Nunc Natus Est Altissimus is scored for three upper voices and piano (or harp) set to words by James Ryman. The words set in the first three movements of this work are reproduced from Medieval English Lyrics edited by R.T.Davies. Duration c. 20 minutes.

For baritone and orchestra (2014)-Kaija Saariaho’s True Fire for Baritone Solo and Orchestra was commissioned by the Los Angeles Philharmonic Orchestra NDR Sinfonieorchester BBC Symphony Orchestra and Orchestre national de France. The world premiere took place on 14 May 2015 at the Walt Disney Concert Hall Los Angeles performed by Gerald Finley (Baritone) with the Los Angeles Philharmonic Orchestra conducted by Maestro Gustavo Dudamel. Kaija Saariaho's True Fire for Baritone Solo and Orchestra was commissioned by the Los Angeles Philharmonic Orchestra NDR Sinfonieorchester BBC Symphony Orchestra and Orchestre national deFrance. The world premiere took place on 14 May 2015 at the Walt Disney Concert Hall Los Angeles performed by Gerald Finley (Baritone) with the Los Angeles Philharmonic Orchestra conducted by Maestro GustavoDudamel.

Version for ATTB Choir A Cappella. Piano reduction provided for rehearsal purposes.

For SATB Choir A Cappella. For SATB Choir A Cappella.

Matyas Seiber (1905-1960) was a Hungarian composer who lived and worked in the UK from 1935 until his death. He was born in Budapest and studied with Kodaly and toured the country to collect folk songs. Someof these were later published in 1949 as Three Hungarian Folk Songs with English words by the singer musicologist and self-styled “Folklorist” A. L. Lloyd (1908-1982). Three Hungarian FolkSongs have been arranged for SAB choir with Piano accompaniment by the pianist and composer Maurice Jacobson (1896-1976). They are individually titled: The Handsome Butcher - Apple Apple - The OldWoman .

Urtext-This new two-volume Urtext edition features selected sonatas rondos fantasies and variations for piano composed by Mozart and painstakingly engraved by Ephraim Hammett Jones. The new Mozart: Sonatas Fantasies And Rondos Urtext Edition features selected sonatas rondos fantasies and variations for Piano composed by Mozart and painstakingly engraved by Ephraim HammettJones. Printed to precisely reproduce the composer's original intentions Mozart: Sonatas Fantasies And Rondos Urtext Edition features a dozen of Mozart's works. This initial volume contains the first ninesonatas and is suitable for intermediate to advanced pianists of all ages.

Cantata No. 40. Wachet Auf Ruft Uns Die Stimme . On of the finest of Bach's 190 church cantatas written for the 27th Sunday after Trinity. The cantata is scored for strings oboes and organ. This English version edited by E. Prout is arranged for SATB chorus TB soli and piano accompaniment.

Francis Poulenc's Sarabande for Guitar solo.

Midnight Faith is an eclectic collection of both original vocal and instrumental music all threaded together by the common (and sometimes subtle) theme of nighttime. In this project not only does Heather Sorenson incorporate her signature singer-songwriter style of writing she also explores different genres including folk jazz original classical and modern Christian music. This music book is the companion product to the newly released album and it includes a fully realized piano accompaniment and vocal score. From upbeat to reflective Midnight Faith contains selections suitable for recitals concerts and church services. Songs include: Travel Light- Let Me Walk You Home-Now I Lay Me Down to Sleep- Nightlights- Midnight Faith- Things We Remember- Raise Your Hands- I Have Loved the Stars Too Fondly- Be Still My Soul- Day Is Dying in the West. Midnight Faith is an eclectic collection of both original vocal and instrumental music all threaded together by the common (and sometimes subtle) theme of nighttime. In this project not only does Heather Sorenson incorporate her signature singer-songwriter style of writing she also explores different genres including folk jazz original classical and modern Christian music. This music book is the companion product to the newly released album and it includes a fully realized Piano accompaniment and vocal score. From upbeat to reflective Midnight Faith contains selections suitable for recitals concerts and churchservices. Songs include: 'Travel Light; Let Me Walk You Home'; 'Now I Lay Me Down to Sleep'; 'Nightlights'; 'Midnight Faith'; 'Things We Remember'; 'Raise Your Hands'; 'I Have Loved the Stars Too Fondly'; 'Be Still My Soul'; 'Day Is Dying in the West'.

