Popular with choirs and orchestras especially in patriotic American circles and sung by Curtis Mayfield 'This Is My Country' is arranged for voice and piano.

120 Duette aus acht Jahrhunderten-Various: The Alto Recorder Duet Book (Altblockfloten-Duettbuch) A huge collection of duet pieces from the 14th-21st centuries. With a wide range of styles and moods this volume has something for everyone. The pieces are all at a moderate level of difficulty and are suitable for intermediate to advanced players.

Weber's Concerto No.1 In F Minor Op.73 for Clarinet and Orchestra is a fantastic work and remains ever popular in the instrument's repertoire today. This is an exciting and demanding piece that will provide an enjoyable challenge for the accomplished clarinetist. This version is for Clarinet with Piano Accompaniment and has been revised and edited by Carl Barmann. The solo clarinet part has also been included on a separate insert.

Gabriel Og Maria af John Hoybye . Juleoratorium for lige stemmer (SSA) recitator soli flojte orgel klaver og bas (trommer/percussion ad lib.). Korpartitur. I 1985 udkom Gabriel og Maria - 7 sange til jul for kor og rytmegruppe. Det var nyt pa den tid at skrive kormusik - oven i kobet til kirkelige tekster - der skulle akkompagneres af jazz/rock-musikere og hvor korsangerne skulle udfolde sig i stilarter som bossa samba og jazzvals. Men sangene blev hurtigt populaere og allerede i de forste ar efter udgivelsen blev deen fast del af mange kors julerepertoire bade herhjemme og i Skandinavien (i en svensk-sproget udgave) - ja helt til USA kom de (i en engelsk-sproget udgave). Taet pa 25 ars jubilaeet er det nu tid til en revideret ny-udgivelse. Selve sangene er der ikke lavet om pa - men storformen er aendret saledes at vaerket nu fremstar som et lille juleoratorium med recitationer og orgel-mellemspil. En enkel ny sats er kommet til: Lovsangen Stjerner og vinde og skyer og de instrumentale mellemspil (soli for flojte/sax piano eller bas) er udbygget pa forskellig made. Normalt er det instrumenterne der akkompagnerer koret. Men i de instrumentale mellemspil er rollerne byttet om. Nu er det koret der med riffs scatsang og forskellige akkordbaserede figurer 'akkompagnerer' de improviserende solister. Flojten vil - med passende oktaveringer - kunne erstattes af saxofon (sopran og/eller alt). Det forudsaetter dog at saxofonisten er i stand til - ogsa - at spille med smuk 'klassisk' klang. Recitationsteksterne er taget fra Cecil Bodkers bog: Marias barn (Gyldendal). Orgelsatserne fungerer som stemningsgivende ledsagelse til recitationen og bortset fra nr. 17 spiller orglet ikke sammen med

Exit Music for Orchestra was composed by Bent Sørensen in 2006-07. Exit Music was commissioned by the Bergen International Festival for the Bergen Philharmonic Orchestra and is dedicated to Per Nørgård on the occasion of his 75th birthday. Programme note It began with a dream as it always does when I compose. I dreamt that I was standing in an open doorway on a hill in an otherwise open landscape. I do not know what was behind the door but in front of it - towards the landscape - I saw my music disappearing. I stood looking for the music and started to hear it to remember it in time with its disappearance. The dream continued to recur as strange pictures in my daydreams and Icontinued to try to write down the music that had vanished. It was also the dream that gave the piece its title- Exit Music. Exit Music is based on three simple songs (the songs that vanish through the doorway): a little lullaby which continues to reappear in fragments: a strange polyphonic pop song that refers to a section of my opera Under the Sky: and a passionate little love song which concludes the piece on the strings very quietly and in unison. These simple songs are then constantly overpainted by enervating repeated motes in fairly simple rhythms which push the songs out of the room. (Bent Sørensen) Exit Music for Orchestra was composed by Bent Sørensen in 2006-07. Exit Music was commissioned by the Bergen International Festival for the Bergen Philharmonic Orchestra and is dedicated to Per Nørgård on the occasion of his 75th birthday. Programme note It began with a dream as it always does when I compose. I dreamt that I was standing in an open doorway on a hill in an otherwise open landscape. I do not know what was behind the door but in front of it - towards the landscape - I 'saw' my music disappearing. I stood looking for the music and started to hear it to remember it in time with its disappearance.The dream continued to recur as strange pictures in my daydreams and I continued to try to write down the music that had vanished. It was also the dream that gave the piece its title- Exit Music. Exit Music is based on three simple songs (the songs that vanish through the doorway): a little lullaby which continues to reappear in fragments; a strange polyphonic pop song that refers to a section of my opera Under the Sky; and a passionate little love song which concludes the piece on the strings very quietly and in unison. These simple songs are then constantly overpainted by enervating repeated motes in fairly simple rhythms which push the songs out of the room. (Bent Sørensen)

Or 'To A Distant Beloved'-An up-tempo neo-baroque love duet for two Trombones and String Orchestra. Tenor Trombone Bass Trombone 11 Violins 4 Violas 4 Celli 2 Double Basses An up-tempo neo-baroque love duet for two Trombones and String Orchestra. Tenor Trombone Bass Trombone 11 Violins 4 Violas 4 Celli 2 Double Basses

