Solos arranged from the orchestral repertoire with Piano accompaniment.

11 hits from the album Awake

Encore Violin is the official collection of best-loved ABRSM violin exam pieces selected from syllabuses of the past few decades. Violinists will find an appealing mix of repertoire while teachers can be confident that the perfect balance of content has been selected at every level. Encore Violin is the official collection of best-loved ABRSM Violin exam pieces selected from syllabuses of the past few decades. Violinists will find an appealing mix of repertoire while teachers can be confident that the perfect balance of content has been selected at every level. Book 3 features popular pieces at Grades 5 and 6. Have fun exploring modern favourites and timeless classics like the Bach-Gounod Ave Maria or Brahms's Hungarian Dance in G minor. Footnotes provide background information a summary of the key skills that each piece develops and new ideas for exploring the music.'

Johann Christoph Friedrich Bach was the eldest surviving son of Johann Sebastian Bach and his second wife Anna Magdalena Wulcken; he was born in Leipzig in 1732. His father gave him his first music instruction. After his initial studies in law he devoted himself entirely to music. In 1750 he entered the services of Count Wilhelm zu Buckeburg where he first of all was engaged as the Count's chamber musician (Hochgraflicher Schaumburg-Lippischer Cammer-Musicus) later as orchestral director a post which he held until his death in 1795. The 'Buckeburg Bach' is described as an amiable and devout person who was highly respected and esteemed for his 'rectitude greatness of soul readiness to oblige and kindness' (Schlichtegroll Nekrolog). He was an exceedingly industrious and gifted composer in whom one could not fail to recognise that the spirit of his great father had also been communicated to him' (Dulon). Johann Christoph Friedrich Bach 's Sonata A Violoncello Solo Col Basso appears in print for the first time with this edition. The autograph which served as source was held at the time in the University Library at Tubingen depot of the former Prussian State Library under the call-mark Mus. ms. autogr. Bach P 382 which has subsequently been moved to the Staatsbibliothek zu Berlin Preussischer Kulturbesitz. For practical use the accompaniment has been realised from the unfigured Bass. - Piano reduction and separte parts for Cello and Basso continuo.

Venezia is a set of six songs of music by Reynaldo Hahn. For Voice and Piano the lyrics are written both in Venetian dialect and in French. The Piano score requires an upper-intermediate technique as per the Voice. A small guide to correct pronunciation is given at the beginning of the book. The six songs are: - Sopra l'acqua indormenzada by Pietro Pagello - La Barcheta by Pietro Buratti - L'avertimento by Pietro Buratti - La Biondina in Gondoleta by Antonio Lamberti - Che peca ! by Francesco Dall' Ongaro - La Primavera by Alvise Cigogna Some of these pieces are dedicated to renowned women such as Giorgio Sand the Countess of Guerne born Ségur and Ernesta Sterne. Reynaldo Hahn was a naturalised French composer conductor theatre director and singer. Best known as a composer of songs he also wrote many pieces and melodies for different instruments.

Cheryl Frances-Hoad's The Ogre Lover for String Trio (Vl Va Vc). Composed in 2007. Duration: 9 minutes

Edited by Geoffrey Bush A fascinating collection that casts new light upon an undervalued 19th-century genre. Women composers Maude Valérie White and Liza Lehmann feature prominently. Of special interest is a selection of songs from Arthur Somervell's Tennyson cycle of Maude. First published in 1989.

Just The Two Of Us - Ain't No Sunshine - Lovely Day

7 Salmer by Christian Barnekow. Arranged by Svend S. Schultz 7 Salmer by Christian Barnekow. Arranged by Svend S. Schultz

SS. Bisbee W

1.Le Pastour; 2.Le Chapeau pointu; 3.L'Ibis mort; 4.Le Souvenir; 5.Le Paysage

Instrumental Solos-This instrumental series contains themes from Blizzard Entertainment's fantasy multiplayer role-playing video games and includes 4 pages of art from the World of Warcraft universe. The compatible arrangements are carefully edited for the Level 2-3 player and include an accompaniment CD which features a demo track and play-along track. Titles: Lion’s Pride * The Shaping of the World * Pig and Whistle * Slaughtered Lamb * Invincible * A Call to Arms * Gates of the Black Temple * Salty Sailor * Wrath of the Lich King * Garden of Life.

