These were commissioned by Pamela Cook and Cantamus and were first performed in 1972. They are for unnacompanied SSA voices.

Arthur Bliss Pastoral for Clarinet and Piano was composed around 1916. It is one of two pieces for clarinet and piano the other is unpublished.'Pastoral'is composed for either clarinet in A or Bflat. The duration of the work is 3'30.

John Luther Adams ' Qilyaun for four Bass Drums. Composed in 1998. Score and parts. Qilyaun is the Iñupiaq word for the shaman's drum. Translated literally it means device of power. The drum is the shaman's vehicle for spirit journeys. The shaman rides the sound of the drum to and from the spirit world. Qilyaun (1998) may be performed by four drummers each playing a bass drum or by a single drummer with electronic delay. Commissioned by the Fairbanks Symphony Association the piece is dedicated to Scott Deal who gave its first performances. Qilyaun traverses a continuum of rhythm. From the rapid-fire streams of the opening the drummers graduallydecelerate to sustained rolls in the middle and then gradually accelerate again to the unison ending . - John Luther Adams John Luther Adams ' Qilyaun for four Bass Drums. Composed in 1998. Score and parts. 'Qilyaun' is the Iñupiaq word for the shaman's drum. Translated literally it means 'device ofpower'. The drum is the shaman's vehicle for spirit journeys. The shaman rides the sound of the drum to and from the spirit world. Qilyaun (1998) may be performed by four drummers each playing a bass drum or by a single drummer with electronic delay. Commissioned by the Fairbanks Symphony Association the piece is dedicated to Scott Deal who gave its first performances. Qilyaun traverses a continuum of rhythm.From the rapid-fire streams of the opening the drummers gradually decelerate to sustained rolls in the middle and then gradually accelerate again to the unison ending . - John Luther Adams

I Give You The End Of A Golden String was commissioned in 2013 by the Royal Philharmonic Society/Britten-Pears Foundation to celebrate the centenary of the birth of Benjamin Brittenand the bicentenary of the foundation of the Royal Philharmonic Society. The piece was first performed on 8th June 2013 by the Britten Sinfonia conducted by Ryan Wigglesworth. 'My aim when I began this piece was to create a long length of string music out of a single strand of melody.While experimenting at the beginning shaping and extending a melody in many possible directions I cameacross William Blake’s lines… I give you the end of a golden string; Only wind it into a ball It will lead you inat Heaven’s gate Built in Jerusalem’s wall …and this became my working method winding a single tune around itself so that it gradually formed itselfinto a much richer more complex texture. The process happens three times producing the equivalent of acontinuous three-movement concerto.The ‘first movement’ is engendered by two solo violas (the melody at the beginning already entwined witha slightly alternative version of itself). The ‘slow movement’ (a more extended more decorated developmentof the opening tune) is introduced by a solo cello (soon winding itself into a quartet of celli). The fast ‘finale’ led by two solo violins focuses on decorations within the melody rolling out ribbons of (Britten-like?) thirds.' - Judith Weir Suggested minimum strings: 8.6.4.4.2 players I Give You The End Of A Golden String was commissioned in 2013 by the Royal Philharmonic Society/Britten-Pears Foundation to celebrate the centenary of the birth of Benjamin Brittenand the bicentenary of thefoundation of the Royal Philharmonic Society. The piece was first performed on 8th June 2013 by the Britten Sinfonia conducted by Ryan Wigglesworth. 'My aim when I began this piece was to create a long length ofstring music out of a single strand of melody.While experimenting at the beginning shaping and extending a melody in many possible directions I cameacross William Blake’s lines… I give you the end of a goldenstring; Only wind it into a ball It will lead you in at Heaven’s gate Built in Jerusalem’s wall …and this became my working method winding a single tune around itself so that it gradually formed itselfinto amuch richer more complex texture. The process happens three times producing the equivalent of acontinuous three-movement concerto.The ‘first movement’ is engendered by two solo violas (the melody at the beginning alreadyentwined witha slightly alternative version of itself). The ‘slow movement’ (a more extended more decorated developmentof the opening tune) is introduced by a solo cello (soon winding itself into a quartet of celli). The fast‘finale’ led by two solo violins focuses on decorations within the melody rolling out ribbons of (Britten-like?) thirds.' - Judith Weir <

Written for SATTB choir.

Kevin Volans’ Turning Point Was Commissioned By The Stellenbosch International Chamber Music Festival. The First Performance Took Place On 5 July 2013 Given By Demarre Mcgill (Flute) Ferdinand Steiner (Clarinet) Frank Stadler (Violin) Jeff Bradetich (Double Bass) Luis Magalhaes (Piano 1) And Nina Schumann (Piano 2) As Part Of The Stellenbosch International Chamber Music Festival. Duration: C.15 Minutes. Parts For Flute Clarinet Violin Double Bass & Two Pianos.Kevin Volans’ Turning Point was commissioned by the Stellenbosch International Chamber Music Festival. The first performance took place on 5 July 2013 given by Demarre McGill (flute) Ferdinand Steiner (clarinet) FrankStadler (violin) Jeff Bradetich (double bass) Luis Magalhaes (piano 1) and Nina Schumann (piano 2) as part of the Stellenbosch International Chamber Music Festival. Duration: c.15 minutes. Parts for flute clarinet violin double bass & two pianos.

