Piano Quintet In A Major Op 81 has long been one of the pieces of chamber music most frequently played internationally. This edition is based on the Complete Edition of the Works of Antonín Dvo ák the new detailed foreword is by David Beveridge. Includes individual parts for Piano Violin (2) Viola and Violoncello.

Solo for Eb Cornet and Brass Band- Lyrica is a solo work for E-flat-cornet. As the title conveys it is based on an expressive lyrical theme that gives the soloist the chance to bring his or her musical skills into the limelight. The attractive accompaniment has been crafted in an original polyphonic way. Highlight your soprano player with this sumptuous solo.

2. Choir 2. Violin- Version of 1736 (final version) Bach ’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach ’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based. - Study score format 22.5 x 16.5cm - Urtext of the New Bach Edition -Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale

Vivaldi 's Kyrie RV 587 (BA 8950) is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solo passages. Today the “Gloria” RV 589 (BA 7674) is one of Vivaldi ’s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period atthe Ospedale della Pietà around 1716. In the twelve movements of the “Gloria” Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass. - Informative foreword (Ger/Eng).

Motet for two mixed choirs- Singet dem Herrn ein neues Lied BWV 225 - Motet in B major for two four-part mixed choirs In Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day. Urtext of the New Bach Edition Performance material and choral score (BA5129) available for sale 6 Motets Complete vocal score (BA5193-90) choral score (BA5193)

Ouvertüre- Die schone Melusine (The Fair Melusine) Op.32 Concert Overture Bärenreiter's new editions of Felix Mendelssohn Bartholdy's great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most important and popular concert overtures. This overture in its first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new Bärenreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today. In the new Bärenreiter Urtext edition of Die schone Melusine Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts. The preface addresses the compositions' genesis and sources. There is also a critical report. This publication of Mendelssohn's Die schone Melusine marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy's concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

violin studies in the first five positions-This modernised and revised edition comes with a demo CD that features all the études - this allows you to hear what the final result should be. Another advantage is the easy-to-read layout with unequivocal symbols. Well-thought-out fingerings have been chosen taking into account current practice and styles whilst showing due regard for the original.

1.Tiento; 2.Sarabande; 3.Diferencias

Harpe Celtique Ou Grande Harpe- for harp or celtic harp solo

SS. Hatfield S

His translations from Swedish set by Scandinavian composers. Edited by Anders Frostenson.

With Christopher Hogwood’s new edition of Elgar ’s much loved Serenade a scholarly-critical edition of the work is now available for the first time. As with other Elgar works modern editions of the Serenade have always suffered from an enormous number of inconsistancies between the score and parts and unclear divisi and unison passages. The editor has clarified these discrepancies drawing on Elgar ’s version of the work for Piano four hands (the original version) and the recently discovered autograph manuscript of the first movement. The edition also contains a facsimile showing the original ending of thethird movement as well as an informative foreword (Ger/Eng) and a critical commentary (Eng). The first scholarly-critical Urtext edition of this popular work for string orchestra. Foreword (Ger/Eng) and critical commentary (Eng). With facsimile pages. Full score and performance material (BA9041) available for sale.

Part 2 of Sheila Nelson's Tetratunes Series.Stringsongs develops reading skills begun in Tetratunes by the use of singing and part-playing. The edition is part of the ABRSM syllabus (grade 2).

Instrumental Solos For Strings- This series offers a versatile selection of hit movie and TV music for flute clarinet alto sax tenor sax trumpet horn in F trombone violin viola cello and mallet percussion. Each book contains carefully edited arrangements appropriate to each instrument and well suited for level 2--3 students. The CD includes a fully orchestrated demo track of each song which features a live instrumental solo performance followed by a play-along track. Also included are PDFs of piano accompaniments and Alfred's Tempo Changer Software. Titles include: Amazons of Themyscira (Wonder Woman) Another Day of Sun (La La Land) Beauty and the Beast (Beauty and the Beast) City of Stars (La La Land) Everything Is Awesome (The LEGO® Movie) Ghostbusters (Ghostbusters) Heathens (Suicide Squad) Just Like Fire (Alice Through the Looking Glass) Kowalski Rag (Fantastic Beasts and Where to Find Them) A Man and His Beasts (Fantastic Beasts and Where to Find Them) Mia & Sebastian's Theme (La La Land) Newt Says Goodbye to Tina / Jacob's Bakery (Fantastic Beasts and Where to Find Them) Runnin' Home to You (The Flash) Westworld: Opening Theme (Westworld).

This hit for English group Dario G was the unofficial 1998 World Cup anthem that cunningly exploited the musical traditions of the many countries involved and featured a joyful face-painted video. Add a little football fever to your concert with this great arrangement by Stefan Rabe.

Hymn To The Fallen is the main theme from one of the most succesful movies of the last decade: Saving Private Ryan. Steven Verhaert especially arranged this heart-rending hymn for a wind orchestra. The melancholic atmosphere that flows out of this beautiful air characterizes the entire movie. Hymn To The Fallen is the main theme from one of the most succesful movies of the last decade: Saving Private Ryan. Steven Verhaert especially arranged this heart-rending hymn for a wind orchestra. The melancholic atmosphere that flows out of this beautiful air characterizes the entire movie.

For 3 timpani 2 cymbals snare drum tom basque tambourine tambourine and piano.

Everything You Need to Know to Start Playing Now!-You can now teach yourself to play Piano even though you have never taken a lesson. This fantastic book features: Rhythms made simple. How to form the most important chords. Finger aerobics to help make playing easier. Techniques of playing with feeling and expression. Step-by-step approach to learning the entire keyboard. Letter notes provide an easy introduction to reading music. CD recording to demonstrate how the music should sound and provides an exciting orchestral background.

Music by anonymous Elizabethan composers

Edited by Walter Emery.