From the Josh Groban Noel CD comes this tender ballad reminds us to look around at the remember there's so much to be thankful for. Fettke's pairing with Thanks to God creates a beautiful choralexpression for any time of thanksgiving. Available separately: SATB ChoirTrax CD. Score and parts (fl ob cl tpt 1-3 hn tbn 1-2 tbn 3/tba perc dm hp rhythm vn 1-2 va vc db) available as a CD-ROM and as a digitaldownload. Duration: ca. 5:00.

With parts for Horn in E flat and F.-We not only owe three of Mozart’s horn concertos to his friendship with Ignaz Leutgeb- the solo part of this unusual chamber music work was also written especially for him. Instead of having two violins the accompanying string quartet has two violas which complement the dark and warm timbre of the horn and lend the work a unique tonal effect. Echoes of motives from the “Abduction from the Seraglio” allow us to suppose that it was composed around the same time as the Singspiel. As the autograph is missing this edition is based on the first edition. In addition the critical apparatus provides a careful evaluation of the secondary sources affording important insights intoMozart’s intentions.? With parts for Horn in E flat and F. We not only owe three of Mozart's horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead ofhaving two violins the accompanying string quartet has two violas which complement the dark and warm timbre of the horn and lend the work a unique tonal effect. Echoes of motives from the 'Abduction from the Seraglio' allow usto suppose that it was composed around the same time as the Singspiel. As the autograph is missing this edition is based on the first edition. In addition the critical apparatus provides a careful evaluation of the secondarysources affording important insights into Mozart's intentions.

In spring 1865 Brahms surprised his friends and acquaintances with 16 little waltzes for piano four-hands. He informed his friend the well-known critic Eduard Hanslick about this in April 1866 saying that his thoughts while writing them had been “of Vienna and its pretty girls” – which is also how they sound – light cheerful one is tempted to say “Schubertian.” They still enjoy great popularity today also for home music-making. Brahms also transcribed the waltzes for piano two hands (see editions HN 42 43).An Urtext edition of Johannes Brahms's sixteen Waltzes Op.39 for Piano duet as edited and fingered by Walter Georgii.

Study Score No. 71-For Viola/Violin solo and orchestra.

Renaissance composer Orlando di Lasso used this Latin text for one of his works and Lee quotes this musical motive in this new and contemporary composition. The text speaks to the power of music to calm angry souls and uplift sadspirits to even move the very trees and the wild beasts. This work and the di Lasso would make excellent companion pieces on a concert. Duration: ca. 5 minutes 40 seconds.

Celebrative and highly rhythmic African Noel shines with energy and excitment. Contrasting dynamics and optional percussion make this one a real creative and refreshing Christmas selection. Beautiful in itssimplicity your choir will have fun with this one! Available: SATB.Celebrative and highly rhythmic African Noel shines with energy and excitment. Contrasting dynamics and optional percussion make this one a real creative and refreshing Christmas selection. Beautiful in its simplicity your choir will have fun with this one! Available: SATB.

With this 2003 album singer-songwriter Jewel Kilcher left her folk roots behind and created a surprising collection of urban dance pop. All 14 songs arranged for piano and voice with guitar chord boxes.

Soulful energy fills this arrangement of Go Tell It On the Mountain based on the recording by Sandi Patty on her CD Yuletide Joy. Starting with a heartfelt and moving solo the choir enters in a slow gospel swing that develops into powerful jazz-filled harmonies leading to a triumphant ending. A Christmas showstopper for mixed choirs!

Once again Henle can boast of an important new addition to its Pantheon of great composers: Ernest Chausson. Based on a novella by the Russian novelist Ivan Turgenev the Poème for violin and orchestra was originally conceived as a symphonic poem. Gradually it evolved into a character piece with violin solo or to quote the composer a piece in very free form with many passages where the violin plays alone. That Chausson’s plan came off to perfection is proved by the work’s ever-growing popularity. The solo part of this new Henle volume satisfies the most rigorous criteria of an urtext edition. The piano reduction places a premium on playability and lies better under thefingers than ever before.? Violin with Piano reduction.

Arranged in a beautiful and flowing chorale style Richard Saucedo brings life and musicality to this marvelous 18th century Polish carol. This offers an excellent opportunity to teach expressive and lyric playing with your younger groups yet willsound rich and sophisticated with more mature groups.

