An imaginative retelling of the traditional story of Little Red Riding Hood with some very innovative twists and appealing pantomime routines. The Teachers book contains background notes on the origins of folklore and myths placing the tale in the context of a long European tradition. Easy-to-play piano part with optional percussion and panto sound effects. The choir performs songs action and dance routines. Duration: 50 mins. Scriptavailable in student book. You will require a license to perform this work at your school/youth theatre; please click here for more information and ourapplication form. Professionally recorded demonstration and backing tracks are available to purchase and download here .

Masquerade - Ouverture by Carl Nielsen .

Piano. Wolf- Ferrari E

for SATB double choir and piano or guitar This enticing choral arrangement of the well-known first 'Polovtsian Dance' from Borodin's Prince Igor juxtaposes the music of a Russian Romantic with text from Act 4 of The Tempest - 'Our revels now are ended'. Chilcott masterfully combines the SSAATTBB forces with wordless upper-voice solos and an optional guitar line in a calm yet powerful evocation of the text. This enticing choral arrangement of the well-known first Polovtsian Dance from Borodin's Prince Igor juxtaposes the music of a Russian with text from Act 4 of The Tempest - 'Our revels now are ended'. Chilcott masterfully combines the SSAATTBB forces with wordless upper-voice solos and an optional guitar line in a calm yet powerful evocation of the text. A featured song on the album Into The Light with Kaori Muraji(guitar) and The Sixteen conducted by Harry Christophers.

A graded anthology-This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. With extended historical information and a wonderful array of varied pieces carefully edited from original sources this is a major collection that will be of interest to organists of all abilities. This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. It includes pieces in all the main genres with Cornet and Trumpet Voluntaries Echo Voluntaries fugal works with slow introductions and Full Voluntaries; as such the collection offers a wide range of attractive music suitable for both church and recital use. Each volume contains an extended Introduction with information on instruments of the period registration ornamentation and notes on the composers. An important feature of the collection is an editorial realization of the cadenzas which occur at key points in some of the pieces; thesecomplete the works and demonstrate how they would have been performed at the time. With extended historical information and a wonderful array of pieces carefully edited from original sources this is a major collection that will be of interest to organists of all abilities.

For Piano And Keyboards-The Blues Play-A-Long and Solos Collection For Piano/Keyboards by Andrew D. Gordon consists of 30 12 bar blues play-a-long backing tracks created in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you ample time to practice soloing techniques totaling over 3 hours of music. The inside front cover of the book gives a link to download the free audio files for the book The 30 Blues styles contains 3solo improvisational melody lines each of which are 12 measures in length ranging from a basic solo and increasing in skill level designed for musicians/music students of all levels totaling 90 solos. Also there is a rhythm keyboard chart so that you can play a rhythm keyboard part for each Blues style. Using this book will help you on your way to becoming a great sounding blues pianist/keyboard player. Blues is the basis of many forms of music and these tracks have been specifically arranged to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the Blues. The Blues Play-A-Long and Solos Collection For Piano/Keyboards by Andrew D. Gordon consists of 30 12 bar blues play-a-long backing tracks created in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you ample time to practice soloing techniques totaling over 3 hours of music. The inside front cover of the book gives a link to download the free audio files for thebook The 30 Blues styles contains 3 solo improvisational melody lines each of which are 12 measures in length ranging from a basic solo and increasing in skill level designed for musicians/music students of all levels totaling 90 solos. Also there is a rhythm keyboard chart so that you can play a rhythm keyboard part for each Blues style. Using this book will help you on your way to becoming a great sounding blues pianist/keyboard player. Blues is the basis of many forms of music and these tracks have been specifically arranged to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the Blues.

Trombone Piano. Grube F

William Whittaker (1876-1944) was an English conductor composer and academic who produced many choral arrangements of English folk songs. Blow The Wind Southerly originated in his nativeNorthumberland and tells the story of a woman hoping for a southerly wind to blow her lover a sailor back home to her. This arrangement is for Voice with Piano accompaniment.

for SSATB unaccompanied No. 1 of McDowall's 'Three Latin Motets' Ave Regina is a gentle and lyrical setting of the text 'Hail Queen of the Heavens'. The calm and memorable opening phrase is hinted at in passages of more intensity and its partial statement at the end leaves it lingering after the voices have faded away. No. 1 of McDowall's 'Three Latin Motets' Ave Regina is a gentle and lyrical setting of the text 'Hail Queen of the Heavens'. The calm and memorable opening phrase is hinted at in passages of more intensity and its partial statement at the end leaves it lingering after the voices have faded away.

This adaptation of a text from Shakeseare's Twelfth Night is written for the upper voices (SSA) with Piano accompaniment.

Piano. Novak V

The Music Of The Spheres- The Soprano solo score for Sfaerernes Musik / Sphärenmusik / The Music Of The Spheres (BVN 128) by Rued Langgaard. Scored for Soli (Soprano and Alto 1-2) Chorus and Orchestra. Text in German by Ida Lock. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.

Player's Score-Louise Alenius' Rouge for Viola Violincello and Composer (2016). Louise Alenius' Rouge for Viola Violoncello and Composer (2016).

Work for Organ dating from 1900.

Joseph-Hector Fiocco Arioso for Oboe and Piano. Edited by Arthur Bent and Norman O'Neill.

Words and music by Gavin Sutherland. Arranged for piano and vocal with guitar chord symbols and boxes.

Piano. Abendroth W

Scaramouche Op.71-This work is from Scaramouche Sibelius' tragic pantomime. The piece is taken from the incidental music of the pantomine and is arranged here for Flute and Piano. This work is from Scaramouche Sibelius' tragic pantomime. The piece is taken from the incidental music of the pantomine and is arranged here for Flute and Piano.

A short fantasy musical play with a moral set in the shimmering land of ice and snow which could be performed at any time of the year. There are seven sections of cross-curricular topics ideas included in the teachers book.Songs include simple part singing percussion recorder dance movement and possible use of electronic keyboard. Useful for mixed ethnic groups. Script available in student book. Edited by Alison Hedger. You willrequire a license to perform this work at your school/youth theatre; please click here for more information and our application form.

for SATB (with divisions) and organ Anthems for Easter Pentecost and Dedication/Patronal Festivals which need a proficient choir but are not excessively demanding. For SATB choir (with divisions) and organ Anthems for Easter Pentecost and Dedication/Patronal Festivals which need a proficient choir but are not excessively demanding.