Concerto No. 3 For Marimba 'Linzer' by Anders Koppel . This is the original 2002 version for Marimba and Symphony Orchestra.Premiered by Marting Grubinger Marimba and the Bruckner Orchestra Linz conducted by Ingo Ingensand 27th February 2003. Concerto No. 3 For Marimba 'Linzer' by Anders Koppel . This is the original 2002 version for Marimba and Symphony Orchestra.Premiered by Marting Grubinger Marimba and the Bruckner Orchestra Linz conducted by Ingo Ingensand 27th February 2003.

A beautiful setting for men's chorus of the beloved hymn. A simple yet driving piano accompaniment paired with lovely lines in the strings add an etherial foundation to the well-crafted vocal lines. Singable yet very moving.

The Slow Spring is a short and unusual choral setting of the writing of Tom Kristensen impatiently yearning for the coming of Spring. Kristensen's evocative and stirring poetry translated to English by Martin Allwood are employed as both song and accompaniment as the choral group is split into two factions. An set of SATB soloists are set against an SSAA chorus to provide a compelling variety of textures and the plosive possibilities of the words themselves are fully explored with whispers held vowels and dramatic percussive consonants. The new 2018 Edition of J ohn Hoybye 's The Slow Spring from 1977. Dedicated to Thomas Morley in memory of his beautiful and optimistic madrigal Now is the Month of Maying The Slow Spring is a short and unusual choral setting of the writing of Tom Kristensen impatiently yearning for the coming of Spring. Kristensen's evocative and stirring poetry translated to English by Martin Allwood are employed as both song and accompaniment as the choral group is split into two factions. An set of SATB soloists are set against an SSAA chorus to provide a compelling variety of textures and the plosivepossibilities of the words themselves are fully explored with whispers held vowels and dramatic percussive consonants.

The first major piano work by consummate Scandinavian composers Carl Nielsen. This accurate critical edition of Symphonic Suite contains extensive notes on the method of revision and comments on the historical context of the work by Mina F. Miller. With it's heart rooted firmly in the Romantic era tradition it is dynamic and has an advanced harmonic approach which became characteristic of Nielsen's work. The first major piano work by consummate Scandinavian composers Carl Nielsen. This accurate critical edition of Symphonic Suite contains extensive notes on the method of revision and comments on the historical context of the work by Mina F. Miller. With it's heart rooted firmly in the Romantic era tradition it is dynamic and has an advanced harmonic approach which became characteristic of Nielsen's work.

Jean Anne Shafferman. A collection of 20 children’s songs arranged for use throughout the Church Year from Christmas and Easter to Harvest Festival. A useful and fun supplement to Christian worship in schools and Sunday schools. The accompaniment cassette is handy for use where there is no piano. Jean Anne Shafferman. A collection of 20 children’s songs arranged for use throughout the Church Year from Christmas and Easter to Harvest Festival. A useful and fun supplement to Christian worship in schools and Sunday schools. The accompaniment cassette is handy for use where there is no piano.

Piano-Programme Note: The name Event Horizon was coined by the brilliant British physicist Stephen Hawking to describe the circumference of a so-called black hole the remains of a collapsed star with a gravity-pull so powerful so that not even light can escape from it. This 5-minute study for piano has - needles to say - nothing to do with black holes but the term event horizon fascinates med and strikes me as near-perfect description of virtually any stretch of organized sound evolving in time e.g. a musical composition with a strong linear focus. So - Event Horizon it is as seamless composition of high density evolving in three parts: swinging-ricocheting-sweeping amusical journey of speed from fast to furiously fast a study based on a high economical compositional material constantly renewing itself the hands running parallel separating meeting again. The discreetest use of pedaling is advised ... Poul Ruders May 2001 Programme Note: The name Event Horizon was coined by the brilliant British physicist Stephen Hawking to describe the circumference of a so-called 'black hole' the remains of a collapsed star with a gravity-pull so powerful so that not even light can escape from it. This 5-minute study for piano has - needles to say - nothing to do with black holes but the term 'event horizon' fascinates med and strikes me as near-perfect description of virtually any stretch of organized sound evolving in time e.g. a musical composition with a strong linear focus. So - 'Event Horizon' it is as seamless composition of high density evolving in three parts:swinging-ricocheting-sweeping a musical journey of speed from fast to furiously fast a study based on a high economical compositional material constantly renewing itself the hands running parallel separating meeting again. The discreetest use of pedaling is advised ... Poul Ruders May 2001

