Complete Edition-There is no other chamber-music genre for which Mozart produced so many works – see the sonatas and variations – than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments thus creating music of pure timeless beauty bound with dramatic power elegance and emotional depth.

Sonata for viola in the first position with piano accompaniment. Adapted from the original Violin Concerto and edited by Samuel Lifschey.

This beautiful song of hopes and dreams has been selected for the Elena Sharkova Series. Shayla Blake a relatively new composer on the scene has selected the poetry of Julie Myers for her composition. Treble choirs from high school through college will enjoy the ethereal harmonies and effective voice-leading. Easy to Medium.

Two accompaniment CDs in each package which match the books containing a collection of songs from the musical stage categorized by voice type. The selections are presented in their authentic settings excerpted from the original vocal scores. Baritone/Bass Volume 2. Two accompaniment CDs in each package which match the books containing a collection of songs from the musical stage categorized by voice type. The selections are presented in their authentic settings excerpted from the original vocal scores.

Ausgabe für Viola-Good intentions are simply not good enough (to freely paraphrase Kurt Tucholsky): the arpeggione a kind of hybrid instrument like a large bowed guitar never won acceptance among musicians. This curiosity of instrumental engineering would certainly have long since been consigned to oblivion had not Franz Schubert of all people composed his A minor sonata for it. This three-movement work is now truly immortal but at the same time presents a problem as an Urtext because the original arpeggione part cannot be performed on those instruments that most closely approximate its sound – clearly the viola or violoncello – without some interventions in the text. G. HenleVerlag solves the dilemma on the one hand by setting the arpeggione Urtext part above the original piano part (score) and on the other by clearly denoting the few necessary octave shifts in the included instrumental parts. Out of the question for the publisher was a transcription for another instrument such as the violin (as was included in Diabelli’s posthumous first edition) flute or other high melodic instrument because these are simply too far removed from the sound Schubert had in mind. At best a contrabass part might still work. Or …? An authoritative urtext edition of Schubert's Sonata In A Minor D 821 for the Arpeggione - also known as the Guitar-Violincello or 'Guitar D'Amour'. This version has been transcribed for Viola and Piano edited byWolf-Dieter Seiffert.

The Well-Tempered Clavier Part II-The world-famous pianist András Schiff a most familiar name to Bach fans on account of his complete recordings of Bach’s piano works has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s brand new revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions without fingeringsand as study editions.? The world-famous pianist András Schiff a most familiar name to Bach fans on account of his complete recordings of Bach’s piano works has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects ofperformance practice in a detailed preface. The basis for the musical text was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s brand new revision of Part II (spring 2007). The eminent Bach scholar Tomitadiscusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition.

This anthem was commissioned by Jefferson Baptist Church Baton Rouge Louisiana Alan Shoumaker Minister of Music. A new melody to familiar words and a quote of Onward Christian Soldiers are combined into thisanthem of commitment and dedication. Available separately: SATB ChoirTrax CD. Score and parts (fl ob cl 1-2 bn tpt 1-2 asx hn tbn 1-2 tbn 3/tba rhythm hp perc bells timp vn 1-2 va vc db) available as a CD-ROM andas a digital download. Duration: ca. 3:30.

Here are all your favorite scare tactic tunes assembled in clever fashion in a quick-fire medley by Larry Moore. Includes as many as will fit into 2 minutes or less: Jaws Night on Bald Mountain Funeral Marchof a Marionette Psycho The Addams Family The Munsters Sorcerer's Apprentice Toccata and Fugue in D minor and Phantom of the Opera. (Grade 2)

The wonder and awe of the first Christmas night permeates this medley of three treasured carols perfect for Christmas Eve or any Christmas worship occasion. Fitting for children youth and adult choirs the medley includes Away In a Manger Infant Holy Infant Lowly and Silent Night Holy Night. Available separately: Unison/opt. 2-Part Treble CelebrationTrax CD. Duration: ca. 2:58

Here is the eloquent and emotional Christmas song performed by Whitney Houston in the film The Preacher's Wife. Also available for: SATB SAB two-part choirs and ShowTrax CD. Performance Time: Approx. 3:30. Here is the eloquent and emotional Christmas song performed by Whitney Houston in the film The Preacher's Wife. Also available for: SATB SAB two-part choirs and ShowTrax CD. Performance Time: Approx. 3:30.

How beautiful-This energetic Israeli folksong features the Isaiah text How beautiful are upon the mountains the feet of the messenger of good tidings: of salvation and peace. Available: SATB 2-Part 3-Part Mixed. Performance Time: Approx. 1:45.

