In memoriam Sophie Scholl-Entre 1942 et 1943 un groupe de résistants allemands fondent „Die Weiße Rose“ (La Rose Blanche). Il s’agit en fait de quelques étudiants et de leurs proches opposants au régime nazi. En 1943 in_x001E_uencés par la défaite de Stalingrad les membres du groupe risquent leur vie en inscrivant des slogans sur des bâtiments en envoyant des tracts ou en les distribuant à l‘Université de Munich. Ce sera la chute de Sophie Scholl et son frère. Le groupe de La Rose Blanche s’est battu avec des mots contre un régime brutal et inhumain. Une oeuvre évocatrice et bouleversante.

Four french songs in piano and vocal arrangements by the celebrated English choral composer.

Carol for SATB (divisi) Choir setting the text of G.K. Chesterton.

Harvest Anthem for SATB Choir and Organ. Harvest Anthem for SATB Choir and Organ.

Written for clarinet and piano.

For Clavichord Harpsichord or Piano. For Clavichord Harpsichord or Piano.

Work for Organ published in 1960.

Christmas Carol for SATB choir and Organ. First performed December 12th 2010 in the Chapel of King’s College Cambridge by the choir of King’s College Cambridge conducted by Stephen Cleobury. James Whitbourn - Winter's Wait by musicroom

Run the much-covered hit by Snow Patrol is now available in the Kaleidoscope series. This flexible and creative arrangement by Paul Honey can be played by almost any group of players. Each piece in the Kaleidoscope series can even be played by one melody instrument and keyboard: all other instruments are optional making this a perfect resource for any school.

Scored for Countertenor 2 Tenors Bass and String Quartet. Tenebrae was commissioned by the Hilliard Ensemble and first performed 7 November2009 by the Hilliard Ensemble and the Arditti Quartet at Wigmore Hall London.

Motet for SSAATTBB Choir A Cappella. Dedicated to Michael Nicholas and the Choir of Norwich Cathedral.

Op. 20 No. 1 for bassoon and 2 clarinets.

Cello. Bresnick M

Edited from Cantiones Sacrae Antwerp 1619 by W. Barclay Squire. For SSATB Choir A Cappella.

For SATB Choir and Organ. For SATB Choir and Organ.

Kenneth Hasketh 'S Arrangement Of We Three Kings Is A Song For Children'S Voices Optional Satb Choir And Piano Accompaniment. The Words And Music Were Written By John Henry Hopkins Jr. While This Piece Was Commissioned By Making Music. A Full Performance Lasts Around 4 Minutes 30 Seconds. This Carol May Be Performed Without Satb Chorus By Just Children'S Voices And Piano Or Without Children'S Voices By Satb And Piano Alone. Kenneth Hasketh 's arrangement of We Three Kings is a song for Children's Voices optional SATB Choir and Piano Accompaniment. The words and music were written by John Henry Hopkins Jr. while this piece was commissioned by Making Music. A full performance lasts around 4 minutes 30 seconds. This carol may be performed without SATB Chorus by just Children's Voices and Piano or without Children's Voices by SATB and Piano alone.

Winner in the 'A Carol for Christmas' competition Blessed Be That Maid Marie has been beautifully scored for SATB chorus with divisions. The languid flow of the music with some harmonic twists hides within it several well-known carols and tunes that relate to each section of text. Winner in the 'A Carol for Christmas' competition Blessed Be That Maid Marie has been beautifully scored for SATB chorus with divisions. The languid flow of the music with some harmonic twists hides within it several well-known carols and tunes that relate to each section of text.

A collection of classic songs taken from the first two albums by this talented and genre-crossing young jazz star Pointless Nostalgic and Twentysomething . These eleven inspiring songs are set in accuratetranscriptions of the recorded versions for piano and voice with full lyrics and guitar chord boxes.

Written for organ solo. Edited by Edwin Lemare. No.18 from The Recital Series of Original Compositions. Dedicated to Roger Ascham.

For Soprano solo and SATB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. 'The Spirituals represent an extraordinary religious social and musical legacy. They are among the most enduring examples of all vernacular art and their appeal remains undiminished. These poignant expressions of joy and sorrow were crafted with the utmost simplicity and a noticeable absence of sentimentality.' - Richard Allain