Husa's Concerto for Violin and Orchestra was commissioned by the New York Philharmonic for its 150th Anniversary and given its premiere performance on May 27 1993 at the Lincoln Center for the Performing Arts. Husa's Concerto for Violin and Orchestra was commissioned by the New York Philharmonic for its 150th Anniversary and given its premiere performance on May 27 1993 at the Lincoln Center for the Performing Arts.

Recorded by LMFAO-Here's the popular #1 hit in a rock solid uptempo arrangement for young bands. With interesting parts for all sections (even the low brass) and a catchy melody riff your band is sure to enjoy this one.

This piece was inspired by the composer's childhood memory of riding her horse through a deep valley in the Andes range in Bolivia. First performed by Chee-Yun violin David Finckel cello and Wu Han piano on August 6 2000 Big Sky was commissioned for the La Jolla Chamber Music Society Summerfest 2000. 7 minutes.This piece was inspired by the composer's childhood memory of riding her horse through a deep valley in the Andes range in Bolivia. First performed by Chee-Yun violin David Finckel cello and Wu Han piano on August 6 2000 Big Sky was commissioned for the La Jolla Chamber Music Society 'Summerfest 2000.'

This sweet and tender song from The Muppets Take Manhattan is perfect for graduation or other occasions when you are saying goodbye to a friend or teacher. Performance Time: Approx. 2:40.Available separately: SATB 3-Part Mixed 2-Part and ShowTrax CD.

A comprehensive collection of 64 rounds arranged specifically for viola solo or ensemble. Ideal for classroom or private lesson! Solos are broken into Freshman Sophomore Junior and Senior Level repertoire. Student's Book of Rounds: Viola Edition is a comprehensive collection of 64 rounds arranged specifically for Viola solo or ensemble. Ideal for classroom or private lesson. Solos are broken into Freshman Sophomore Junior and Senior Level repertoire.

Score and Parts-Violin solos and duets with piano. A fabulous collection of Twelve Little Duets for two Violins by Mazas Op.38 Book II. This edition has been edited and fingered by Henry Schradieck. Both the Violin 1 and Violin 2 parts are both included.

No. 3 from Four Prayers from the High Holyday Liturgy- Four Prayers from the High Holyday Liturgy. I. Hayom Harat Olam (11908) II. Ayl Melech Yoshayv (11909) III. Uv'shofar Gadol (11910) IV. Avinu Malkaynu Chanayno (11911) Hinay Yom Hadin (Behold The Day Of Judgement) is a suite of four choruses comprising settings of some of the most important prayers of the Jewish High Holyday Liturgy. These may be performed together or seperately in concert or if desired at the appropriate Service in a Temple or Synagogue. The holy season of the Jewish religious calender is unique because it does not celebrate a historical event nor any particular famous personage but is set aside as a period ofself-examination and re-evaluation for each individual believer. Legend tells on Rosh Hashana (the New Year) God opens the books which record all men's deeds and for ten days examines the course of every man's life during the past year. On Yom Kippur (the Day of Atonement) the books are closed and each man's fate is sealed until the next year. This allegorical vision should inspire every individual to scrutinize his life and resolve to better himself. The Jew firmly believes that God wants the repentance of the sinner so that he may live; therefore he believes that by penitence prayer and good deeds God's judgement can be swayed in his favour and he be inscribed in 'the book of life.' The four prayers were commissioned by Hazzan Samuel Rosenbaum and the Sisterhood of Temple Beth El Rochester New York. Uv'shofar Gadol is for SATB choir a cappella with Tenor soloist.

from Home Alone-Here is a very easy arrangement of the classic holiday ballad from Home Alone. This one is easy to learn and will add a nice contemporary touch to your holiday concert. Here is a very easy arrangement of the classic holiday ballad from Home Alone. This one is easy to learn and will add a nice contemporary touch to your holiday concert.

Gordon Goodwin's medium-slow treatment of this familiar standard swings hard right from the start! This expertly crafted chart features plenty of tutti ensemble writing solo space for trumpet and piano and a short but potent sax soli. Silky smooth!

This piece for unaccompanied cello solo transforms the gentle arches of Bach's theme into slowly soaring arpeggi of almost unending phrase lengths. It was premiered by Yo-Yo Ma in Boston in 1997 in memory of Robert Goldberg. This piece for unaccompanied cello solo transforms the gentle arches of Bach's theme into slowly soaring arpeggi of almost unending phrase lengths. It was premiered by Yo-Yo Ma in Boston in 1997 in memory of RobertGoldberg.

English Only. English text only.

