For SATB Choir A Cappella.

Having developed two of the most prolific and respected guitar programs in the world (Berklee School of Music in the 1960s and University of North Texas in the 1980s) Jack Petersen is arguably the most influential academic jazz guitar teacher of our time. Mick Goodrick and John Abercrombie to drop a couple big jazz guitar names and countless other great players all went through the School of Jack Petersen. This book presents Jack's revolutionary systematic chord voicing techniques for guitar. This easy to use system is a must for anyone serious about learning and understanding chords on guitar. Concepts of root position chords inversions and a number of other voicingtricks are covered with standard notation tab and chord diagrams. Having developed two of the most prolific and respected guitar programs in the world (Berklee School of Music in the 1960s and University of North Texas in the 1980s) Jack Petersen is arguably the most influential academic jazzguitar teacher of our time. Mick Goodrick and John Abercrombie to drop a couple big jazz guitar names and countless other great players all went through the 'School of Jack Petersen.' This book presents Jack's revolutionarysystematic chord voicing techniques for guitar. This easy to use system is a must for anyone serious about learning and understanding chords on guitar. Concepts of root position chords inversions and a number of other voicingtricks are covered with standard notation tab and chord diagrams.

This collection of pieces gleaned from the unaccompanied works of Johann Sebastian Bach (1685-1750) will broaden the horizons of the amateur student and professional musicians alike. It is intended that these transcriptions serve as a teaching aid: helping in study of form phrasing style and other aspects of making music. In addition they may also be utilized for the purpose of performance. It should be noted that some register adjustments have been instituted to better suit the range limitations of the clarinet. I have tried my best to be as faithful as possible to Bach's original compositions striving for consistency and continuity of line. All editorial markings (trills dynamics articulations etc.) are solely the editors and are of course open to interpretation. The first set of pieces (Partita BWV 1013) is heavily edited to show that keeping within the standard performance practice of the Baroque style experimentation is expected and encouraged. This collection of pieces gleaned from the unaccompanied works of Johann Sebastian Bach (1685-1750) will broaden the horizons of the amateur student and professional musicians alike. It is intended that these transcriptions serveas a teaching aid; helping in study of form phrasing style and other aspects of making music. In addition they may also be utilized for the purpose of performance. It should be noted that some register adjustments have beeninstituted to better suit the range limitations of the clarinet. I have tried my best to be as faithful as possible to Bach's original compositions striving for consistency and continuity of line. All editorial markings (trills dynamics articulations etc.) are solely the editors and are of course open to interpretation. The first set of pieces (Partita BWV 1013) is heavily edited to show that keeping within the standard performance practice of theBaroque style experimentation is expected and encouraged.

The Lark is Mily Balakirev's arrangement for piano solo of the song of the same name by Mikhail Glinka also known as 'A Farewell to St. Petersburg'. It retains much of the lyricism of the original but combines it with the pianistic brilliance which makes it into a solo work.

As recorded in Enchanting Versailles: Strictly Classical. This piece coloured by different moods combines three movements in only one part.

Score and Parts-Taking this familiar holiday melody Michael Brown has created an impressive arrangement for young players. Opening with the simple melody stated in flutes and vibes the setting then blossoms with full and rich orchestrations building brass lines and creative harmonies. After the emotional peak the piece winds down to a quiet and effective ending. Nicely done. (Grade 2.5) (3:05)This traditional Appalachian carol adapted or re-written by John Jacob Niles has been arranged for a full Concert Band by Michael Brown. Presented here in full score and parts the arrangement represents a wonderful addition tothe festive repertoire of any young concert band.

Thou Must Leave Thy Holy Dwelling-From Berlioz' Nativity oratorio The Childhood of Christ (L'Enfance du Christ) Op.25 this lovely SATB anthem may be performed with keyboard or chamber orchestra. In addition to the traditional English lyrics of the G.Schirmer edition the original French text is now also included. Available separately: SATB VoiceTrax CD. Score and parts available digitally (ob 1 2 cl 1 2 vn 1 2 va vc b). Duration: ca. 3:10.Christmas Anthem for SATB Choir and Piano. English version by Paul England.

Bart Howard's Fly Me To The Moon (In Other Words) is a great jazz standard and has been recorded by Tony Bennett and many others. The Latin groove setting is great for developing style diction and ensemble skills making this superb arrangement one not to miss! Available here is the great jazz standard for SAB Choir with Piano accompaniment as arranged by Kirby Shaw. Bart Howard's Fly Me To The Moon (In Other Words) is a great jazz standard and has been recorded by Tony Bennett and many others. The Latin groove setting is great for developing style diction and ensemble skills making this superb arrangement one not to miss! Available here is the great jazz standard for SAB Choir with Piano accompaniment as arranged by Kirby Shaw.

Sheet Music Edited and fingered by Rafael Joseffy.

Latin/English. 'Litaniae Lauretanae' or 'Litany of Loreto' is a 13th Century in honour of the Virgin Mary. It is sung every evening at Loreto. Scored for Soprano Alto Tenor and Bass Soli SATB Chorus and Ensemble the work appears in this edition with choice of Latin or English texts as prepared by Maynard Klein.

based on Up On The Housetop-Based on Up on the Housetop John Moss' tongue-in-cheek arrangement cleverly mixes this familiar carol with a foot-stomping barn dance style. A rousing country Christmas all the way!

Another winner from Rosephanye Powell! This setting for four-part a cappella women will dazzle the ears of all who hear it. A fabulous festival piece it will shine in church and school.

Two Pianos Four Hands-Two Pianos Four Hands. 2 Copies needed to perform. To see other NFMC selections click here .

Instrumental Accompaniment Set-Includes: 2 Violins Viola Cello Bass Flute I (Piccolo) Flute II Oboe 2 Clarinets Bassoon 2 Horns Harp and Full Score Bell parts included in choral score

For worship service concert contest or festival Ave Regina Coelorum is light and lovely beautifully showing off the range and versatility of women's voices. Sounding simple and complex this a cappella gem sparkles with color and texture as only treble voices can.

For 4 amplified voices and quad tape. For 4 amplified voices and quad tape.

For 4 Clarinets or Clarinet and Tape. Published in 1993. First performed by Roger Heaton Lilian Bayliss Theatre Sadlers Wells London 1995. Score. For 4 Clarinets or Clarinet and Tape. Published in 1993. First performed by Roger Heaton Lilian Bayliss Theatre Sadlers Wells London 1995. Score.

This 1999 pop hit by Santana was #1 for weeks - its great Latin groove will show your pop group at its best. Available: SATB SAB TBB Instrumental Pak ShowTrax CD. Performance Time: Approx. 4:15.

A lovely choice for young or inexperienced choir arranged as a litany: Verse 1 unisonVerse 2 womenVerse 3 choirVerse 4 menVerse 5 choir and optional congregation with a descant

For Violin and Piano. Published in 1987. Commissioned by Miranda Fulleylove with funds provided by Greater London Arts. First performance: BMIC London 13th April 1988. Score and Part. For Violin and Piano. Published in 1987. Commissioned by Miranda Fulleylove with funds provided by Greater London Arts. First performance: BMIC London 13th April 1988. Score and Part.