Per Norgard 's En Lys Time / A Light Hour (2009) for a variable Percussion Ensemble (min. 10 players). In A Light Hour everything - rhythms and motifs - is based on Norgards special infinity series . Parts available: WH30964A Programme note A Light Hour is for any number of percussion musicians' (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open as long as percussion is used within the three types specified in the score: skin metal and wood. Each musician uses two soundsources with two different sounds one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments - vibraphone xylophone marimba gamelan glockenspiel steel drums crotales and the like. The work integrates and combines a number of rhythms that Norgard has used in percussion works since the 1970s for example in Early Spring Dance (for choir and percussion) and percussion works like I Ching Easy Beats Whirls Zigzag Nemo Dynamo and Echo Zone I-II-III. Special tone-feasts (the composer's term) - followed by a rest - are an recognizable melodic feature of the work.: the first minute end with a short tone-feast (and a rest) the first four minutes end with a tone-feast lasting a minute (and a rest) the first quarter of an hour ends with a tone-feast of four minutes (and a rest) - and the work ends with a tone-feast lasting quarter of an hour (and a rest when the work is over ...). The first 15 minutes have a bright light character throughout and alternate between rhythms and melodic play. The following 15 minutes are more insistent and decidedly percussion-based Afro-Cuban whereas the third quarter of A Light Hour moves in the

String Trio for Violin Viola and Violoncello was composed by Anders Koppel in 2003.

Preludes-Piano. Scriabin A

Enno Pope's Keilschrift for Orchestra.

This tremendous work from Philippine composer Nilo Alcala will stun your audiences! Based on a popular children's counting chance from the Southern Philippines the work employs quick rhythms clapping stomping and shouting to make this a truly unique selection for your choir. Jo-Michael Scheibe Choral Series This tremendous work from Philippine composer Nilo Alcala will stun your audiences! Based on a popular children's counting chance from the Southern Philippines the work employs quick rhythms clapping stomping and shouting to make this a truly unique selection for your choir. Jo-Michael Scheibe Choral Series.

Tunnels De Lumiére for Chamber Orchestra was composed by Bent Sørensen in 2009. Premiered by Ensemble InterContemporain conducted by Susanna Mälkki 6 May 2010 at Cité de la Musique Paris. Tunnels De Lumiére for Chamber Orchestra was composed by Bent Sorensen in 2009. Premiered by conducted by Susanna Mälkki 6 May 2010 at Cité de la Ensemble InterContemporain Musique Paris.

Piano-Bent Sørensen THE SHADOWS OF SILENCE For piano Programme Note The Shadows of Silence (2003-2004) Quite some time ago I heard - through a conversation in a mobile phone - a wonderful concert of ringing church bells from an European capital. I found it very hard to concentrate about the conversation because I was so engrossed by the chaotic world of bell sound. The night after I dreamt that the sound of those low singing bells was rising up from a piano in a huge empty concert hall. That experience became the starting point for my piano piece The Shadows of Silence. But before the piece gets to the ringing bells it moves through a landscape of shadows - Shadows of the silencebefore the bells - Silence before the storm - Shadows of melodies which all the time leaves traces even in the short passages of storm. After the passage with the low ringing bells the shadows of silence returns melted in to a lament which are sending two regards. One to two small beautiful - not very well known - bars by Mozart and one to the sextet in my own opera Under the Sky. The Shadows of Silence was commissioned by The Carnegie Hall Corporation and is dedicated to Leif Ove Andsnes Bent Sørensen THE SHADOWS OF SILENCE For piano Programme Note The Shadows of Silence (2003-2004) Quite some time ago I heard - through a conversation in a mobile phone - a wonderful concert of ringing church bells from an European capital. I found it very hard to concentrate about the conversation because I was so engrossed by the chaotic world of bell sound. The night after I dreamt that the sound of those low singing bells was rising up from a piano in a huge empty concert hall. That experience became the starting point for my piano piece 'The Shadows of Silence'. But before the piece gets to the ringing bells itmoves through a landscape of shadows - Shadows of the silence before the bells - Silence before the storm - Shadows of melodies which all the time leaves traces even in the short passages of storm. After the passage with the low ringing bells the shadows of silence returns melted in to a lament which are sending two regards. One to two small beautiful - not very well known - bars by Mozart and one to the sextet in my own opera 'Under the Sky'. 'The Shadows of Silence' was commissioned by The Carnegie Hall Corporation and is dedicated to Leif Ove Andsnes

For trombone and percussion Apparition/Disparition for Trombone and Percussion (2005).

