Trumpet/Solos. Twenty-four solos for trumpet based on famous classic melodies by Praetorius Brahms Mozart Rimsky-Korsakov Faure Chopin Grieg Dvorak Beethoven and Corelli as well as several folk songs and original pieces by the author. This music is specially arranged for the beginning-level pupil. A free piano accompaniment download is available for use with this title. Free piano accompaniment available. Trumpet/Solos. Twenty-four solos for trumpet based on famous classic melodies by Praetorius Brahms Mozart Rimsky-Korsakov Fauré Chopin Grieg Dvorak Beethoven and Corelli as well as several folk songs and original piecesby the author. This music is specially arranged for the beginning-level pupil. A free piano accompaniment download is available for use with this title. Free piano accompaniment available.

Professional Editions - Grade 5 In honor of our departed friend here is a classic arrangement Frank wrote in 1994. It was commissioned by the USAF Airmen of Note and features bass trombone and flugel. Beautiful melodies and tender moments - just like Tooth.

This handy 3 1/2 by 5 booklet contains essential chord diagrams in all keys for four-string electric bass. Arranged alphabetically major minor dominant seventh 7sus minor 7th major 7th diminished augmented sixth minor sixth 7-sharp-5 and 7-flat-5 chords are given in every key. The chord diagrams are followed by the standard 12-bar blues progression written out in all keys in chord symbols. Bass Chords Pocketbook Electric Bass Pocketbook

The classic artsong by Samuel Barber is now available in an easy choral edition. Ideal for developing ensembles in middle and high school. Available for: SATB and SA.

With several voicing options here is a versatile best-selling anthem for Easter. The optional brass accompaniment will enhance the presentation and call the faithful to worship as we celebrate Resurrection Sunday. A classic!

With Online Audio-This collection of jazz etudes with an accompanying audio gives students a fun and effective way to learn to play jazz style blues lines. The audio tracks provide a professional rhythm section (piano bass drums) to play along with plus recordings of professional jazz musicians playing each etude. The recordings help to provide a model for the student's stylistic development and an opportunity to play with a great band! Each of the 12 etudes provides a new challenge to master. Includes access to online audio. This collection of jazz etudes by Jack Wilkins gives students a fun and effective way to learn to play jazz style blues lines. Essential Jazz Etudes...The Blues comes with audiotracks available to download that provide a professional rhythm section (Piano Bass Drums) to play along with plus recordings of professional jazz musicians playing each etude. The recordings help to provide a model for thestudent's stylistic development and an opportunity to play with a great band. Each of the 12 etudes provides a new challenge to master.

For SATB Choir A Cappella.

With a text adapted from a traditional hymn this setting has an expansive and thoughtful feel about it never bombastic but instead rather grand. Also available in mixed and men's chorus editions. Recorded by Wellesley College Choir; Lisa Graham director. Blow Ye The Trumpet was originally composed as a chorus for as part of Kirke Mechem's Opera John Brown based on the life of the abolitionist campaigner of the same name. It was later popularised in Songs of the Slave a suite of works from the same opera. The text is adapted from a traditional hymn – said to be Brown’s favourite – with a new tune composed in the early American folk style. KirkeMechem (b. 1925) is an American composer who has found worldwide popularity with his collection of over 250 compositions in almost every form. Blow Ye The Trumpet has been arranged here for SSAA chorus andPiano with optional orchestral accompaniment.

Contents: Mia speranza adorata!...Ah non sai qual pena Vorrei spiegarvi oh Dio No no no che non sei capace Non piu. Tutto ascoltai...Non temer amato bene Ch'io mi scordi di te...Non temer amatobene Bella mia fiamma...Resta cara Ah se in ciel benigue stelle Al desio di chi t'adora Alma grande e nobil core Chi sa chi sa qual sia Vado ma dove?Original texts with English versions by Lorraine Finley.

Score-Filled with the tension of a Hitchcock film Husa's 1969 work captures strife and heartbreak [with] ominous timpani warlike snare drums toxic trumpets and a chilling robotic cacophonous climax all combined to weave a disturbing but mesmerizing and riveting spell. By the time of its Prague premiere this opus had seen as many as seven thousand performances virtually all over the world. Karel Husa thus returned to Prague's concert life after more than forty years in exile. Version for Orchestra.

English. 'The Holy City' for solo SATB and SATB chorus. Vocal Score.

