The Essential Latin Collection for Guitar contains Latin songs and dances which in the main have become international 'standards'. The arrangements in Book 2 can serve for both study and solo performance and the different styles and moods of the music make the collection a valuable and enjoyable addition to the guitar repertoire.

Solo Clarinet Edition- This work by Nigel Wood is challenging but accessible these are 6 progressively difficult unaccompanied pieces suitable for study and performance. This title is also included in the 2018-2021 ABRSM Clarinet syllabus (Grades 6 & 7)

A collection of four Bagatelles For Double Bass which utilise the first four positions. Scored for Double Bass and Piano. Suitable for grades 2 - 4 and part of the ABRSM Double Bass Syllabus.

To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig and Ib Michael. English version available: KP01444E Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title året The Year): Michael's Night is based on an earlier simple choral song (Star Mirror 1987) now for 12 voices and composed such that an original idea of simultaneously displaced opposite motions cf. the poem) comes out as desired. Of the Nocturnes Nørgård writes: Summer's Sleep wascomposed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of the summer of life which is asleep - while the heaven seed waits for the summer wind (invisible to every mind). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep summer dream. The second nocturne Michael's Night takes its name from the author Ib Michael whose poem Star Mirror (from the collection Himmelbegravelse ('Sky Funeral') (1986) I pushed/coaxed him to expand from one to nine stanzas. The four selected stanzas set in the nocturne focus on the pan-erotic elements of the moonlit starlit night. With the titles I have chosen I have stressed the mythic layer of the text the summer night not as a dream but as sensual reality. The two nocturnes are dedicated to Ivan Hansen on the occasion of his fiftieth birthday on 25th February 2003 out of gratitude for over a quarter of a century of inspiring collaboration. To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig and Ib Michael. English version available: KP01444E Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title 'aret' The Year); Michael's Night is based on an earlier simple choral song (Star Mirror 1987) now for 12 voices and composed such that an original idea of 'simultaneously displaced opposite motions' cf. the poem)comes out as desired. Of the Nocturnes Norgard writes: 'Summer's Sleep was composed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of 'the summer of life' which is asleep - while the 'heaven seed' waits for the summer wind ('invisible to every mind'). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep summer dream.

The Planets- The Planets is cast as a single unit consisting of seven movements varying greatly in character each of which describes a planet or a celestial body. The music for Sol is built out of the massive tutti-sound of the organ. The feeling is very much like the feeling of the sun shining down brightly onto you on a warm summer’s day.

Work for SATB Chorus. 'Winter Hymn'. Work for SATB Chorus. 'Winter Hymn'.

String Quartet Op.14 In E Flat by Carl Nielsen. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Instrumental Music Vol. II/10 Chamber Music 1 Parts available: WH30700A String Quartet Op.14 In E Flat by Carl Nielsen. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Instrumental Music Vol. II/10 Chamber Music 1 Parts available: WH30700A

Je Ne Me Tirai Jamais. Jamais for Narrator Choir (12 Mixed Voices) and Ensemble was composed by Pelle Gudmundsen-Holmgreen in 1966. Text By Samuel Beckett. Je Ne Me Tirai Jamais. Jamais for Narrator Choir (12 Mixed Voices) and Ensemble was composed by Pelle Gudmundsen-Holmgreen in 1966. Text By Samuel Beckett.

Flexible Brass Ensemble-An upbeat 'big band' style ensemble for a minimum of just four players. The set includes an optional drum-kit part. Grade: 3 - 6

A setting of the text of John Donne. No Man Is An Island has been skilfuly arranged for Men's Voices (TTBB) with Piano accompaniment by Roy Ringwald.

Anders Koppel's Concerto Piccolo - Alternative Concert Version for for Accordion Solo & Piano(or Accordion Solo & Acc. 2). Anders Koppel's Concerto Piccolo - Alternative Concert Version for for Accordion Solo & Piano(or Accordion Solo & Acc. 2).

