A compilation featuring all the pieces from the albums Le Onde I Giorni and Eden Roc . The pieces in this beautifully presented collection are organised in order of increasing difficulty.

Work for Soprano and Piano. First performed by Jane Manning and John McCabe In 1981. Work for Soprano and Piano. First performed by Jane Manning and John McCabe In 1981.

Proud has been featured on television and in movies and is currently the theme song for NBC's The Biggest Loser. This knockout inspirational gospel-infused chart is a must for your concert and show choirprogramming with lyrics of encouragement and individual strength! Available separately: SATB SSAB StudioTrax CD. Duration: 4:25.Vettese P/Small H Proud (Gilpin Greg) Studio Trax Cd

First published in 1901 this rag has remained one of the most popular of Joplin's distinctive ragtime pieces. This version for flute trio is fun to play and will make a delightful concert encore item.

An episode from the Mahabharata. For Soprano Tenor and Bass soloists Female chorus and orchestra consisting of 2 Flutes English Horn 2 String Quartets and Double Bass.

A concise Method for the Crumhorn and other Wind-Cap Instruments- A concise method for Crumhorn and other Wind-Cap Instruments by Edgar Hubert Hunt.

Sange Til Dem Som Tror - Messe for os alle af Peter Bruun (2017) med tekst af Terje Dragseth. For blandet kor SATB (SSAATTBB). Værket er skrevet til DR VokalEnsemblet. Sange Til Dem Som Tror - Messe for os alle af Peter Bruun (2017) med tekst af Terje Dragseth. For blandet kor SATB (SSAATTBB ). Vaerket er skrevet til DR VokalEnsemblet.

14 Udvalgte Salmer af Klaus Brinch og Lars Busk Sorensen (2018) - for sang med becifret klaverarrangement. Det er omtrent tredive ar siden at Klaus Brinch og Lars Busk Sorensen begyndte deres samarbejde om at skrive salmer. I dette nye haefte praesenteres 14 salmer fra hele perioden og viser pa fin vis hvordan de to ophavsmaend har bidraget til fornyelse af salmesangen i kirken som sker i disse ar. 14 Udvalgte Salmer af Klaus Brinch og Lars Busk Sorensen (2018) - for sang med becifret klaverarrangement. Det er omtrent tredive ar siden at Klaus Brinch og Lars Busk Sorensen begyndte deres samarbejde om at skrive salmer. I dette nye haefte praesenteres 14 salmer fra hele perioden og viser pa fin vis hvordan de to ophavsmaend har bidraget til fornyelse af salmesangen i kirken som sker i disse ar.

This is the first publication of Vaughan Williams's earliest substantial work for orchestra composed 1897-8 and premiered in April 1901. This attractive work already shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques and publication will be welcomed by all aficionados of his music. This is the first publication of Vaughan Williams's earliest substantial work for orchestra composed 1897-8 and premiered in April 1901. This attractive work already shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques. Its five movements display much variety and sense of overall architecture with a sombre opening Prelude a fleet-footed Scherzo a graceful Intermezzo and Trio a delicate Romance and a boisterous Finale. This new edition has been carefully prepared from the original manuscript by Julian Rushton and comes with full textual commentary. Orchestral material is available on hire/rental.

A highly accessible and mellifluous arrangement for unaccompanied SATB. The delicate scoring smooth vocal lines and well-judged splashes of harmonic colour allow the simple beauty of the tune to be heard. A highly accessible and mellifluous arrangement for unaccompanied SATB. The delicate scoring smooth vocal lines and well-judged splashes of harmonic colour allow the simple beauty of the tune to be heard.

SATB chorus

Vocal score for Te Deum for Choir SSAATTBB Brass Quintet and Organ by Sunleif Rasmussen (2015). Commissioned by The Copenhagen Chamber Choir CAMERATA. Vocal score for Te Deum for Choir SSAATTBB Brass Quintet and Organ by Sunleif Rasmussen (2015). Commissioned by The Copenhagen Chamber Choir CAMERATA.