Set for the Associated Board Grade 5 examination.

Alto Sax/Tenor Sax-With this book Curnow Music brings you a follow up of the popular play along book Jazz Rock in the USA. The ten exciting pieces by James L. Hosay and guitarist Jason Cale enable any instrumentalist to investigate new modern musical terrain in jazz rock fusion R&B and Hip Hop styles. Both demo and backing versions of all pieces are included on the CD

Piano reduction. A worthwile addition to a choral director's library

Destination Moon was first performed by Cory Band at the 2017 European Championships in Ostend Belgium and is inspired by the Belgian comic-book hero Tintin. The first part is called ‘Science’ and describes the development of the theory of space travel. The second part is ‘Humanity’ which addresses human concerns and philosophies about our place in the universe. The third part is ‘The Launch’ which ends with a repetition of the words ‘Earth to Moon Rocket – are you receiving me?’ as the rocket vanishes into a tiny speck in the sky.

This concerto is one continuous movement that is clearly divided into 3 main sections. The first movement is moderately fast and rhapsodic in charachter followed by a second section with an accompanied cadenza in the middle the final movement is a fast-paced energetic crescendo that leads to the climax of the work at the end. The solo part is a long and endlessly varied narrative that embraces the whole technical vocabulary of the cello available to both composer and soloist with the harmonic aura being established by the orchestra from the beginning. The orchestra provides a platform of chords based on major and minor thirds which are the building blocks for the entireconcerto both for soloist and orchestra. The harmonic scenery created by the orchestra is very much at the service of the soloist always seeking to support and highlight the poetic and dramatic content of the solo part as well as providing a transparent and clear harmonic framework. The accompaniment for the piece is dense at times polyphonic and sometimes multi-layered but only towards the very end is the orchestra allowed to dominate in the final climax of the work. Commissioned by William Conway. First performed with the Scottish Chamber Orchestra in 1995. This concerto is one continuous movement that is clearly divided into 3 main sections. The first movement is moderately fast and rhapsodic in charachter followed by a second section with an accompanied cadenza in the middle thefinal movement is a fast-paced energetic crescendo that leads to the climax of the work at the end. The solo part is a long and endlessly varied narrative that embraces the whole technical vocabulary of the cello available toboth composer and soloist with the harmonic aura being established by the orchestra from the beginning. The orchestra provides a platform of chords based on major and minor thirds which are the building blocks for the entireconcerto both for soloist and orchestra. The harmonic scenery created by the orchestra is very much at the service of the soloist always seeking to support and highlight the poetic and dramatic content of the solo part as wellas providing a transparent and clear harmonic framework. The accompaniment for the piece is dense at times polyphonic and sometimes multi-layered but only towards the very end is the orchestra allowed to dominate in the finalclimax of the work. Commissioned by William Conway. First performed with the Scottish Chamber Orchestra in 1995.

This is a truly exceptional work and one of the finest in the repertoire for a string duet. The two parts are individual and equal at nearly all times in the music. There are times when one or the other instrument has a dominant melodic line but then the subsidiary part always has considerable interest. Written for Violin and Viola.

Flute-With this book Curnow Music brings you a follow up of the popular play along book Jazz Rock in the USA. The ten exciting pieces by James L. Hosay and guitarist Jason Cale enable any instrumentalist to investigate new modern musical terrain in jazz rock fusion R&B and Hip Hop styles. Both demo and backing versions of all pieces are included on the CD

A collection of pieces which have been set for ABRSM's piano exams over the years. Available in three series each containing five graded volumes and reflecting the wide variety of pieces on the syllabuses. The series concentrate on the baroque and romantic sections of the syllabus. Fifteen pieces of Grade 6 standard. Includes works by J.S. Bach John Field Franz Liszt and Scriabin.