Composed at the request of Lincoln Center to serve as a unifying element of the twelve concerts of the White Lights Festival’s “Psalms Experience ” featuring the Tallis Scholars The Norwegian Soloist Choir The Netherlands Chamber Choir and The Choir of Trinity Wall Street. I intentionally wrote a hymn that felt reminiscent of the grand hymns of Edwardian England choosing a melodic contour and harmonic language that pulls at the heart strings. Having discovered this wonderful alternate versified version of Psalm 90 (the usual being “O God our help in ages past) by Robert Burns it made an obvious choice to accompany the entire Psalter as it depicts the minusculenature of humanity’s cycles of life in comparison to that of God. This arrangement would work well for almost any function that comments on our fleeting life-span whether a funeral wedding baccalaureate or commencement service. —Julian Wachner Duration: 3:12 Composed at the request of Lincoln Center to serve as a unifying element of the twelve concerts of the White Lights Festival’s “Psalms Experience ” featuring the Tallis Scholars The Norwegian Soloist Choir The Netherlands Chamber Choir and The Choir of Trinity Wall Street. I intentionally wrote a hymn that felt reminiscent of the grand hymns of Edwardian England choosing a melodic contour and harmonic language that pulls at the heart strings. Having discovered this wonderful alternate versified version of Psalm 90 (the usual being “O God our help in ages past) by Robert Burns it made an obvious choice to accompany the entire Psalter as it depicts the minusculenature of humanity’s cycles of life in comparison to that of God. This arrangement would work well for almost any function that comments on our fleeting life-span whether a funeral wedding baccalaureate or commencement service. —Julian Wachner Duration: 3:12

This simple but tender setting of The Lord’s Prayer features a cantor who intones the text on a single note and a chorus that echoes the text with rich chords. Composed in 2010 for Stephen Kennedy and the Christ Church Schola Cantorum of Rochester New York for their weekly compline service. Duration: 3:15 This simple but tender setting of The Lord’s Prayer features a cantor who intones the text on a single note and a chorus that echoes the text with rich chords. Composed in 2010 for Stephen Kennedy and the Christ Church Schola Cantorum of Rochester New York for their weekly compline service. Duration: 3:15

Released in 2007 this original setting of an anonymous 19th-century text is written in verse-anthem style. The scoring for chorus harp and keyboard makes it an ideal companion piece for Britten’s A Cermony of Carols and Susa’s Carols and Lullabies. Equally effective with organ or piano making it practical for use in both churches and schools. This is especially true for the three new arrangements with keyboard accompaniment only. Duration 4:00 Released in 2007 this original setting of an anonymous 19th-century text is written in verse-anthem style. The scoring for chorus harp and keyboard makes it an ideal companion piece for Britten’s A Cermony of Carols and Susa’s Carols and Lullabies. Equally effective with organ or piano making it practical for use in both churches and schools. This is especially true for the three new arrangements with keyboard accompaniment only. Duration 4:00

Velocity

Triptico Porteno for violin and guitar by Máximo Diego Pujol. Triptico Porteno for violin and guitar by Máximo Diego Pujol.

Three pieces for solo piano by Russian composer Ivan Wyschnegradsky. Three pieces for solo piano by Russian composer Ivan Wyschnegradsky.

Archipel 3

Full Score and Instrumenatal Parts for WW1806 Silent Night.

Holiday Pops for 12+ Bells/2-3 OCT

Jazzagility Book 2

Mass In Honor of St Rose Philippine Duchesne Parts

Missa Festiva

This is a beautiful piece setting an evocative text by Anne Bronte that explores natural imagery on a blustery day and the feelings they inspire. Supported by the piano acccompaniment Quartel's soaring melodies rich harmonies and syncopated rhythms illustrate the power of the wind.

Dat Groove

Haunted Halloween

Road Trip

From Stevie Wonder’s landmark 1976 album Songs in the Key of Life this smooth and tender hit has gone on to become a jazz standard recorded by many artists. In a moderate swing style John Berry perfectly captures the essence of the original in this version for younger bands. Includes brief solos for alto sax and trumpet.

Here's the familiar main theme from the Charlie Brown TV specials that everyone is sure to recognize. Carefully arranged for younger players this great sounding chart maintains all the charm and style of the original. A written or ad lib. alto sax solo is featured in the middle swing section.

Featuring a catchy melody and distinctive harmonies this 2018 hit from Zedd Maren Morris and Grey was nominated for a number of Grammy awards including best song and has demonstrated a rare quality of enduring popularity. Paul Murtha perfectly captures the flavor of this upbeat hit.

Even without the movie Shrek Smash Mouth has become an iconic band of the ‘90s. This entertaining and upbeat medley for flexible instrumentation includes the hits All Star Walkin’ on the Sun and I’m a Believer.