Each of the four movements of Tchaikovsky's Pathetique Symphony simplified and abridged. Arranged for Strings by Mark Goddard. Grade: 2 - 5

String Quartet No.2 was composed by Hans Abrahamsen in 1981. Programme note: Hans Abrahamsens's second string quartet was commissioned by the Lerchenborg music-week of 1981 during which it was first performed by the Gaudeamus Quartet. In Hans Abrahamsen's second quartet it is the continuous alternation of soberness and drama that first catches the listner's ears: the lyrical/gestural tradition as we know it from Arnold Schoenberg and Alban Berg pitched - not against - but around the sober barbarism which is characteristic of rhytmic neo-classicism. Both the first and the last movement of th is quartet are emotional at many levels: sad - and still seething with life andalways unpredictable in their development it is night twilight and white-hot light. Sparkling diamonds set off by scarlett velvet. The two middle movements link the contrasts without cushioning: the second movement a gruelling stripped rhythmical drill followed by a hushed far-off dance in triple meter which shifts and hesitates all the time though. There is an ambience of the classics glimpsed through many veils. The second quartet is music which is fraught with danger in its ambiguous relation to tradition: the past emerges as a most relevant and living ghost. The Beauty and the Beast as musical drama. String Quartet No.2 was composed by Hans Abrahamsen in 1981. Programme note: Hans Abrahamsens's second string quartet was commissioned by the Lerchenborg music-week of 1981 during which it was first performed by the Gaudeamus Quartet. In Hans Abrahamsen's second quartet it is the continuous alternation of soberness and drama that first catches the listner's ears: the lyrical/gestural tradition as we know it from Arnold Schoenberg and Alban Berg pitched - not against - but around the 'sober barbarism' which is characteristic of rhytmic neo-classicism. Both the first and the last movement of th is quartet are emotional at manylevels: sad - and still seething with life and always unpredictable in their development it is night twilight and white-hot light. Sparkling diamonds set off by scarlett velvet. The two middle movements link the contrasts without cushioning: the second movement a gruelling stripped rhythmical drill followed by a hushed far-off dance in triple meter which shifts and hesitates all the time though. There is an ambience of the classics glimpsed through many veils. The second quartet is music which is fraught with danger in its ambiguous relation to tradition: the past emerges as a most relevant and living ghost. The Beauty and the Beast as musical drama.

My heart will go on Blue Train Amazing Grace- The series Ensemble Dreiklang Berlin is an attractive collection of Iiterature for recorder trio. The wide range of stylistically varied pieces features arrangements and original compositions for both classical and popular music with the various instruments of the recorder family being combined in different fashions. Through this professional presentation of sophisticated Iiterature for recorder Ensemble Dreiklang Berlin has introduced a new style in recorder Iiterature which motivates and inspires young players and is also well received by the audience. The present volume contains the well-known Love Theme My heart will go on from the successful film Titanic Blue Train -a piece about one of the most luxurious trains in the world and the Traditional Amazing Grace. Contents: Horner James: My Heart Will Go On Rosin Sylvia C.: Blue Train Amazing Grace

four easy arrangements for flexible brass ensemble- Renaissance Brass is a collection of four Renaissance pieces including works by Susato and Praetorius . Skilfully arranged by Tony Evans a legendary Welsh trombonist and doctor of music. Renaissance Brass has been written for a flexible four part Brass group with optional Drum or Tambourine for authentic effect.

' Behind the simple title Romantic Piano lies a rich variety of musical surprises. The pieces range from dreamy and sad to energetic and passionate. Come along on an adventure full of surprises and enjoy some stimulating and expressive moments at the Piano. I hope that every romantic - no matter what age or level of ability - discovers something of interest in this album and finds pleasure in playing these pieces. ' - Nicolai Podgornov

Krydstogt - 8 Bagateller For Klaver Op.32 was composed by Poul Rovsing Olsen in 1953-54. Krydstogt - 8 Bagateller For Klaver Op.32 was composed by Poul Rovsing Olsen in 1953-54.

Playable in a variety of combinations of flutes oboe and clarinets with or without optional bassoon this duet/trio collection combines with a separate saxophone version to provide comprehensive versatility. Grade: 3 - 5

Duration c. 4.5 mins.

(Full score). Yun I