Piano duets edited by Weekley and Arganbright. Piano duets edited by Weekley and Arganbright.

Junior Just Brass No. 14-Edited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. Junior titles have been specifically chosen and edited for young players. The pieces are scored for four or five players and insome there are optional percussion parts. A large number of alternate parts are given allowing for maximum flexibility in instruments required.

Another great assortment of pieces assured to broaden your repertoire. Another great assortment of pieces assured to broaden your repertoire. This beautiful edition of The Pianist's Choice Book Two includes 11 pieces for solo Piano: Allegro from Sonatina (Elgar) Bagatelle in G minor Op 119 No 1 (Beethoven) Consolation No 1 (Liszt) Folk Song Op 38 No 2 (Grieg) Humoreske in F Op 101 No 4 (Dvorák) Inquiétude Op 77 No 4 (Moszkowski) Lament (Nielsen) Minuet in C minor (Haydn) Northern Song (Schumann) Romance Op 15 No 2 (Rimsky-Korsakov) and The Orphan Girl (Granados).

50 More Easy To Play Classic Melodies for Piano-50 More Easy To Play Classic Melodies for Piano Stages: Grade 3-4 A great collection of 50 instantly recognisable and well loved pieces. The masterpieces in Easy To Play 50 More Classic Melodies For Piano have all been beautifully arranged for easy Piano by KeithStent on Grade 3-4 standard. The impressive list of composers whose works are featured includes Mozart Handel Tchaikovsky Wagner Beethoven Bach Grieg and many more!

The Stone Has Rolled Away

Requiem for my Friend by Zbigniew Preisner was first performed on 1st October 1998 at the Teatr Wielki Warsaw. The Lacrimosa from Requiem for my Friend is here presented in a separatevocal score for solo Soprano SATB choir and Organ accompaniment.

Each pack contains 3 matching disks for Piano Performance and Technic books at each level. Play and hear each piece with an orchestral accompaniment. Each pack contains 3 matching disks for Piano Performance and Technic books at each level. Play and hear each piece with an orchestral accompaniment.

Music for Millions 37-Volume contains standard works of the repertoire and also works of composers rarely encountered within other collections. There are works from the baroque through the modern periods and each piece is in its original form.

Bram Wiggins: Chalumeau Dances for Grade 2 Clarinet with Piano accompaniment. Ten easy pieces: Prelude March Pavan Polka Siciliana Gavotte SlowWaltz Rigaudon Tango and Jig .

This songbook is packed with fifty million-selling songs from the 60-year history of The Official UK Singles Charts! From the year after The Festival of Britain to that of the 2012 Olympics the UK singles charts have beengiving us an accurate rundown of what songs Britain has bought week by week month by month! From Bill Haley & The Comets to Lady Gaga and Adele the charts have reflected many changes in popular music taste.Nowcarefully selected and arranged for piano voice and guitar here are 50 of the very best million-sellers taken from those charts — a truly fitting anniversary celebration of a great British popular music institution! Packed with pictures and song facts!

100 more settings for SATB-Everything here is accessible to the parish choir and immensely useful for service use throughout the year. Anthems Old And New combines the best of the old and the best of the new all selected by Christopher Tambling. Everything in it is accessible to the Parish choir and immensely useful for service use throughout the year.

Smooth and elegant vocal styles featuring two short solos and a lush piano accompaniment and orchestration are in this arrangement of the classic holiday song Home for the Holidays. Just what you would expect from Mark Hayes - apicture-perfect musical postcard for your holiday concert.

'Intavolature After Tobias Hume'. Four pieces edited and arranged for guitar quartet by Gilbert Biberian. Full score and parts.

Version for SATB Choir A Cappella.

For Unison Voices and Piano.

Work for SSATBB Chorus commissioned by the 1978 Three Choirs Festival.

This charming fiddling song from the southern mountains of Appalachia is engaging and humorous featuring progressive use of intervals in harmonic structure (unison thirds and fourths fifths); antiphonal singing between womenand men; and a brief piano solo. The accompaniment captures the rhythmic feel of a country fiddle and the boisterous excitement of a hoedown is both heard and felt in the harmonic refrain ...Hey ho dee-iddle-um-day! Treat your choir and your audience to a journey up Sourwood Mountain.

Score and parts for Simon Holt 's Piano Trio: Los Ojos for Piano Violin and Cello. Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming Concert Hall at the Royal College of Music London by Johannes Marmén (Violin) Zoé Saubat (Cello) and Gwenaelle Rouger (Piano). I finished writing Piano trio: Los Ojos in early May 2007. It is approximately 13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ‘toy’ – defined by ThomasMace (a contemporary of William Lawes) in his 1676 book Musicke’s Monument as‘a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time’. The Machado poem behind the piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved’s eyes. He is horrified that he can’t remember. One spring day he leaves the house and just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ‘¡Como esos!’; ‘Like those!’. The three movements have the titles: 1] su memoria y el espejo ‘his memory and the mirror’; 2] ¿Como eran? ‘How were they?’; and 3] ¡Como esos! ‘Like those!’. - Simon Holt Score and parts for Simon Holt 's Piano Trio: Los Ojos for Piano Violin and Cello. Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marmén (Violin) Zoé Saubat (Cello) and Gwenaelle Rouger (Piano). I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ‘toy’ – defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke’s Monument as ‘a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time’. The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved’s eyes. He is horrified that he can’t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ‘¡Como esos!’; ‘Like those!’. The three movements have the titles: 1] su memoria y el espejo ‘his memory and the mirror’; 2] ¿Comoeran? ‘How were they?’; and 3] ¡Como esos! ‘Like those!’. - Simon Holt

Psalms for Festivals comprises 17 joyful and memorable psalm-settings for the big occasion. Each has a rousing congregational response and all the psalms are through-settings (rather than chants) for choir. Psalms For Festivals is a book of joyful and memorable Psalm-settings for the big occasion. Each setting has a rousing Congregational Response and all are through-composed settings (rather than simply chants) for any choiror choral group. Featured composers include Timothy Blinko Rosalie Bonighton and Andrew Fletcher. Each setting also includes details of appropriate services or occasions and a full Piano/Keyboard accompaniment.

Five favourite pieces arranged for Piano Duet by Anne Applin.