Felix Mendelssohn Bartholdy wrote three major works for cello and piano a task he particularly enjoyed since his brother Paul was a cellist. Following the early Variations op. 17 (1829) and the Sonata no. 1 in B flat major op. 45 (1839) the op. 58 grand Sonata (1843) qualifies as the high point in Mendelssohn’s oeuvre for cello. The Romantic composer Felix Mendelssohn-Bartholdy (1809-1847) has been highly regarded in Britain from the time of his first visit in 1829. He was a favourite of Queen Victoria and also made several trips to Scotland inspiring some of his best-known and most evocative works. Mendelssohn's Cello Sonata No.2 in D Major (Op. 58) was composed in 1843 for Cello and Piano. It is scored in four movements: AllegroAssai Vivace - Allegretto Scherzando - Adagio - Molto Allegro E Vivace . It is heavily influenced by Bach borrowing elements of both structure and melody from some of Bach's works. This Urtext edition ispublished by Henle Verlag.

Two distinctive cultures combine in this unique choral change-of-pace. Featuring African percussion and Irish-inspired vocals this delightful piece is fun fun fun! Available: SATB a cappella. Performance Time: Approx. 3:10. Two distinctive cultures combine in this unique choral change-of-pace. Featuring African percussion and Irish-inspired vocals this delightful piece is fun fun fun! Available: SATB a cappella. Performance Time: Approx. 3:10.

Iconic anthem from the Beatles.Iconic anthem from the Beatles.

Revelation 21:3 John 3:16 John 15:9 Malachi 3:1-This Quick Study Choral is a perfect blending of a classic hymn text with a lilting new melody. The addition of optional flute lends it a fresh Celtic feel. The message of the love of God shown in Jesus Christ makes this one-rehearsal anthem useful for any Sunday of the year. This Quick Study Choral is a perfect blending of a classic hymn text with a lilting new melody. The addition of optional flute lends it a fresh Celtic feel. The message of the love of God shown in Jesus Christ makes this one-rehearsal anthem useful for any Sunday of the year.

The Golden Jubilee Edition-Ten masterful arrangements of worship hymns for organ are included in this collection: More Love to Thee O Christ Variations on Wyve Valley Hymn of Majesty and Power Toccata on Beethoven'sHymn to Joy Toccata on Mendelssohn Variations on Adeste Fideles The Promised Land And Can It Be? The Solid Rock Now Thank We All Our God.Ten masterful arrangements of worship hymns for organ are included in this collection: More Love to Thee O Christ Variations on Wyve Valley Hymn of Majesty and Power Toccata on Beethoven'sHymn to Joy Toccata on Mendelssohn Variations on Adeste Fideles The Promised Land And Can It Be? The Solid Rock Now Thank We All Our God.

The tender ballad from A Charlie Brown Christmas is a perfect jazz-flavored choice for younger orchestras. Well-crafted moving lines within the the skilled ensemble writing assure success.

J. S. Bach’s three gamba sonatas belong among the core repertoire of this low string instrument. They hark back to other works of his that were originally for different performing forces. What they all share is a strict three-part texture (gamba and two-voice keyboard). Our viola arrangement reflects Bach’s own arranging practice. Only in a few passages does the original gamba part descend below the viola’s tonal range and these can easily be resolved by moving the melody line to a higher octave.

The format used in this book was developed by Norm Jones a self-taught non-music reading ukulele enthusiast. Norm was unable to find the songs that he wanted in just a lyric/chord format so he developed his own. He later added thematic graphics to make the sheets more attractive. The music is not provided so it is necessary that the player know the tune. However this is a great format for people who either play or would like to play the ukulele but don't read music. The novelty of this format will entertain and provide enjoyment to those who are more accomplished strummers as well.The format used in this book was developed by Norm Jones a self-taught non-music reading ukulele enthusiast. Norm was unable to find the songs that he wanted in just a lyric/chord format so he developed his own. He later addedthematic graphics to make the sheets more attractive. The music is not provided so it is necessary that the player know the tune. However this is a great format for people who either play or would like to play the ukulele butdon’t read music. The novelty of this format will entertain and provide enjoyment to those who are more accomplished strummers as well.

Italian/English. Translated by Ducloux. Lyric drama in four acts with a libretto by Arrigo Boito (founded on Shakespeare's tragedy Othello) and an English translation by Walter Ducloux. The score is extremely dramatic and complex; the tone for the whole opera is set when the curtain rises on a huge storm (there is no Overture) and the fishermen debate the fate of a ship out on the seas. The Willow song and Ave Maria in Act IV also form one of the great lyric scenes for soprano. This is the Vocal Score with a Piano reduction.

Featuring the heartfelt melody of this traditional Irish folk song Michael uses lush harmonies varieties in texture and carefully paced emotional peaks in this marvelous setting for young players. This version has been carefully adapted forflexible instrumentation.