Polkalied- Nun geht es los meaning “off we go ” is a spirited polka taken from the most recent CD of concert band music released by well known band leader Michael Klostermann and his musicians. Amongst a marvellous selection of polkas waltzes and marches Nun geht es los stands out as an exceptional piece. Ideal to play as a concert opener!

The Song Of The Grey Seas is a choral composition for SATB (Soprano/Alto/Tenor/Bass) composed by Percy E. Fletcher with words by W. G. Rothery. Originally published in 1915 Song Of The Grey Seas is one of a number of compositions by English composer Percy E. Fletcher. Fletcher worked as the musical director at a number of theatres around London all the while writing works for light orchestra chorus and brass bands. Unfortunately Fletcher 's music has largely been lost to the annals of classical history. However with this sheet music of Song Of The Grey Seas your SATB choir can revive the forgotten glory of this piece something that audiences will surely love.The Song Of The Grey Seas is a choral composition for SATB (Soprano/Alto/Tenor/Bass) composed by Percy E. Fletcher with words by W. G. Rothery. Originally published in 1915 Song Of The Grey Seas is one of a number of compositions by English composer Percy E. Fletcher. Fletcher worked as the musical director at a number of theatres around London all the while writing works for light orchestra chorus and brass bands. Unfortunately Fletcher 's music has largely been lost to the annals of classical history. However with this sheet music of Song Of The Grey Seas your SATB choir can revive the forgotten glory of this piece something that audiences will surely love.

Pocket or Study Score. Blacher B

Composer Ted Dicks and songwriter and lyricist Myles Rudge were the team behind this Top Ten hit for Bernard Cribbins along with its B-side Right Said Fred. The Hole In The Ground begins with a working man standing in the hole he’s digging and a ‘bloke in a bowler hat’ standing above him who’s offering criticism. By the end of the song their positions have somewhat changed.British actor Bernard Cribbins had a hit in 1962 with The Hole in the Ground produced by The Beatles’ own George Martin for Parlophone. It’s a jaunty tune with a cheeky lyric -- a crowd-pleaser all around.

For ATTB solo quartet. Commissioned by the East Neuk Festival for the Orlando Consort and premiered on 4 July 2008 at St Monans Kirk Fife Scotland as part of the 2008 Festival.

as performed by Earth Wind & Fire- In the Stone is an entirely appropriate title for this song from pop legends Earth Wind & Fire whose funky tunes characterised the disco era like no other artist. In the Stone is a lively concert band arrangement that maintains the soulful character of the original record which featured exciting saxophone trumpet and trombone parts.

Hindemith's Bassoon Sonata while hardly a popular work has attracted a fair amount of attention on the concert stage ad in the recording studio. Cast in two movements with the second containing three inner movements - Langsam Marsch and Beschluss Pastorale-Ruhig - the sonata is short lasting not quite ten minutes. The solo Bassoon part is also included on a separate insert.

Ballett in einem Akt von Gunter Grass-Piano Score. Reimann A

'Chanson De Matin' arranged for piano solo by Bothwell Thomson. Suitable for intermediate standard pianists.

Arranged for SATB unaccompanied.

For Trumpet And Piano-Made famous by the BBC's television series 'The Onedin Line'. Grade: 3-4

An easy arrangement of the big tune from Enigma Variations. Grade: 3

Written for Unison voices SATB choir and organ.

The edition is part of the ABRSM syllabus (grade 7)

The title refers to the historical period that marked the transition between the baroque and classical styles. Rococo music is characterized by a profusion of ornaments by graceful elegance and lightness of writing. Concerto Rococò consists of three movements: Toccata Elegie and Gigue en Rondeau - typical musical forms of that time. The concerto is very demanding on the technique of the soloist but consequently highlights the instrument's capabilities for both agility and lyricism. Also available for Flute and Concert Band (DHP 1811-11-140/010).

K348. Words by William Llewellyn. K348. Words by William Llewellyn.

Piano. Wagner-regeny R

The more you read the more you hear!The Eulenburg Audio+Score Series contains the orchestral world's treasures from the baroque classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score an informative preface detailing the biographical and creative background and a Naxos CD containing the work in full length.Eulenburg Audio+Score is the new way to hear read and understand music. The more you read the more you hear!The Eulenburg Audio+Score Series contains the orchestral world's treasures from the baroque classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score an informative preface detailing the biographical and creative background and a Naxos CD containing the work in full length.Eulenburg Audio+Score is the new way to hear read and understand music.

Thirty-Five Compositions By King Henry VIII is a unique collection containing King Henry VIII’s complete secular works. These works consist of part-songs and instrumental consorts and have been transcribed and edited by John Stevens. The collection is a mixture of instrumental pieces and pieces for vocal ensemble mostly in three parts with about half-a-dozen in four. Seventeen of the pieces are instrumental though it is perfectly possible (and historically accurate) to play the vocal pieces on instruments if preferred. In the instrumental pieces no instruments are stipulated. The top staff is treble the second is written in the trebleclef but sounds an octave lower as for vocal tenor and the lowest line is a for a bass clef melody instrument. Either flute or recorder would work well for the top line in most of these pieces which usually go no lower than around middle C. The bassoon could play either the second or third line. And the line left over could be played on keyboard. This is not harmonic music however. There are no chords nor would it be easy of idiomatic for the keyboard player to vamp or otherwise extemporise harmonies. The pieces are printed in score so two players might share one copy but two copies would be ideal if the keyboard player is also taking part and three of course if the players want to practise separately.

For SATB Choir and Organ. For SATB Choir and Organ.