of a traditional Irish children's song is accented with hand-clapping and foot-stomping. Limited ranges and familiar harmonies enhance its accessibility and make it a winner! Duration: ca. 2:15.

First performed by Ulli Heinen on 28th May 1999 at the CBSO Centre Birmingham. Duration 15 minutes. First performed by Ulli Heinen on 28th May 1999 at the CBSO Centre Birmingham. Duration 15 minutes.

Latvian and English texts. Available: SATB a cappella.