This edition is more user-friendly than the others currently available. The accompanying CD provides piano accompaniments as well as samples from recordings of the Neruda Haydn and Hummell concerti with kind permission of Hyperion Records and Crispian Steele-Perkins. J.G.B. Neruda (1711-1780) was typical of 18th century musicians travelling and studying in various parts of Eastern Europe and finally settling in Dresden (1750-1780) in the Electoral (chapel) orchestra where he was salaried as a violinist and occasional composer. This concerto was originally composed for a Corno da Caccia (hunting horn) presumed to be something of a hybrid between the natural hornand natural trumpet but has been borrowed by modern trumpet players and is now firmly fixed in the Classical trumpet repertoire. This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail. Suggested cuts have been indicated which give a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required. The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being over-prescriptive. There is an appendix with suggested interpretation of trills. Listening to as many different recordings as possible is the best way to assimilate good trills. The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 23 for full track listing. There is free software available online (eg. speedshifter on the ABRSM

Come Emmanuel is a wonderfully expressive spiritual for the Advent season for SATB voices a cappella.

Voice Piano. Rimsky-korsakof

Work for Chamber Ensemble dating from 1989. The composer writes: The Title SHADOWLAND refers on the one hand to a blurred ‘Landscape’ of shadows where small shadows are formed behind other shadows and where the outlines are constantly disintegrating. On the other hand the title refers to the fanciful and unreal landscapes I felt in the music while I was writing it. SHADOWLAND has four movements with proportions 4-7-4-3. These proportions can be found on various levels from the smallest cell to the largest form. The first movement is divided into four parts which have exactly the same proportions as the whole pjece and behind the fastrunning melodies and trills thatdominate the whole movement one can hear in the second third and fourth parts anticipations of the second third and fourth movements respectively. The second movement begins at the edge of silence with almost unperceptible glissandi and indistinct chorales. Gradually the hushed landscape is drowned out by sudden expressive melodic outbursts and ends with violent dance rhythms. The third movement is built up of clouds of staccato tones and is a further development of the pointillistic ideas from CLAIROBSCUR. In th last movement the horn plays a long soloistic melody line which the other instruments imitate and echo. These echoes swamp the horn line from time to time. SHADOWLAND was commissioned by and dedicated to The London Sinfonietta. Work for Chamber Ensemble dating from 1989. The composer writes: The Title SHADOWLAND refers on the one hand to a blurred ‘Landscape’ of shadows where small shadows are formed behind other shadows and where the outlines are constantly disintegrating. On the other hand the title refers to the fanciful and unreal landscapes I felt in the music while I was writing it. SHADOWLAND has four movements with proportions 4-7-4-3. These proportions can be found on various levels from the smallest cell to the largest form. The first movement is divided into four parts which have exactly the same proportions as the whole pjece and behind the fastrunning melodies and trills thatdominate the whole movement one can hear in the second third and fourth parts anticipations of the second third and fourth movements respectively. The second movement begins at the edge of silence with almost unperceptible glissandi and indistinct chorales. Gradually the hushed landscape is drowned out by sudden expressive melodic outbursts and ends with violent dance rhythms. The third movement is built up of clouds of staccato tones and is a further development of the pointillistic ideas from CLAIROBSCUR. In th last movement the horn plays a long soloistic melody line which the other instruments imitate and echo. These echoes swamp the horn line from time to time. SHADOWLAND was commissioned by and dedicated to The London Sinfonietta.

A wonderful vivacious composition full of humour and warmth. It is well suited to the needs of the less advanced player and is set as part of the ABRSM Double Bass Syllabus. Grade: 6

pour piano- 100 Etudes Exercises And Simple Tonal Phrases by Nicholas Lens for solo Piano. Volume 1.

Frank Martin's popular Ballade skilfully arranged for Trombone or Tenor Saxophone and small Orchestra. Available here for Trombone or Tenor Saxophone with Piano Accompaniment. Frank Martin's popular Ballade skilfully arranged for Trombone or Tenor Saxophone and small Orchestra. Available here for Trombone or Tenor Saxophone with Piano Accompaniment.

Arranged for two pianos four hands by Stefan von Hodula (original for piano and orchestra)-Dohnanyi's Variations On A Nursery Song from Opus 25 scored for Piano and Orchestra. This edition is an arrangement for 2 Pianos 4 Hands by Stefan Von Hodula.

Symphony No.7 was composed by Per Nørgård in 2004-06. Dedicated to Per Erik Veng. Comissioned by the Danish National Symphony Orchestra / DR. Premiered by The Danish National Symphony Orchestra / DR conducted by Thomas Dausgaard at the inauguration of Copenhagen Concert Hall 29th of January 2009. Score revised 2013 by Per Nørgård and Thomas Dausgaard. Editor: Ivan Hansen Symphony No.7 was composed by Per Norgard in 2004-06. Dedicated to Per Erik Veng. Comissioned by the Danish National Symphony Orchestra / DR. Premiered by The Danish National Symphony Orchestra / DR conducted by Thomas Dausgaard at the inauguration of Copenhagen Concert Hall 29th of January 2009. Score revised 2013 by Per Norgard and Thomas Dausgaard. Editor: Ivan Hansen

Also suitable for flutes oboes or violins

Three Saxophone Quartet arrangements in big-band and boogie-woogie styles of Christmas Carols. Each carol features versatile instrumentation with optional parts allowing 2 altos and 2 tenors or the standard quartet of S.A.T.B. This edition includes the Full Score in C with 6 different parts. Grade: 4 - 6

Allegretto Capriccio Romanza Drammatica (Elegie) Fantasia I Puritani Fantasia Lucia di Lammermoor .

Most piano tutors appear to be aimed at either nursery school children or at whizz kids rushing too quickly from section to section. This one is aimed at those who want to learn the piano at a steady pace. Even the best tutors tend to use over familiar repertoire - Mozart minuets Beethoven sonatinas and various Czerny exercises. My decision to write virtually all of the musical material in books 1 and 2 was not so much an ego trip as an attempt to lighten up the proceedings.

1. Berceuse-For 2 Pianos 4 Hands.

English text (Piano reduction)- English vocal score for Froken Julie / Miss Julie by Antonio Bibalo (1975). An opera in 3 acts and a prologue from August Strindberg 's drama Miss Julie. Commissioned by Den Jyske Opera. Parts are available on hire: hire@ewh.dk Chamber version: KP01223

IK Multimedia: iRig Pro Duo Studio Suite Deluxe

Arranged by David Willcocks for SATB unaccompanied.

In the words of Anne Frank: How wonderful it is that nobody need wait a single moment before starting to improve the world. These sage words from a young Anne are the foundation for this original song. One child can change the world. No matter how big and no matter how small. These powerful lyrics gently set provide a message that all young children need to hear. In the words of Anne Frank: How wonderful it is that nobody need wait a single moment before starting to improve the world. These sage words from a young Anne are the foundation for this original song. One child can change the world. No matter how big and no matter how small. These powerful lyrics gently set provide a message that all young children need to hear.

DT1 V Drums Tutor Software Windows & Mac

Launchpad Mini MKII Mark 2 Controller