Isaac Watts (1674-1748) wrote the lyrics of There is a land of pure delight and is known as the Father of English Hymnody. Watts was for the English hymn as Ambrose was for the medieval Latin hymn and what Martin Luther was for the German chorale. He wrote about 750 songs and some of them survide the ravahes of time. (Joy To The World When I survey the wondrous cross I sing the Mighty Power of God) There is a Land of Pure Delight is usually in English-speaking areas sung on Luther Orlando Emerson's melody ('Ascription'). Here is used a traditional English melody ('Mendip'). There is a land of pure delight Wheresaints immortal Reign. Infinite day excludes the night And pleasures banish pain ..

Benjamin Britten's Eight Folk Songs for Medium Voice and Piano accompaniment.

This Canadian teen pop star is quickly gaining popularity with this debut album which reached #1 on the Billboard® 200 album charts. Our folio includes all 12 songs from the album: Aftertaste · Air · Crazy · I Don't Even Know Your Name · Kid in Love · Life of the Party · A Little Too Much · Never Be Alone · Something Big · Stitches · Strings · This Is What It Takes. Canadian pop-sensation Shawn Mendes took the internet by storm when he began posting covers on the popular social video app Vine in 2013. Handwritten is the teen star's debut album which reached #1 on the Billboard® 200 album charts in 2015. This matching folio includes all 12 songs from the album arranged for Piano Voice and Guitar: Aftertaste Air Crazy I Don't Even Know Your Name Kid in Love Life of the Party A Little Too Much Never Be Alone Something Big Stitches Strings and This Is What It Takes .

Full Score for Orchestra of George Benjamin's stunning Ringed By The Flat Horizon . 'This work contains some of the most startlingly precise storm music ever written - it seems less evocation than the sound of the thing itself. But there is more to it than that: Eliot's lines suggested form for the music and the piece is music and not just illustration. It moves through an original and convincing musical logic which is realized through a masterly control of varied sonorities'. Richard Dyer. Boston Globe September 1987

With Orchestral Reduction for Second Piano-The Grieg Concerto in A Minor Op. 16 and the Schumann Concerto in A Minor Op. 54 — two of the most popular of all piano concertos in the repertoire — reprinted from authoritative editions. In each the 2nd piano part is an orchestral reduction providing pianists with the 2-piano format that is the standard method for rehearsal. Reprint of selections from Concerto in A Minor for the Piano Op. 54 G. Schirmer Inc. New York 1918 and Konzert für Klavier Op. 16 A-Moll C. F. Peters Frankfurt n.c.

In memory of Alex Veld-Quand la mort survient le chagrin envahit l’âme les gens ont besoin de réconfort on évoque des souvenirs du défunt. Jacob de Haan a réuni ces trois éléments dans cet « in memoriam ». L’œuvre débute par l’exposition d’une mélodie en mineur qui exprime la tristesse et le réconfort. Le passage central écrit dans une tonalité majeure tisse une trame plus dynamique ; la musique ravive les souvenirs heureux du défunt. Pour finir le thème d’ouverture est repris.

Jealousy-Elegy I ‘Jealousy’ has been named after John Donne’s poem of the same name. This English poet (1572-1631) wrote an entire series of elegies each with its own theme. Jealousy can trigger various emotions ranging from disappointment grief or regret to madness and anger. All these emotions have been incorporated into this composition. Jacob de Haan was inspired by three different works of art: a poem (the aforementioned poem by John Donne) a painting by the Norwegian painter Edvard Munch (Jealousy in the Garden) and an old French chanson about jealousy (Je ne l’ose dire) by the sixteenth-century French composer Pierre Certon. The music refers repeatedly to thischanson - sometimes through key notes from the melody that serve as the starting point for new isolated themes and sometimes through quotations of the original version.

As performed by Andrea Bocelli-This beautiful duet was an appropriate way to mark the end of Henry Maske’s career and simultaneously introduce Andrea Bocelli to the international music scene. His collaboration with Sarah Brightman resulted in an unforgettable performance. Perfect for ending or providing an intimate moment during your concert this arrangement exhibits the high standards the New Sounds for Concert Band series is known for.

Cello and Piano version edited by J. Stutschewsky and I. Thaler.

For high voice and Piano.

15 großartige Titel aus den Bereichen Pop Jazz und Musical in leicht zu spielenden Arrangements mit professioneller Playback-CD.

...dann wachsen Flügel deinen Worten-...Then Thy Words Will Take Wing... is a four movement composition based upon drawings made by Russian painter Zinovii Tolkatchev (1903-1970) who served as official artist during the liberation of concentration camps in Auschwitz. After the war Tolkatchev’s works were published and now tour the world as a travelling exhibition. This composition is a tribute to the victims of the Holocaust who still remain nameless and is a powerful piece to include in any concert programme.

