
8.50 £
G. Henle Verlag
Poème Opus 72-Scriabin’s ideal of music as part of a synthesis of the arts raising people to a higher level of consciousness is particularly apparent in his late work Vers la flamme op. 72. The poème opens with static rough chords and then slowly but steadily rises from the depths to the bright light above. Diverse levels of sound in changing rhythms gradually move above one another and create a suction-like tension. At the close tremolos and fanfares tower up to a blazing conflagration of orchestral intensity. The Scriabin expert Valentina Rubcova knowledgeably sheds light on this suggestive work in the accompanying texts to our Urtext edition.?Edited by Valentina Rubcova with fingering by Michael Schneidt.

1.25 £
Fred Bock Music Company
A much-needed new setting to this ageless text. Do not be daunted by the divisi: the voice leading moves tonally harmonically and logically. This lush a cappella composition is accessible to choirs of all sizes. Usablethroughout the year but especially for Ash Wednesday or Stewardship services. Available: SATB divisi a cappella.

16.50 £
Oxford University Press
A Stanford Organ Album contains a selection of pieces for the Organ by Charles Villiers Stanford . This volume was edited by John Scott Whiteley.

38.50 £
G. Henle Verlag
Piano Pieces-Throughout his life Mozart composed individual pieces for the keyboard. This wealth of material offers us an exceptional insight into his musical development. For the first time ever we are now offering all of these works in a single edition. Our edition has been completely revised taking into account the latest findings in Mozart scholarship. In many instances sources which have only recently been made available or which have been newly interpreted have formed the cornerstone of the revision. This has also led to the inclusion of works which were not in the previous Henle edition.? Throughout his life Mozart composed individual pieces for the Keyboard. This wealth of material offers us an exceptional insight into his musical development. For the first time ever we are now offering all of theseworks in a single edition. Our edition has been completely revised taking into account the latest findings in Mozart scholarship. In many instances sources which have only recently been made available or which have beennewly interpreted have formed the cornerstone of the revision. This has also led to the inclusion of works which were not in the previous Henle edition.

28.99 £
Mel Bay Publications
Tommy Emmanuel is one of the hottest fingerpicking guitar stars today. This complete transcription offers not only a look at his music but insight to his style and techniques. The performance notes help players over potential hurdles in the pieces. In standard notation and tablature. Tommy Emmanuel is one of the hottest fingerpicking guitar stars today. This complete transcription offers not only a look at his music but insight to his style and techniques. The performance notes help players over potentialhurdles in the pieces. In standard notation and tablature.

16.99 £
G. Schirmer
Score & Parts- Virgil Thomson 's Ode To The Wonders Of Nature for Brass Ensemble (3 Trumpets 2 Horns 3 Trombones) and Percussion (Timpani Snare Drum Field Drum). This work was composed for the SmithsonBicentennial Celebration of the Smithsonian Institution.

1.99 £
Hal Leonard
Brighten up your Christmas program with this irresistible mash-up of two holiday favorites! From the opening vocal bm-bm-bm's of Mister Santa to the cheerful 2-beat of We Need a LittleChristmas your whole audience will love this entertaining pairing! Available separately: SATB SAB 2-Part ShowTrax CD. Combo parts available as a digital download (fl tpt 1 tpt 2 tsx tbn syn gtr b dm). Duration:ca. 2:30.

13.99 £
G. Schirmer
English Only. A short Opera-Comedy with libretto by Gian Carlo Menotti.

1.99 £
Shawnee Press
Uses: Communion Scripture: Luke 22:14-20 - I Corinthians 11:23-26 Now available for SAB choirs! The profound text of this communion piece is a moving commentary on the symbolism of that sacred feast and what it means to the life of the believer. Warm inviting melodies - rich deep harmonies - and dramatic dynamic contrasts draw the listener to the Lord's table and toward a truer understanding of the communion sacrament.

2.50 £
Shawnee Press
Uses: Advent Scripture: Isaiah 7:10-14 - Matthew 1:18-24 - Luke 1:26-38 This anthem for Advent joyously anticipates the coming of Christ as it calls us to open our hearts and look to the Light. The lilting 3/4 meter along with a sparkling part for flute creates a cheerful dance-like feel and heightens the sense of jubilation throughout the song. Available separately: Unison/opt. 2-Part Treble CelebrationTrax CD. Duration: ca. 2:44 ScorePlay - click to view score with recording.

1.99 £
Brookfield Press
Benjamin Harlan has taken an African folksong and created a new anthem which radiates Christmas joy. The optional percussion adds excitement and interest. Available: SATB. Benjamin Harlan has taken an African folksong and created a new anthem which radiates Christmas joy. The optional percussion adds excitement and interest.

8.50 £
G. Schirmer
Sheet music for classical guitar. Sheet music for classical guitar.

5.50 £
Hal Leonard
Bass-Ten folk songs for flute clarinet or violin solo with string orchestra (opt. percussion).

1.99 £
Daybreak Music
Stan Pethel created this arrangement for the Berry College Concert Choir Harry Musselwhite Director. It is a stirring rendition of a favorite song and the additional trumpet part will add a distinctive flavor to the text.Available separately: SATB BonusTrax CD. Duration: ca. 2:30.

22.99 £
G. Henle Verlag
Serenade in Eb major K. 375-Late in the evening on his name day in 1781 Mozart was on his way to bed when he suddenly heard familiar sounds coming from outside: the six musicians who had given the première of his Serenade in E-flat major two weeks beforehand and whom he had described as “poor fellows but who can blow together quite nicely” had now met in the courtyard and were serenading him with his own work. Although it was officially composed for The-rese Hickel in actual fact Mozart mainly wanted to impress Emperor Joseph II whose chief of the royal chamber music often went to Therese’s house – “That’s the reason why I also put a little effort into it”. Did it really help? At any rate Mozart wasappointed imperial chamber composer by Joseph II a few years later.? Late in the evening on his name day in 1781 Mozart was on his way to bed when he suddenly heard familiar sounds coming from outside: the six musicians who had given the première of his Serenade in E-flatMajor two weeks beforehand and whom he had described as “poor fellows but who can blow together quite nicely” had now met in the courtyard and were serenading him with his own work. Although it was officially composedfor Therese Hickel in actual fact Mozart mainly wanted to impress Emperor Joseph II whose chief of the royal chamber music often went to Therese’s house – “That’s the reason why I also put a little effort into it”. Didit really help? At any rate Mozart was appointed imperial chamber composer by Joseph II a few years later.

8.99 £
Hal Leonard
Over the past three decades Hans Zimmer has created some of the most dynamic and memorable movie themes to hit the silver screen. With styles ranging from excitement and intensity to delicate and whimsical here's an effective medley for the concert stage featuring familiar melodies from Driving Miss Daisy Gladiator Madagascar Crimson Tide The Lion King and Pirates of the Caribbean.

20.99 £
Musikverlag Josef Weinberger
Cassations Miniature Operas for Audience Participation

44.99 £
Hal Leonard
From the acclaimed TV miniseries (whose production team included Steven Spielberg and Tom Hanks) comes this distinctive and poignant main theme. Apart from the series itself this powerful music stands on its own and is beautifully adapted for string orchestra by James Kazik.

35.99 £
Hal Leonard
From Steve Winwood and the Spencer Davis group this R&B classic is always a favorite to rock the house.

2.50 £
Shawnee Press
Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention Joseph Martin's Come to the Music is alive and electric with driving rhythm memorable melodies mixed meter and joyfultext. Optional percussion and piccolo accompaniment (parts in the choral) enhance the medieval dance quality of this exciting piece.