A time trip through musical history for classical guitar.

The Heart of Darkness was composed in 2011 by Tarik O’Regan . The Heart of Darkness had its first performance on the 1st November 2011 at the Royal Opera House Linbury Studio Theatre London by Opera East Productions. Here it was conducted by Oliver Gooch with production directed by Edward Dick and design by Robert Innes Hopkins . The Heart of Darkness was composed in 2011 by Tarik O’Regan . The Heart of Darkness had its first performance on the 1st November 2011 at the Royal Opera House Linbury Studio Theatre London by Opera East Productions. Here it was conducted by Oliver Gooch with production directed by Edward Dick and design by Robert Innes Hopkins .

Jean Sibelius’ Opus 78 is characterised by its sheer musicality and design for home study. The set closes with an agile study called Rigaudon a lively and testing piece which is a real challenge for an amateur violinist but one which they will enjoy immensely! The title mirrors an eighteenth-century Gavotte-like French dance and with rapid arpeggios and stuttering pizzicato creates this powerful sense of urgency and rhythm. Jean Sibelius’ Opus 78 is characterised by its sheer musicality and design for home study. The set closes with an agile study called Rigaudon a lively and testing piece which is a real challenge for an amateur violinist but one which they will enjoy immensely! The title mirrors an eighteenth-century Gavotte-like French dance and with rapid arpeggios and stuttering pizzicato creates this powerful sense of urgency and rhythm.

Easy classics for violin with piano accompaniment. Over 20 all-time favourites including Beethoven's 'Minuet In G' 'Eine Kleine Nachtmusik' and 'The Four Seasons'. Grades 3-5.

Albert Hay Malotte was an American pianist organist composer and educator. He is best remembered for his setting of The Lord's Prayer . Written in 1935 it was first recorded by the Baritone John Charles Thomas and remained highly popular for use as a solo in churches and at weddings in the US for some decades. Recordings by singers and groups including Doris Day Andrea Bocelli Elvis Presley and Barbara Streisand followed. The ‘Lord's Prayer’ is a venerated Christian prayer that according to the New Testament was taught by Jesus to his disciples. The song's melody is very similar to that of Schubert's ‘Ave Maria’. Thisversion is arranged by Carl Deis for Soprano and Tenor Soli and SATB Choir A Cappella. Duration ca. 4:20.

Mit optionalen Stimmen für Rhytmusgitarre Bassgitarre und Schlagzeug-This book includes tunes for electric and acoustic guitars and affords theopportunity to apply techniques for solo guitars such as hammering bends slides and taps. As well as a CD that contains performances and accompaniment tracks there are optional parts for drums and rhythm guitar.

Quarter Military Band QMB 209-Symphonic Band (full score). Piston W

Cheryl Frances-Hoad 's Good Day Sir Christemas for SATB.

Londonderry Air- Danny Boy ( Londonderry Air ) is an Irish evergreen that is famous all over the world. Its wonderful melody has encouraged many arrangers to make an arrangement of it. One of them is Robert van Beringen who created this version for MusicBox that can be played with practically any instrumentation. Danny Boy is an ideal piece for working on intonation playing together musicality and phrasing.

Authentic Big Band swing style music for the concert band! You know this one will be a crowd pleaser and SO much fun to play! Stephen Bulla works his magic with the great Jazz sounds of the 40s and 50s in such a way that your band will be able to put it together and make it happen. Lots of great jazz style articulation and harmonic considerations ensure that your students are doing more than just playing the piece. They are learning Big Band Jazz style interpretation in the bargain and loving it as they do. This is a great opportunity to study the historical American roots of Jazz!

This wonderful carol melody is sung by the altos and is accompanied by an ostinato “motor” in the male voices. The soprano part moves independently and comments so to speak on themelodic happenings. BA 7419 God Rest Ye Merry Gentlemen arranged for SATB. This wonderful carol melody is sung by the altos and is accompanied by an ostinato “motor” in the male voices. The soprano part moves independently and comments so to speak on the melodic happening. In the March 2016 edition of Organists' Review Rebecca Tavener writes that this 'vivid arrangement of a favourite traditional carol [is] an absolute winner' and that 'it looks like huge fun both to sing and to hear.'

Solos that expand into ensembles-'Upbeat solos that expand into flexible ensembles. Versatile and suitable for almost any combination of instruments. Includes Summertime (Porgy and Bess - Gershwin) Fascinating Rhythm (Lady be Good - Gershwin) and Memories (Cats - Lloyd Webber). Wind Brass and String books are available in the series. A book of solos which expand for flexible group music-making. This is ideal for many musical situations - solos individual and group teaching school concerts or just friends making music at home. Solos or ensembles - the choice is yours. Devised selected and edited by Peter Wastall.

from the Belgian drama TV series Katarakt-Katarakt is a 13-part fictional series about a young woman Elisabeth who sets out to save her in-laws’ floundering fruit farming business at all costs. She dedicates herself to this with ruthless ambition even though a serious eye complaint makes the task increasingly difficult for her. Elisabeth gradually discovers her past and comes to a few surprising realisations. The series is set against the background of fruit farming in the Hesbaye region and follows the rhythm of the four seasons. Juri Briat arranged this beautiful music by Steve Willaert for concertband and fanfare.

Violin Viola 2 Horns Double Bass (Full Score). Vanhal Jb

No. 1 Return Home-Trumpet Piano. Schroen B

Concert piece-Cello Piano. Weber Cm

Engel auf den Feldern singen-This beautiful arrangement begins with a festive opening following which the chorale melody is introduced. A lofty intermezzo follows after which the chorale returns with the joyful atmosphere of the opening. The work concludes with a splendid climax that creates a true Christmas mood for both musicians and audience.

Posthumous work. Posthumous work.

This concerto is small in scale; the first movement making much of an energetically rising arpeggio figure a lyrical second movement with some chromatic harmony that foreshadows parts of Sheherazade and a brisk march-like finale with an extended cadenza. In addition to the traditional cadenza this edition contains an alternative for the more advanced player. A solo part in treble clef also is included.

This first version was compiled from sketches by musicologist Antonio Gallego in 1986. Originally written in 1914-15.