The Eye Of The Eagle- The Eye of the Eagle (ornens oje) - Suite for Narrator (ad lib.) and Orchestra by Soren Hyldgaard (1997). Music from the motion picture by Peter Flinth . SUITE FOR NARRATOR (AD LIB.) AND ORCHESTRA 010711

This sheet music edition is the choral score of Arvo Pärt's 'Miserere' for solo singers mixed choir ensemble and organ composed in 1989 revised three years later.

Dreihundertvier Sterne In Einem Kleinen Fenster by the Danish composer Bent Sørensen scored for solo Piano. Dreihundertvier Sterne In Einem Kleinen Fenster by the Danish composer Bent Sorensen scored for solo Piano.

5 tunes by James Scott Skinner. 5 tunes by James Scott Skinner.

Director?s Score-A terrific classroom musical by Susan and Philip Kern. Story suggested by the Hans Christian Andersen tales about the Snow Queen’s mirror which breaks falls over a village like snow and makes the townsfolk argumentative. Twelve lively songs plus useful suggestions for costumes sets props and choreography.

Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders. Piano Solo and Orchestral Reduction. Dedicated Becky Starobin. Written for Vassily Primakov. Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Programme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonoroustreasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing for one of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'. However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes. The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening. The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored. The finale is a crazy rondo of sorts.

These recorder sonatas by Gottfried Finger have been copied from an edition by the London publisher John Walsh. They are pretty pieces very similar in form and invention to the recorder sonatas of Daniel Purcell (cf. ED 3693 and 4732) and from the same period. They are moreover just as charming and just as easy to play.

Rock Session by Hans Frydendall - 12 tunes for vocals C B and Eb instruments and rythm section. This book should be considered an attempt to help cover the lack of available ensemble material within therock music genre. As was the case with the three previous books in this series Salsa Session Samba Session and Blues Session the material is set up systematically to facilitate working with the songs. Rock Session by Hans Frydendall - 12 tunes for vocals C B and Eb instruments and rythm section. This book should be considered an attempt to help cover the lack of available ensemble material within therock music genre. As was the case with the three previous books in this series Salsa Session Samba Session and Blues Session the material is set up systematically to facilitate working with the songs.

Handel's most famous operatic aria Ombra Mai Fu is adroitly set for SSA voices and piano taken from the Oratorio Xerxes of 1738. An excellent spring concert or festival piece. Handel's most famous operatic aria Ombra Mai Fu is adroitly set for SSA voices and piano taken from the Oratorio Xerxes of 1738. An excellent spring concert or festival piece.

Congregational Copy-Congregational copy. Single melody line only.

Variations on the twelve bar blues. Grade: 6 - 7

Organ Solo-Spejlkabinet for Organ solo was composed by Pelle Gudmundsen-Holmgreen in 2002. Spejlkabinet for Organ solo was composed by Pelle Gudmundsen-Holmgreen in 2002.

Orchestration: fl.ob.2cl(bcl).bn.hn Three Pieces by Robert Schumann transcribed for Woodwind Sextet by Hans Abrahamsen (1998). Dedicated to Per Norgard. Parts available: WH31244A Contents I. [Sehr] Innig From DAVIDSBuNDLERTäNZE (Dances of the League of David) for piano. Opus 6 from 1837. Innig is No. 2 in the collection. II. Eusebius From CARNAVAL for Piano Opus 9 from 1834-1835. Eusebius is No. 5 of 20 numbered pieces in the collection. III. Melodie From ALBUM FuR DIE JUGEND (Album for the Young) for piano. Opus 68 from1848. Melodie is No. 1 in the collection.

An arrangement of I am but a small voice as recorded by Roger Whittaker