Have fun playing the Cello- A great supplementary resource to Lesson Book 2 of the trailblazing new Koeppen Cello Method putting the emphasis on having fun with your cello! Taking a playful and effective approach to learning the cello the Koeppen Cello Method breaks new ground sprucing up the usual Baroque and Classical repertoire by adding pieces in popular styles: rock Bossa Nova reggae swing and more! Exciting pieces and exercises in these styles illustrate specific musical concepts and techniques whilst teacher-pupil duets feature throughout encouraging strong ensemble skills right from the get-go. Structured in an easy and understandable way the Koeppen Cello Method lays thefoundation for a solid technical and musical training. There is a core Lesson Book and a supplementary Tune Book at each level. All books are accompanied by a CD which will help motivate and inspire. For players from around the age of 10 right up to adult learners.

Variations on an Old Folk Song- Commissioned by the Schott publishing house the present variations on the song Greensleeves were written in 2000 by Genzmer who seized on the suggestion to write a cycle of variations on this Old English melody which had often served as a theme for variations in music history as for example in the famous anonymous cycle 'Greensleeves to a ground' (around 1700). Genzmer keeps the theme simple yet with great virtuosity and original harmony. All parts are written in a linear fashion. The four variations observe almost in a classical manner the principle of increasing differentiation and acceleration of therhythm. Variation 1 uses crotchets and quavers as well as semiquaver triplets whereas Variation 2 uses semiquavers throughout and Variation 3 the somewhat faster semiquaver triplets. Variation 4 stays on this fast rhythmic level with semiquavers and semiquaver triplets. A rewarding piece for the 'Jugend musiziert' competition as well as for advanced lessons.

Clarinet teaching material-Arrangements of Traditonal Baroque and Classical pieces edited with regard to current concepts of performance practice. Some additional editorial suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Four of the pieces are unaccompanied.

One of the world's most popular Jazz etude books; popular because the etudes are hip and fun to play. Very popular among teachers! Designed for sax but suitable for all instruments. This Volume contains 12 easy level exercises and 10 etudes. Includes a play-along CD with a professional musician playing the etudes. Each etude is recorded in 3 keys (to facilitate Eb Bb and C instruments). The Eb track includes an Alto Saxophonist playing the etudes. The Bb track includes a Tenor Sax soloist and the C track includes a Jazz Guitarist. All are accompanied by a nice piano bass and drums rhythm section. Each track is stereo seperated (solo instrument piano bass drums on one track -piano bass and drums on the other track) so that the soloist can be eliminated and the student can play along with piano bass and drums.

Wind Quintet No.2 Op.15 is a piece by Danish composer Svend Westergaard . Svend Westergaard 's music is always thematically/motivically structured such that the works in various ways are built up as variations elaborations and experimental treatments of recognisable material giving the music cohesive power and comprehensible logic. Wind Quintet No.2 Op.15 is a piece by Danish composer Svend Westergaard . Svend Westergaard 's music is always thematically/motivically structured such that the works in various ways are built up as variations elaborations and experimental treatments of recognisable material giving the music cohesive power and comprehensible logic.

für Chor und Violoncello Text: J.W.v. Goethe Romische Elegie I for Mixed Choir SSATB and Violoncello. Text: J.W.v. Goethe.

Gaur Akelarre tells the story of a coven of witches and warlocks preparing for the night through energetic rhythms and interesting melodic leaps and harmonic passages. A fun challenge that is sure to impress your audience. Jo-Michael Scheibe Choral Series Gaur Akelarre tells the story of a coven of witches and warlocks preparing for the night through energetic rhythms and interesting melodic leaps and harmonic passages. A fun challenge that is sure to impress your audience. Jo-Michael Scheibe Choral Series.

Concerto For Double Bass And String Quartet was composed by Anders Koppel in 2000. The work exists in 3 versions: 1)for Double Bass and Orchestra 2)for Double Bass and Piano 3)for Double Bass and String Quartet (the present edition). Concerto For Double Bass And String Quartet was composed by Anders Koppel in 2000. The work exists in 3 versions: 1)for Double Bass and Orchestra 2)for Double Bass and Piano 3)for Double Bass and String Quartet (the present edition).

Score of this wordless work for SSATTB Choir and 4 Violins 2 Violas 2 Cellos and Double Bass. The theme is taken from Tallis Lamentations of Jeremiah II bars 29-43. Score of this wordless work for SSATTB Choir and 4 Violins 2 Violas 2 Cellos and Double Bass. The theme is taken from Tallis Lamentations of Jeremiah II bars 29-43.

For 2-Part Choir and Piano.

For Harmonica Electric Guitar Bass Guitar Hammond Organ and Accordion. For Harmonica Electric Guitar Bass Guitar Hammond Organ and Accordion (1966). Manuscript copy.

Boxed Chord Symbols-Recorded by Frank Sinatra Dean Martin Sammy Davies Jnr Nat King Cole Diana Ross Andy Williams and many others.

Serenade-Piano. Mozart Wa

A fantastic arrangement of this energetic dance that is suitable for pianists of an intermediate standard.