Time For Leisure consists of six holiday sketches for Piano by Joan Last. These enjoyable miniatures were completed in 1983 and are suitable for students working at grade four standard.

A Simplified Piano version of Scott Joplin's popular and instantly recognisable ragtime classic.

For Unison Voices and Piano.

Judith Weir 'S Day Break Shadows Flee For Solo Piano. This 10 Minute Work Was Commissioned By Bbc Radio 3. It Was First Performed By Benjamin Grosvenor On 1St September 2014 As Part Of The Proms Chamber Music Series At Cadogan Hall. ' Day Break Shadows Flee Written For Benjamin Grosvenor Is A Two-Part Invention A Piano Solo Composition In Which The Two Hands Work In Close Co-Ordination But Independently. My Intention Was Generally To Avoid Using Thick Chords (Although Octaves And Other Clear Sonorities Are Included) While Allowing Both The Right And Left-Hand Lines To Be Free Mobile And Expressive. The Treble And Bass Sectors Of The Keyboard Are Clearly Contrasted AndOften Widely Separated. In Atmosphere And Expression The Music Is Another Kind Of Two-Part Invention Contrasting Bright Upwards-Arching Phrases (Heard At The Opening And Evoking The Arrival Of Light At The Beginning Of The Day) With Veiled Mysterious Scurryings Suggesting The Stranger More Nervous Life Lived At Night And In The Early Morning. ' - Judith Weir Judith Weir 's Day Break Shadows Flee for solo Piano. This 10 minute work was commissioned by BBC Radio 3. It was first performed by Benjamin Grosvenor on 1st September 2014 as part of the PromsChamber Music Series at Cadogan Hall. ' Day Break Shadows Flee written for Benjamin Grosvenor is a Two-Part Invention a Piano solo composition in which the two hands work in close co-ordination butindependently. My intention was generally to avoid using thick chords (although octaves and other clear sonorities are included) while allowing both the right and left-hand lines to be free mobile and expressive. The treble andbass sectors of the keyboard are clearly contrasted and often widely separated. In atmosphere and expression the music is another kind of two-part invention contrasting bright upwards-arching phrases (heard at the opening andevoking the arrival of light at the beginning of the day) with veiled mysterious scurryings suggesting the stranger more nervous life lived at night and in the early morning. ' - Judith Weir

A Song For Christmas was written in 1958. It is a setting of a 15th century Scottish poem sometimes attributed to William Dunbar scored for Soprano or Tenor solo with Piano accompaniment. It was commissionedby BBC Scotland and is one of the few pieces to date from the composer's brief phase of total serialism as testified to by the angular melody and declamatory texture. Thea Musgrave (b. 1928) is a Scottish-Americancomposer. Over a career spanning more than 60 years she has established herself as one of the leading contemporary composers on both sides of the Atlantic.

Colorful exciting and moving Gary Gilroy's work is a natural festival selection.

Part of the Jazz Stix series Clarinet X 2 presents twenty cool duets by Paul Harvey for Grade 4-5 clarinettists.

Horovitz composed this work during February and March 1969 as a tribute to E. H. Gombrich on his 60th birthday. In this one-movement quartet the opening thematic material is deliberately based on the decadent chromatic gestures prevalent in early twentieth century Viennese music. Healthier diatonic discords tear into these themes during a long development section and in a way finally cleanse them. The melodies of the first section are entirely based on the intervals of the third and sixth but with garish appendages of extra chromaticism (produced by means of bi-tonality between the upper and lower instruments). After the conflict these intervals emerge in their trueand elemental role as essential pillars of a major key. Horovitz composed this work during February and March 1969 as a tribute to E. H. Gombrich on his 60th birthday. In this one-movement quartet the opening thematic material is deliberately based on the decadent chromatic gestures prevalent in early twentieth century Viennese music. Healthier diatonic discords tear into these themes during a long development section and in a way finally cleanse them. The melodies of the first section are entirely based on the intervals of the third and sixth but with garish appendages of extra chromaticism (produced by means of bi-tonality between the upper and lower instruments). After the conflict these intervals emerge in their trueand elemental role as essential pillars of a major key.

From Rococo To Romanticism 2-An anthology from four centuries in ten volumes. Edited by Robin Langley.

Nolan Take Now My Voice Satb

Just Brass No. 36- Edited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass(mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together.