Score- 'Down the moving line suddenly came the surging chant: Chi Rho Omega Lambda Chi! We meet tonight to celebrate The Omega Lambda Chi! 'Omega Lambda Chi' was a fictitious fraternity created by some Yale sophomores in the 1870's. Freshmen were pledged to a non-existent society so they would buy the sophomores cigars and drinks. By the 1880's the name 'Omega Lambda Chi' had become applied to a wild May night of campus festivities. Classes paraded (sometimes with a band) singing shooting firecrackers and cheering the buildings of the Old Campus. Climaxing the rough and tumble evening was the 'Pass of Thermopolae.' In this brutal affair theFreshman class ran the gauntlet through the large stone Phelps Gateway while receiving the blows of the three upper classes. March: Omega Lambda Chi was probably written during Ives ' Christmas vacation in 1895 and completed upon his return to school. It bears the title 'March on the air: Omega Lambda Chi 76 South Middle Campus January 4 1896.' The Yale Daily News reports that the ceremony took place that spring (May 18 1896) and that one of Ives' best friends D. C. Twitchell (later his brother-in-law) was one of the Omega Lambda Chi marshals. By 1900 the Omega Lambda Chi had become too dangerous and was outlawed by the faculty. Another Ives composition which was inspired by a Yale festive evening is Calcium Light Night. Charles Ives was a Yale student from 1894-1898. He was a popular figure on campus and was very active in social athletic and musical life. In 1928 Ives made a list of his band music on the back of one of his insurance company calendars. At least ten original band works are thought to have existed; there are numerous others that were band inspired. Only March: Omega Lambda Chi and March: Intercollegiate have been found complete in their band form. The tune 'Omega Lambda Chi' is derived from 'Sailing sailing' found in the first strain. The second strain and trio

Version of this popular setting for SATB Chorus and Organ (or Piano) accompaniment arranged by Carl Deis.

Technique-Revised and fingered by Max Vogrich.

A novelty piece for young singers this is a good concert opener. There is an optional solo bit for a good Elvis impersonator: fun if you have just the right performer but not at all necessary. Either way this is a fun pick!

Gregg Smith 's arrangement of Blow The Candles Out for SATB choir a cappella.

Written by veteran minister of music Mark D. Edwards this joyous and uplifting song is presented here in a well-crafted arrangement for choir. The chamber-like orchestration will add sparkle to any performance. Availableseparately: SATB SAB SSA Chamber Orchestra score and parts (sc fl perc vn 1 2 va vc) ChoirTrax CD. Duration: ca. 3:05.

The Beatles-This medley of three Beatles favourites arranged by Audrey Snyder for SAB chorus is brimming with rock 'n' roll fun and nostalgia - a guaranteed sing-along for audiences of all ages! This medley of three Beatles favourites arranged by Audrey Snyder for SAB chorus is brimming with rock 'n' roll fun and nostalgia - a guaranteed sing-along for audiences of all ages!

A unique and exciting Christmas offering for school or church use! Jonathan Crutchfield has taken a Youruban folk text and arranged it for SATB voices with a brief soprano solo and some very interesting percussion parts.Betelehemu gets its intense rhythms from African drumming techniques. This electric a cappella crowd-pleaser lends itself easily to choreography and is extremely effective any time multicultural emphasis is desired.The demo recording heard here is by the First Baptist Church Sanctuary Choir Huntsville Alabama directed by Harry Wooten.

Early American Roots a companion book to HESPERUS' CD of the same name presents a cross section of popular instrumental music from the English Colonies and early Federal America: divisions shape note hymns country dances and cotillions arranged for the recorder. When America was still a colony music in the New World was a welcome link to the settlers' original home: England Holland France Germany Ireland and Scotland. During the 18th century as the colonies became independent from England their music reflected this new freedom in its unusual textures and dissonances. Recorders and flageolets (the wooden predecessor to the tin pennywhistle) were easily carried about andmade excellent solo instruments for both the new and old styles of music. They arrived in the New World in pockets packs and bundles. Scott Reiss the mind boggling recorder player and HESPERUS' co-director arranges all the tunes on the CD for recorders writing down every improvised ornament slur and counter melody. Use this book as a technical study guide as well as a source of performing and arranging ideas. An invaluable guide to a little-known but lively repertoire. Early American Roots a companion book to Hesperus' CD of the same name presents a cross section of popular instrumental music from the English Colonies and early Federal America; divisions shape note hymns country dances and cotillions arranged for the Recorder. When America was still a colony music in the New World was a welcome link to the settlers' original home; England Holland France Germany Ireland andScotland. During the 18th century as the colonies became independent from England their music reflected this new freedom in its unusual textures and dissonances. Recorders and Flageolets (the wooden predecessor to the TinPennywhistle) were easily carried about and made excellent solo instruments for both the new and old styles of music. They arrived in the New World in pockets packs and bundles. Scott Reiss the 'mind boggling'Recorder player and HESPERUS' co-director arranges all the tunes on the CD for Recorders writing down every improvised ornament slur and counter melody. Use this book as a technical study guide as well as a source ofperforming and arranging ideas. An invaluable guide to a little-known but lively repertoire.