Oratorio in three parts- Oratorio in three parts The oratorio Athalia tells the Old Testament story of the Queen Athalia. Handel composed it in 1733 for Oxford University where it was first performed later that year during the celebrations for the awarding of honorary degrees. The great success of this performance is generally regarded as a reason for Handel's renewed interest in the oratorio form. As was frequently the case Handel also carried on composing this work after the first performance. Thus for the version which was performed in London in 1735 he introduced numbers in Italian for the Italian singer Carestini in the roleof Joad. He also ended the work with an organ concerto. For the performance in 1756 he drew on other works for the third act. Conversely large parts of the music to Athalia form the basis for other works by Handel such as Parnasso in festa (HWV 73) and the Wedding Anthem (HWV 262). The Piano reduction by Andreas Kohs (BA4082-90) based on the Urtext of the Halle Handel Edition includes the main version of 1733 together with an appendix containing the versions of 1735 and 1756 as well as the outline of a planned version of 1743 which was not performed. - Based on the Urtext of the Halle Handel Edition - Includes all versions - Detailed foreword (Ger/Eng) - Full score (BA4082) and Vocal score (BA4082-90) available for sale - Performance material (BA4082-72) available for hire

Beethoven's Complete Pianoforte Sonatas edited by Harold Craxton are published within the 'Signature' Series a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes. Beethoven Complete Piano Sonatas Volume II. Edited by Harold Craxton. Annotated by Donald Francis Tovey.

A series of carefully crafted trios for use with or without the Look Listen and Learn method book. Playing in trios develops ensemble playing and listening skills and these books provide fresh and original material for young musicians. Book two is suitable for use alongside Volume 2 of the Method book.

Revised edition-Symphonic Band (full score). Holst G

Chanson d'Amour; Nocturne; Clair de Lune; Mandoline; Arpège; Sérénade toscane

(Chorus Part). Riethmueller H (Chorus Part). Riethmueller H

QMB 409-Symphonic Band (full score). Grundman C

More than 25 pieces-Tired of the same old arrangements? Want to give your pupils something simple yet rewarding to play? Carol Barratt creates easy pieces that are creative idiomatic simple yet rewarding to play and that will really get pupils listening and performing musically right from the beginning. The pieces in Bravo! Horn take the student progressively through the early grades. They consist mainly of original material with a few arrangements too - some well-known some more unusual. These pieces are intended to encourage the student to perform - rather than merely play - whenever the opportunity arises. All too often the early stages of learning instrument can be a solitaryprocess. Wherever possible these pieces should be played with their keyboard accompaniments. Hearing the keyboard parts will lead to an awareness and appreciation of different musical styles and a sense of harmony not just melody. In addition playing with an accompaniment develops the pupil's ability to maintain his or her own part while listening to another. And of course it's fun! Each collection is scrupulously edited for the instrument by a leading performer. Horn Piano. Barratt C

William Billings' beloved song Chester the adopted theme of the Continental Army during America's war for independence forms the musical core of this fine work for young bands. Great for concert or contest this adaptation is short and sweet but does not skimp on style or emotional impact.

The primal forces of nature are featured in this piece!The refrain can be sung or played by a children’s choir and movements are even provided along with hand-clapping foot-stamping and a powerful “Ha!” at the end of this piece which offers a lot of fun.

Modal harmonies evoke images of America as far back as the 1700’s. The influence of the Native American tribes in the area is felt in this powerful overture. Rhythmic and contrapuntal action stake a claim to the audience’s attention from the opening notes. This one is perfect for festival or concert. Commissioned for massed Middle School band concert it works great with groups large or small. Cross-curricular potential with History.Bold and decisive!

Arrangement of 'Sound The Trumpet' by Purcell for Soprano and Alto voice and Piano accompaniment.

Originally formed in the late '70s by former members of the Santana band defined '80s rock. Their signature song ' Don't Stop Believin ' is the best selling song in iTunes history. This book features complete TAB transcriptions of Neil Schon's legendary Guitar work.

1st and 3rd Position-Part of the Easy Concertos and Concertinos series for violin and piano. In 1st to 3rd position.

Beethoven's Complete Pianoforte Sonatas edited by Harold Craxton are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes. A highly comprehensive edition of Mozart's Piano Sonatas in two volumes as edited by Stanley Sadie and fingered by Denis Matthews. Includes detailed editorial commentaries markings and suggestions. Volume 2.

A version for clarinet with piano reduction.

For SSSAATTBB Choir and Organ.

Sicilienne op. 78 (3'43) transcription pour violoncelle et Guitaree. Par Faure aux éditions Leduc. Partition / Livre de chansons pour violoncelle

Embuscade (Ambuse) is a thrilling musical adventure represented through various contrasts and depths of sound. Every element develops around a main theme written in a jazz-rock style. The central section consists of a calm passage quickly followed by a polka-like section. Both passages seem to lie in ambush (Embuscade) ready to pounce in this exciting adventure.

Choro samba bossa-nova- La méthode Piano brésilien enseigne les bases des styles musicaux brésiliens parmi les plus attrayants : le choro la samba et la bossa-nova. Elle débute par le travail des rythmes pour développer le groove fondamental de la musiquebrésilienne. Ensuite de nombreux exemples permettent d’accumuler le vocabulaire rythmique et harmonique essentiel à l’interprétation des morceaux sélectionnés. Les fichiers audio qui peuvent être téléchargés ou écoutés en streaming comprennent nonseulement des enregistrements de tous les exemples mais aussi des morceaux en groupe permettant d’improviser sur le chorus et des pistes de play-back pour jouer en solo avec une section rythmique. Enfin vous trouverez ici des entretiens avec desartistes.