Born in South Africa but now an Irish citizen Kevin Volans ’ musical idiom has been shaped by an unusually diverse range of experiences including studies with Stockhausen in Cologne field trips to South Africa tostudy traditional music his own involvement with the New Simplicity movement his collection of contemporary art and African textiles friendships with composers like Morton Feldman and Gerald Barry as well as a love of virtuosopiano music which he performs broadcasts and records. While having an easily recognised unique voice Volans ’ music resists compartmentalisation. He is as comfortable working in conventional genres as embarking oninnovative collaborations with artists of other disciplines. String Quartet No.1 (White Man Sleeps) was written for the Kronos Quartet and was first performed by them in July 1986 London. The title‘ White Man Sleeps ’ comes from a moment in nyanga Panpipe music where the performers leave off playing their loud pipes for a few cycles and dance only to the sound of their ankle rattles to let the whitelandowner sleep – for a minute or two. ' In composing this piece I drew from the following sources: the first movement owes something to the style of Basotho concertina music; the second and fourth movements are drawnfrom traditional Nyungwe music played by Makina Chirenje and his Nyanga panpipe group at Nsava Tete Mozambique recorded and transcribed by Andrew Tracey (to be found in an article entitled ‘The nyanga Panpipe dance’ in AfricanMusic Vol.5 No.1 (1971); the third movement derives from the San bow music (recorded by Tony Traill of the University of Witwatersrand) and from Basotho lesiba music transcribed by myself; in the fifth movement I added my owninvented folklore. My approach to the original music was anything but purist – it is played in Western tuning filtered slowed down by a few “time-octaves” cast into non-African metres (like the 13-beat pattern of the first

Contents: Prelude & Fugue in A Minor œ Prelude & Fugue in Bb œ Prelude & Fugue in C œ Prelude & Fugue in D Minor œ Prelude & Fugue in E Minor œ Prelude & Fugue in F œ Prelude & Fugue in G œ Prelude & Fugue in G Minor. Eight Little Preludes And Fugues of the first Master-Period for the Organ. Edition by Widor and Schweitzer. With Hammond Registration.

Work for Soprano and String Quartet commissioned by the Nash Ensemble. Work for Soprano and String Quartet commissioned by the Nash Ensemble.

Christopher Ball is a British composer conductor and Clarinettist Born in Leeds England in 1936. This challenging work by Ball has three movements dedicated to Ben Norbury Adam Walker and GarySchocker .

The third in the series of ten Quartets commissioned by the Naxos recording company. First performed at Wigmore Hall London in Oct 2003 by the Maggini Quartet. A convenient miniature-sized version of the score intended forstudy.

This work was commissioned by Rudolf Steiner Foundation. It is dedicated to Anssi Karttunen who gave the first performance in Helsinki on 10th September 2000. Sept papillons was the first piece Saariaho wrote after her operaL'Amour de loin and it was partly written during the rehearsals of the opera in Salzburg. One can sense the desire to find a new world which has nothing to do with the opera neither in style nor in language. From the metaphors ofthe opera which all have an eternal quality - love yearning and death - she moved now to a metaphor of the ephemeral: butterfly. Also from the long time-spans of the opera she moved to these seven miniatures which each seem tobe studies on a different aspect of fragile and ephemeral movement that has no beginning nor end.

Michael Sweeney's original works continue to impress directors of developing players. Corinthium features several varieties in style contemporary harmonies plenty of percussion effects and most importantly a musical genre that keeps students interested and focused.

For solo Tenor and unaccompanied mixed voice choir SATB. Text English and Greek. Duration 5 minutes.

First gaining prominence in Australia in the 1970s as a composer of music for dance Carl Vine has 25 dance scores to his credit. His catalogue also includes seven symphonies eight concertos music for film television and theatre electronic music and numerous chamber works. Although primarily a composer of modern 'classical' music he has undertaken tasks as diverse as arranging the Australian National Anthem and writing music forthe Closing Ceremony of the 1996 Atlanta Olympics (the 'Sydney 2000' presentation). This complex and challenging Piano Sonata was composed by Vine for the Sydney Dance Company in 1991. It isdedicated to the Australian pianist Michael Kieran Harvey who first performed the piece in North Melbourne in June 1991. The music is full of rich chordal movements unusual flowing harmonies and tonalities with greatextremes of dynamic and energy. Reflecting the physical origins of the piece as a dance the music is dotted with very strict changes of tempo which require exact adherence rather than the Rubato approach that typifies many Pianointerpretations.