Mozart composed Eine Kleine Nachtmusik in 1878 and it is certainly one of his most popular and best known works and is therefore a rewarding piece in arrangements of all kinds. This version has been beautifully arrangedfor piano by Betty Roe giving pianists the chance to indulge in a performance of this popular classical piece.

21 easy hits specially arranged in easy keys with easy chord shapes so that everyone can play this fantastic range of contemporary hits and classic pop tunes. Includes 'Big Spender' 'Happy' 'Someone Like You' and more. Collected in this songbook are 21 Easy Hits For Ukulele specially arranged in easy keys with easy chord shapes so that everyone can play this fantastic range of contemporary hits and classic pop tunes. The great thing about the Ukulele is its sheer versatility allowing you to put a fresh spin on an old favourite or play a contemporary pop song with a twist. From classic songs like Brown Eyed Girl by Van Morrison and ABBA's Fernando to Cat Stevens' Wild World and Shirley Bassey's Big Spender these evergreen pop tunes are sure to sound new and exciting when played on aUkulele. Every song in 21 Easy Hits For Ukulele features full lyrics Ukulele chord boxes and rhythm patterns for easy strumming. The arrangements are in easy keys that allow you to pickup these tunes as quickly as possible while still sounding great. A brief guide to tuning your Ukulele and how to read chord boxes can be found at the beginning of the book too. A fantastic selection ofcontemporary pop hits are also included such as Happy by Pharrell Williams Thinking Out Loud by Ed Sheeran as well as the incredible Stay With Me by Sam Smith. Once you've mastered all21 songs you'll have a wide variety of great songs old and new under your belt. Whether you want to strum in the park or just play for your own pleasure 21 Easy Hits For Ukulele is full of great tunes that arewell-suited to the unique sound of the Uke.

Manuel de Falla's Danse Espagnole No. 1 for Piano 4 Hands.

A Concert Ayre For Mezzo-Soprano And Chamber Ensemble - Vocal Score- Commissioned by Freunde und Forderer der Musikalischen Akademie des Bayerischen Staatsorchesters. First performance 20 July 2015 at Haus der Kunst as part of the Munich Opera Festival 2015 with Tara Erraught(mezzo-soprano) and members of the Orchestra Academy of the Bayerisches Staatsorchester conducted by Constantinos Carydis. Instrumentation: Mezzo-soprano Piccolo Flute Oboe Clarinet in Bb Bassoon Horn in F Trumpetin Bb Tenor Trombone 2 Violins Viola Violoncello

A beautiful rarely performed motet for Alto Solo and divisi SATB Choir.

Eric Whitacre's Goodnight Moon for SATB and Piano. Duration: 5 minutes Eric Whitacre's Goodnight Moon for SATB and Piano. Duration: 5 minutes

POD- Released in 2005 the album Once Around The Sun is the outcome of Joby Talbot 's residency with Classic FM. During his year in residence Talbot composed a new piece of music each month scoredfor up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. December - Polarisation was the 12th piece to be composed and is scored here for soloPiano.

This collection presented in a performance ready spiral bound book features ten songs from the vast repertory of the Victorian and Edwardian Music Hall from the rich legacy left by the artistes lyricists and composers who flourished primarily in London in the second half of the 19th century and the first quarter of the 20th century. Arranged for solo or unison singing with choruses arranged for SATB by Geoffrey Brawn. Notes on the songs by Robert Meadwell.

Unite To Praise Thy Maker's Name is a composition by William Lloyd Webber for SATB chorus and Organ Accompaniment featuring words by Bryn Rees based on Psalm 103. This hymn-anthem is suitable for Harvest or General Thanksgiving. Unite To Praise Thy Maker's Name is a composition by William Lloyd Webber for SATB chorus and Organ Accompaniment featuring words by Bryn Rees based on Psalm 103. This hymn-anthem is suitable for Harvest or General Thanksgiving.

These four ostinatos composed by Michael Nyman (entitled Bird List Song Drawing II: days 4 and 5 Mouth to Mouth and Melody Lists) amount to over 20 minutes of music.

A sacred oratorio written in 1738 arranged for SSATBB edited and the piano accompaniment arranged by Mendelssohn.

The Phoenix Mass was conceived in 1965 although the Sanctus and Angus Dei were not written down until 1969. As its name implies it marks a resurgence of creative activity after a fallow period. In the wordsof the composer 'It is a record of spiritual rather than denominationally religious experience'. This work (for SATB chorus trumpets and trombones) was first performed by the BBC Chorus and the Philip Jones Brass Ensemble conducted by John Poole in a broadcast on BBC radio 3 on October 2 1973. Score.

The Shepherd's Cradle Song is a German lullaby based on the 1817 work Des Hirten Wiegenlied by Karl Leuner . It was published in 1912 with music arranged by Charles Macpherson andEnglish translation by Arthur Foxton Ferguson . It is presented here in Tonic Solfa notation. Charles Macpherson (1870-1927) was a British organist and composer. He was a chorister at St Pauls Cathedral andlater became organist there. In between he studied at the Royal Academy of Music where he later served as Professor of Composition. Arthur Foxton Furgeson was a British translator and singer. He founded the FolkSong Quartet for whom the Shepherd's Cradle Song was written.

For Unison Voices and Piano. For Unison Voices and Piano.