Uses: General Easter Eastertide Scripture: Philippians 2:9-11: Colossians 1:15-19 Dramatic and effective this contemporary ballad from Passion and Matt Redman calls us to worship and adoration. The title says it all on this Christ-centered choral filled with inspiring moments of poetry and praise. Gradually building from the restrained opening the piece proceeds in a mighty crescendo of affirmation. Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tbn 3/tba perc pno syn rhythm dm vn 1-2 va vc db) available on CD-ROM and as a digital download.

Flute-Introducing the first-ever curriculum for high school band! Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read rehearse and perform band repertoirewith precision and artistry. Using proven methods for superior sound production and ensemble technique your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert bandsetting. Ensemble Concepts is designed to help ensembles to acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually in developmentalorder then combined for more advanced practice. Also available in the Essential Musicianship curriculum: Masterwork Studies (HL00960078 - 00960095) focuses on six landmarkcompositions for band (score/parts not included). Two CD-ROMs are included featuring: 1. Exemplary recordings of each work performed by some of the world's finest ensembles 2. Practice loops onthe more difficult passages for each individual instrument including tempo adjustment software on-screen assessment and a built-in metronome 3. Scale arpeggio and articulation studies in all keys Ensemble Concepts - Fundamental Level (HL00960110 - 00960127) Ensemble Concepts - Intermediate Level (HL00960129 - 00960146)

Sheet music. All the Things You Are from the musical comedy 'Very Warm For May'. Music by Jerome Kern with words by Oscar Hammerstein II. Single sheet for Piano Voice and Guitar.

Robert Schumann was fascinated by the violin virtuoso Nicolò Paganini as were many composers of the time. When he was planning a piano tutor in 1832/33 that was to include his own works as well as those by others Schumann took a close look at Paganini’s virtuosic Caprices for violin. Schumann’s own Caprices op. 3 were composed in this spirit based very closely on Paganini’s original and following their educational intention. Opus 10 on the other hand deals more freely with the model and is designed more with an effective performance in mind. Our Urtext edition of all of the Paganini Studies is supplemented by the composer’s extensive explanation on their execution which heplaced at the beginning of his Opus 3.? Robert Schumann was fascinated by the Violin virtuoso Nicolò Paganini as were many composers of the time. When he was planning a Piano tutor in 1832/33 that was to include his own works as well as those byothers Schumann took a close look at Paganini's virtuosic Caprices for Violin. Schumann 's own Caprices Op. 3 were composed in this spirit based very closely on Paganini's original andfollowing their educational intention. Opus 10 on the other hand deals more freely with the model and is designed more with an effective performance in mind. Our Urtext edition of all of the PaganiniStudies is supplemented by the composer's extensive explanation on their execution which he placed at the beginning of his Opus 3 .

Two familiar carols (Up on the Housetop Jolly Old St. Nicholas) have been combined in this sparkling holiday number from John Leavitt. Creative treatments with key shifts and skilled orchestration give this new arrangement great appeal.

Can be used as a Performance Score Instrumentation: Speaker œ Woodwinds œ Trombone œ Violin œ Violoncello œ Percussion œ Piano. Can be used as a Performance Score Instrumentation: Speaker œ Woodwinds œ Trombone œ Violin œ Violoncello œ Percussion œ Piano.

Italian/English. Translated by Martin. 'La Forza del Destino' is a product of the rich middle period of Verdi’s long creative life and marks an important development in his style. The entire work is pervaded by a dark brooding feeling. Verdi and librettist Francesco Maria Piave have created a tangled tale in which the characters come together through coincidence. Melitone and Preziosilla provide asides and comic elements as the three main characters Donna Leonora Don Carlo and Don Alvaro play out their tragic parts. This is the Schirmer Edition of the Vocal Score in the original Italian with an English translation by Ruth and Thomas Martin.

Contents: Concert Warm-Ups And Chorales; American Spirit Overture; Prelude To A Festival; Honor Roll March; Dixieland Dazzle; Bartok - Three Folk Songs; Breakdance Brass; Razzamajazz; Grandfather's Clock; Discovery March;Superflutes; Percussion Patrol; A Festive Christmas Overture; Jingle-Bell Rock; Frosty The Snow Man.

from Curtains-It's not very often that a bona fide old school Broadway showstopper comes along but here it is from the show Curtains and the musical team of Kander and Ebb with additional lyrics by Rupert Holmes. An excellentselection for all types of ensembles! Available separately: SATB SAB SSA ShowTrax CD. Combo parts available digitally (fl cl tpt 1 tpt 2 tsx tbn barsx syn gtr b dm). Duration: ca. 3:35.