Flute. Wahren Kh

Abrahamsen writes: STORM AND STILL was composed for the Danish art group 'Storm and Still' in 1988 and world premiered at their exhibition 'My time as Pilot' the same year. The work is dedicated to Morten Zeuthen who also played the world premiere performance. Abrahamsen writes: STORM AND STILL was composed for the Danish art group 'Storm and Still' in 1988 and world premiered at their exhibition 'My time as Pilot' the same year. The work is dedicated to Morten Zeuthen who also played the world premiere performance.

Sheet Music Magazine says 'I'm sure that children will enjoy playing this sympathetic arrangement very much... As ever with Spartan Press the thoughtful detail in presentation encourages good rehearsal and ultimately performance. Ideal for a school concert - warmly recommended' . Scored for violin 1 violin 2 Viola (or violin 3) cello contrabass. Grade: 3 - 5

Two Pieces for Solo Guitar. Two Pieces for Solo Guitar.

For SATB-soli 6-part choir trombone and percussion Parts: WH31387A Choral score: WH31387C Soli: WH31387D Regin Der Schmied for SATB-soli 6-part Choir Trombone and Percussion (2008). Parts: WH31387A Choral score: WH31387C Soli: WH31387D

A chanson and madrigal written by Orlando di Lasso also known as Orlandus Lassus for four-part choir as edited by Jerry Weseley Harris. Lyrics in English and French. A chanson and madrigal written by Orlando di Lasso also known as Orlandus Lassus for four-part choir as edited by Jerry Weseley Harris. Lyrics in English and French.

Per Norgard Third Symphony - A Short Introduction by Jorgen I. Jensen. Analyse of Per Norgard 3. Symphony Translation into English: John Bergsagel

Great idea for History curriculum project at Key Stage 2. The main story takes place in the post-war austerity years. The scenes are linked by sketches and songs highlighting events such as rationing the birth of the NHS and nationalisation of the coal mines. Score contains 13 songs some with two parts plus parts for recorders and tuned percussion. The score is available (catalogue no. YS10213) and the script is also available (catalogue no. YS10221)Great idea for History curriculum project at Key Stage 2. The main story takes place in the post-war austerity years. The scenes are linked by sketches and songs highlighting events such as rationing the birth of the NHS and nationalisation of the coal mines. Score contains 13 songs some with two parts plus parts for recorders and tuned percussion. The score is available (catalogue no. YS10213) and the script is also available (catalogue no. YS10221)

Set of parts for Nærmere Gud til Dig / Nearer My God to Thee - Paraphrase for Wind Band by Carl Nielsen . Set of parts for Naermere Gud til Dig / Nearer My God to Thee - Paraphrase for Wind Band by Carl Nielsen .

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Here again is an assortment of tunes which I hope will give some pleasure to those who play them. Much of the work is written in traditional mode and should be treated as such. In other words whereas in classical pieces the player attempts to reproduce what the composer intended in traditional music it is up to the player to apply his/her own interpretation and personality to the work. If that interpretation happens to differ to what I intended it doesn't make it wrong it makes it personal to you and I have no doubt that in your hands at least it will come over better so feel free to change the odd note apply your own grace notes alter a chord here or there. Music is avery personal thing and traditional music perhaps even more so than other forms. Here again is an assortment of tunes which I hope will give some pleasure to those who play them. Much of the work is written in traditional mode and should be treated as such. In other words whereas in classical pieces the player attempts to reproduce what the composer intended in traditional music it is up to the player to apply his/her own interpretation and personality to the work. If that interpretation happens to differ to what I intended it doesn't make it wrong it makes it personal to you and I have no doubt that in your hands at least it will come over better so feel free to change the odd note apply your own grace notes alter a chord here or there. Music is avery personal thing and traditional music perhaps even more so than other forms.

Piano. Chopin F