Instrumentation: Gesang • 1 / 1 / 2 (D A) / 1 • 2 (F) / 2 (F) / 1 / 0 • Streicher Instrumentation: Gesang • 1 / 1 / 2 (D A) / 1 • 2 (F) / 2 (F) / 1 / 0 • Streicher

Violin 1- Based on the Henle Complete Edition of the Works of Joseph Haydn Orchestral parts in a large format (25.5 x 32.5 cm) Full score and orchestral parts available for sale Haydn 's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince. Haydn 's Symphony No.92 received its nickname “Oxford” in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791. This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn’s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

Teach Yourself To Play The Ukulele teaches you everything you need to about how to start playing the instrument. It has an easy to follow approach and makes the learning fun. There are different strumming techniques which help you to play in any style teaches you how to play by ear and includes great folk blues and country songs with lyrics. Suitable for players using A-D-F#-B tuning.

Festive Winds begins with a short introduction before we hear a light airy and fresh-sounding passage. The original character of this march is above all in the trio which conjures up the sounds of a big band with its bluesy style. The work was commissioned by the Société Cantonale des Musiques Vaudise to celebrate the 27th festival of the French canton of Vaudois in Savigny Switzerland where the march was given its première by a mass ensemble.

German Chorus Score-The German chorus score for Antikrist 'Fortabelsen' / Antichrist - A 'Church-Opera' in a prologue and six scenes by Rued Langgaard (1921-23) BVN 192. Text by the composer. Crititcal edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition. The German chorus score for Antikrist 'Fortabelsen' / Antichrist - A 'Church-Opera' in a prologue and six scenes by Rued Langgaard (1921-23) BVN 192. Text by the composer. Crititcal edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.

Otilie Suková was the daughter of Antonín Dvo ák and the wife of Josef Suk. A gifted musician she played the piano and wrote several compositions of her own inspired by her musical surroundings. Four of her piano pieces have survived; Suk wrote them down after his wife’s performance. Lullaby” “Humoresque” and “Joey on the Horsie” were published four years after her death as a supplement to the periodical Zlatá Praha. “To Dear Daddy” appears here for the first time in print. It is based on two manuscripts; the first is Suk's manuscript the second is Otilie's clean copy of Suk's manuscript. - First scholarly-critical edition of the sole survivingcompositions of Dvo ák’s daughter Otilie - “To Dear Daddy” published for the first time - Pieces of moderate technical difficulty also suitable for advanced students - Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor Otilie Suková was the daughter of Antonín Dvo ák and the wife of Josef Suk. A gifted musician she played the piano and wrote several compositions of her own inspired by her musical surroundings. Four of her piano pieces have survived; Suk wrote them down after his wife’s performance. 'Lullaby” “Humoresque” and “Joey on the Horsie” were published four years after her death as a supplement to the periodical Zlatá Praha. “To Dear Daddy” appears here for the first time in print. It is based on two manuscripts; the first is Suk's manuscript the second is Otilie's clean copy of Suk's manuscript. - First scholarly-critical edition of the sole survivingcompositions of Dvo ák’s daughter Otilie “To Dear Daddy” published for the first time Pieces of moderate technical difficulty also suitable for advanced students Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor

Cantata for Trinity Sunday- Es ist ein trotzig und verzagt Ding BWV 176 Cantata for Trinity Sunday This cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after his Leipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed by Bach apparently within a few weeks on texts by the contempotary Leipzig poetess Marianne von Ziegler. It is scored for Soprano Alto and Bass soloists mixed choir (SATB) 2 Oboes Oboe da caccia Strings and Basso continuo. - Urtext of the New Bach Edition - Performance material (BA10176) choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

Written for the 100th Anniversary Celebration of-John Williams has written ceremonial music for many major events and ceremonies but of all these occasional pieces Summon the Heroes is the most elaborate and musically complex. It was composed for the Atlanta Olympic Games in 1996 and performed at the opening ceremony. As with all of John Williams’s ceremonial compositions this work makes an ideal brass band work that will bring the house down as a concert opener.