In Greek mythology Hermes plays many roles. Marc Jeanbourquin set the various tasks of this legendary _x001F_gure to music in a compelling concert work. In the _x001F_first movement we see Hermes as the son of Zeus and messenger of the gods. In the mysterious sounding second movement Hermes is depicted accompanying people’s souls into the afterlife and in the third movement we see him in yet another guise: as the god of thieves.

A setting of Psalm 150 for SATB Choir and Organ accompaniment. This work was commissioned by Christ Church Cathedral Victoria.

Teachers seeking further material for their pupils to relish and enjoy without searching through quantities of music that is technically inappropriate for the pupil's level need look no further. James Rae has carefully selected a variety of pieces from classical to modern and studies of all kinds for each of grades 1 2 and 3 keeping in mind the technical requirements at each level. These books present an opportunity for pupils to broaden their musical experiences and explore the wide variety of music that is within their grasp.

Pocket or Study Score. Einem G

Pocket or Study Score. Oehring H

SSAATB unaccompanied Edited by David Brown Walter Collins and Peter le Huray

Britten's Te Deum In C is arranged for Treble (Soprano) solo SATB choir and Organ accompaniment. In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clearthat there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor: different articulation and dynamic markings something Britten was later very fussy about but perhapsleft unchanged on proof because of his relative inexperience at this stage of his career with the processes of music publishing. Others were more important: wrong pedal notes for example which Britten failed to notice on proof and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected in the new edition of the vocal score and in the orchestral score (Britten clearly used the published vocal scoreto prepare his orchestral version). The two versions have been made consistent in other details - rehearsal cues and bar numbers for example - since Britten intended choristers to use the vocal score to perform theorchestral version. This would have been an easy task for these is little discrepancy in essential details between versions (a rare departure occurs in bars 53 to 56 where the works 'Lord God of Sabaoth' are unaccompanied in theorchestral version but doubled by Organ in the original). Sustained Organ chords are often filled out with arpeggiated string writing while the spacing of chords is frequently much wider in the string version with melodiestransposed into different octaves. Although harmony in both versions is identical voice leading is sometimes altered in the latter to make it better suited to the idioms of the instruments concerned. So although inessence the two versions are the same the soundworld explored in each is quite distinct. Britten's orchestral version should neither be viewed as an occasional piece nor considered solely a liturgical work like many of his

The Six 'Schubler' Chorale Preludes And Part III Of The Clavierubung. Edited by Sir Ivor Atkins.

For SATB mixed chorus a cappella with soloists or semi-chorus. Latin text is provided with the music and an English translation is included separately. For SATB mixed chorus a cappella with soloists or semi-chorus. Latin text is provided with the music and an English translation is included separately.

For SATB Choir and Organ For SATB Choir and Organ

Solo piano arrangements without the lyrics of thirteen superb Elton John songs including Candle In The Wind Crocodile Rock Don't Let The Sun Go Down On Me Sacrifice and Your Song .

Clarinet Bassoon. Einem G

Guest Spot: Hot Hits - Alto Saxophone contains 10 popular chart hits arranged for the Alto Saxophone. Step into the spotlight and play along with the specially recorded audio. Demonstration and playalongtracks are available to download using the card in the back of the book. This volume includes the favourites All Of Me Let It Go Roar Say Something and more.

Adapted by Walter Rummel from J.S.Bach's original. Mein glaübiges herze frohlocke sing scherze.

Piano Playbook: Light Classical includes superb new solo Piano arrangements of 52 evergreen light classical pieces. Chosen to reflect a variety of moods this selection has been produced to the higheststandards and comes in a handy 6 x 9 in. format that combines convenience with durability. The spiral binding ensures that the Piano Playbook sits flat on a Piano or other music stand while the crisp engraving isa pleasure to read.

Clarinet Bassoon Horn Trumpet Harp. Blacher B

Etudes - but with a difference! Few of today's piano teachers would choose to restrict their pupils repertoire to the strictly classical' and this broadening of approach - to include pieces in a range of styles is clearly reflected in the syllabus selections of most examination boards. With this in mind Mike Cornicks new set of piano feel' as well as the expected classically-styled exercises. Pupils of middle grade standard will find these pieces attractive an stimulating - each piece focusing on a particular technical or interpretative aspect of piano playing. For teachers selection an appropriatestudy table has been provided giving details of key style time signature and rhythm.

More than 100 saxophone solos in many styles including show music classical pieces and pop favourites. This is a superb collection of repertoire pieces in complete melody arrangements.

Work for Organ premiered by Michael Bonaventure August 1985.

POD-Sursum Corda is a work by Martin Shaw . A cantata for Tenor Solo Chorus and Orchestra the work sets a poem by Laurence Binyon and was written for the Three Choirs Festival Hereford in 1933. Sursum Corda is a work by Martin Shaw . A cantata for Tenor Solo Chorus and Orchestra the work sets a poem by Laurence Binyon and was written for the Three Choirs Festival Hereford in 1933.