The Tuba Concerto was composed in 1953/4 after the London Symphony Orchestra invited Vaughan Williams to write a work for inclusion in the Orchestra's fiftieth anniversary concert. The first performance was given by Philip Catelinet in the Royal Festival Hall London on 13th June 1954 with the London Symphony Orchestra conducted by Sir John Barbirolli.The brass band arrangement is by Phillip Littlemore and is a welcome addition to the brass band repertoire.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson Maurice. According to information handed down while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil Henri Busser but the only complete version from the pen of Gounod is the version for large orchestra which is published here for the first time in a critical edition. Gounod’s Requiem unlike many contemporary settings of the Mass of the Dead is not characterized by darkness and terror. Rather with all of its trepidation – expressed through a marked chromaticism – an atmosphere of hopeful expectation of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod’s death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Charles Gounod's Requiem Op. Posth in C for SATB and Piano. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson Maurice. According to information handed down while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil Henri Busser but the only complete version from the pen of Gounod is the version for large orchestra which is published here for the first time in a critical edition. Gounod’s Requiem unlike many contemporary settings of the Mass of the Dead is not characterized by darkness and terror. Rather with all of itstrepidation – expressed through a marked chromaticism – an atmosphere of hopeful expectation of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod’s death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press.

50 Favorite Hits with Lyrics and Chords-Play 50 of your favorite pop tunes on your instrument of choice! This collection features arrangements written in accessible keys and ranges with lyrics and chord symbols. Songs include: All My Loving · Blowin' in the Wind · Clocks · Don't Stop Believin' · Every Breath You Take · Fireflies · Hey Soul Sister · In My Life · Love Story · My Girl · Nights in White Satin · Sweet Caroline · Unchained Melody · Viva La Vida · What a Wonderful World · You've Got a Friend · and more. Play 50 of your favourite tunes on the Flute with this varied collection of popular songs. Easy Pop Melodies For Flute features arrangements written in accessible keys with lyrics and chord symbols. This songbook includes the hits Clocks Don't Stop Believin' Fireflies Viva La Vida You've Got A Friend and more.

80 Graded Studies For Saxophone brings together in two books a broad selection of 18th and 19th century repertory with studies by Arban Baermann Blatt Brod Demnitz Ferling Fetzen Garnier Hinke Klose Luft Prelleur Stark Vithum and Weidemann. The studies are arranged in order of increasing difficultly according to a carefully planned technical progression.

To some the tragic story of the Penlee lifeboat Solomon Browne would need no introduction and to some the pain felt is still very much a reality. The composer born just a few weeks before that fateful night on the 19th December 1981 has created this work as a musical homage to the bravery of the souls who lost their lives and has dedicated it to their memory. Penlee was commissioned by the Cornwall Youth Brass Band using funds bequeathed by Michael Pickett. The first performance was given by the Cornish Youth Brass Band conducted by Ian Porthouse at St. Michael's Church Newquay on 30th December 2008. Penlee has been voted into the Classic FM Hall of Fame 2011 at No.106. Not only is it the first time a brass work has been featured in the Hall of Fame but it was also the highest new entry. The work has subsequently been recorded by the Leyland Band conducted by Jason Katsikaris on the CD entitled Penlee . Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 13 minutes

21 Depeche Mode's songs recorded between 1986 and 1998. Includes a discography.

Opus 52 No. 6-Schubert’s famous Ave Maria was originally titled Ellens dritter Gesang and was the sixth song in the Fräulein vom See song cycle (after The Lady of the Lake by Walter Scott). Later the Latin prayer Ave Maria was set to the melody creating one of his most well-known sacred songs ever. In this arrangement the melody line can be played by either a solo trumpet or by the entire trumpet section. Either option creates a wonderful atmosphere that will entertain and enlighten your audience.

Mordechai Gebirtig is the acknowledged poet-composer of Polish Jewry. Among the music treasures of every nation can be found melodies which during the lifetime of their composer were considered to be folk songs. While exemplifying the soul of the composer they may also mirror the feelings and travails on an entire people. Such songs as: Reyzele · Hulyet Kinderlekh · Kinder Yorn · Moyshele Mayn Fraynd · S'brent and others in this book capture the spirit and pathos of Jewish life in pre-war Poland. Includes 54 selections with melody line chords complete verse transliteration and capsule translations.Mordechai Gebirtig is the acknowledged poet-composer of Polish Jewry. Among the music treasures of every nation can be found melodies which during the lifetime of their composer were considered to be folk songs. While exemplifying the soul of the composer they may also mirror the feelings and travails on an entire people. Such songs as: Reyzele · Hulyet Kinderlekh · Kinder Yorn · Moyshele Mayn Fraynd · S'brent and others in this book capture the spirit and pathos of Jewish life in pre-war Poland. Includes 54 selections with melody line chords complete verse transliteration and capsule translations.