Danish songs - Danske Sange gathers the core repertoire in the Danish song tradition. It covers the Danish song from ballads to the traditional Danish songs till Danish pop and rock. It's all the well known songs and song we'll never get tired of singing. Not just because the songs are Danish but because of the wonderful melodies and lyrics have a special quality and speaks to the heart . The songs are annotated to include origin historical and cultural background. In this way there is also the opportunity to learn more about the context in which the songs were originally written. Edited by Inge Marstal and Kaj Nørholm. 'Danish songs' - Danske Sange gathers the core repertoire in the Danish song tradition. It covers the Danish song from ballads to the traditional Danish songs till Danish pop and rock. It's all the well known songs and song we'll never get tired of singing. Not just because the songs are Danish but because of the wonderful melodies and lyrics have a special quality and speaks to the heart . The songs are annotated to include origin historical and cultural background. In this way there is also the opportunity to learn more about the context in which the songs were originally written. Edited by Inge Marstal and Kaj Norholm.

'A pleasantly engineered four movement suite for Double Bass which is technically quite undemanding ... an attractive concert item' The Strad. Suitable for Grade 5 players and part of the ABRSM Double Bass Syllabus.

Louis Moyse's Variations On Three Japanese Songs for Flute and Piano.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

For SSAATBBBB Choir and Bells. For SSAATBBBB Choir and Bells.

INSTRUMENTATIONSOLOVIOLIN6 VIOLIN I (4. and 5. also suspended finger cymbal)4 VIOLIN II(3. and 4. also suspended finger cymbal)4 VIOLA4 CELLI2 DOUBLE BASS(2. with C string attachment)PERCUSSION3 woodblocks1 guiro2 sandpaper blocks3 metal bars6 suspended metals (windchimes fingercymbals etc.)3 tuned gongs ( #1 e1 c1 Bb) Vibraphone Tubular bells2 bongos1 conga2 tomsGrand Cassa score in C durata: ca 20 minutes Henrik Hellstenius: In Memoriam - Violin Concerto No. 2 (2012) - for Violin solo String Orchestra and Percussion. Orch. parts are available on hire: hire@ewh.dk

POD-Musikbogen by Linda Lehun. Pa en enkel og overskuelig made praesenterer Musikbogen en raekke grundlaeggende temaer og begreber inden for musikteori og -historie: Nodesystemet tonearter symfoniorkesteret musikhistoriske perioder og markante komponister. Bogen suppleres desuden af ekstra materiale i form af plancher spillekort og en cd med de seks sange der er skrevet specielt til bogen (det supplerende materiale kobes separat: WH31204).

The Mother Op. 41-Orchestral parts for Moderen (The Mother) Op.41 by Carl Nielsen. Set includes strings 8.7.6.5.4. Orchestral parts for Moderen (The Mother) Op.41 by Carl Nielsen. Set includes strings 8.7.6.5.4.

For unaccompanied SATB choir. For unaccompanied SATB choir.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Piano. Rameau J

for Piano solo-These twelve preludes for advanced pianists are in each of the major keys. They can be performed separately or complete optionally repeating the first prelude at the end to make a set of thirteen. They explore a wide range of moods and characters and a second set of preludes in minor or modal keys is planned for the future. Duration (complete): 23 minutes. These twelve preludes for advanced pianists are in each of the major keys. They can be performed separately or complete optionally repeating the first prelude at the end to make a set of thirteen. They explore a wide range of moods and characters and a second set of preludes in minor or modal keys is planned for the future. Duration (complete): 23 minutes.

Includes Circus Rock Sad Clown Acrobats Tightrope Walker Sentimental Serenade Trick Cyclist Dancing Dolls and Russian Galop. On the CD track 1 is a tuning note then each piece appears twice: first with and then without the solo line. Includes Circus Rock Sad Clown Acrobats Tightrope Walker Sentimental Serenade Trick Cyclist Dancing Dolls and Russian Galop. On the CD track 1 is a tuning note then each piece appears twice: first with and then without the solo line.

Album of French music from the harpsichord era. Grade: 3-6

Polish Songs for Voice and Piano by Frédéric Chopin.

5 Sange for lige stemmer af Vagn Norgard med tekster af Poul Feldvoss. Arrangeret til DR Radiopigekoret. Version for blandet kor: WH30545

Ciacona (Op. 2/12) by Marcello for Alto Recorder and Keyboard edited by David Lasocki

Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of the best of these pre-Baroque masterpieces. Carefully graded. It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists. Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the DeadSea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbled miraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to look beyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance with avant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on period instruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the

Tears for Accordion solo by Bent Lorentzen. Dedicated to Geir Draugsvoll. Edited by Mogens Ellegaard and Geir Draugsvoll.

Organ In Concert Series - Number 4. A famous extract from Bach's popular Orchestral Suite set here for Organ solo by Willi Nagel.