Jazz Play-Along Vol.42-Here is a great way to expand your blues playing in every key! Slow tempos for all levels of ability. Try playing some of the tougher keys without looking at the music and see just how fast your ear takes over. You'll find yourself gaining confidence very quickly and that will greatly improve your soloing. Charlie Parker learned the Blues in all 12 keys before he learned anything else. Transposed for all instruments. Each key contains a different blues melody and two compatible chord/scale progressions. Here's a great way to expand your blues playing in every key. And it's real fun too! These are slow tempos and are for all levels of ability. Try playing some of the tougher keys without looking at the music and see just how fast your ear takes over. You'll find yourself gaining confidence very quickly and that confidence will greatly improve your soloing. Charlie Parker learned the Blues in all 12 keys before he learned anything else. Transposed for all instruments. Each key contains a different blues melody and two compatible chord/scale progressions. It's enjoyable and it's sure to make you a better blues player. Get started now with thisgreat addition to the series. The outstanding rhythm section is James Williams piano; Bob Cranshaw bass; Mickey Roker drums.

Sandrin - Quant j'eu congneu; Janequin - Martin; 3.Descaudin - Vray Dieu d'aymer; Sandrin - Quant ung bien; Sandrin - Sy pour aymer; Mittantier - Moyns je la veulx; Peletier - Sy bon Malheur; Sandrin - Je ne puis bonnement penser; Gombert - Hors envyeux

Vingt études pour Caisse claire en deux volumes- 20 Studies for Snare Drum volume 2.

9 motets partition (lp45). Par Couperin F aux éditions Leduc. Partition / Livre de chansons pour Voix

1.Au loin là-bas dans la Vallée; 2.Lorsque j'étais petite; 3.Là-haut sur le Rocher; 4.Eh! donne lui du Foin!; 5.Bergère si tu m'aimes; 6.Va l'Chien va!; 7.Une jolie Bergère; 8.On disait bien

A selection of mixed quartets suitable for all instruments (particularily strings and SATB recorders). From the Second Book of Dances published in 1547 by Pierre Attaignant edited by Raymond Meylan.

Pj39 Le Petit Joueur Fluteau- Plein Jeu no.39.

for woodwind trio harp (or piano) and string orchestra

8 pieces for Bassoon & Piano accompaniment. Morning Rhythm Cha Cha Charming Caribbean Holiday Indian Fire Dance I've Got it under Control Rock Beat Power House! Bassoon Rocks! Have fun and play with passion!

This is a major collection of organ music for students players and church musicians of all abilities. Pieces are grouped according to service needs into Preludes Interludes Processionals and Postludes with a wealth of attractive and varied pieces spanning the 16th to 21st centuries. Oxford Service Music for Organ: Manuals and Pedals Book 1 was winner of the Music Industries Association's Best Classical Publication 2011. This is a major collection of Organ music for students players and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive tuneful repertoire in two new sets of graded anthologies one set (3 volumes) for manuals only the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes Interludes Processionals andPostludes. The repertoire spans the 16th to the 21st century with some new pieces written especially for the collection. A number of pieces throughout the collection have been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing. Major collection of organ music for students players and church musicians of all levels and abilities Each book groups pieces according to service needs: Preludes Interludes Processionals Postludes Tuneful attractive repertoire spanning 16th-21st cents. with some new pieces written especially for the collection Major composers for the instrument well represented Pieces edited afresh to present music clearly and practically for players with registration and tempo suggestions for each piece Strong representation in new ABRSM syllabus (from 2011) Graded collection: approx. book 1 Grades 1-4; book 2 Gr. 4-6 book 3 Gr. 6-8 High-profile editor leading teacher and concert organist

Novello's original orchestral accompaniment for his arrangement of this well-loved Christmas hymn. Full score and set of parts are sold together.

Trio seûl (5'40) (9e) (collection vent de sax) pour Flûte en ut saxophone alto et violoncelle. Par Rossé aux éditions Leduc. Partition / Livre de chansons pour Saxophone

A cycle of traditional Christmas carols-A cycle of traditional carols for SSA voices with harp or piano accompaniment A cycle of traditional carols for SSA voices with harp or piano accompaniment. Commissioned by the West Midlands Arts Association and first performed at Coventry Cathedral in 1974.

Internationally renowned authors musicians and recording artists Frank Villafranca and Andrew D. Gordon have composed a collection of grooves and melodies in the Smooth Jazz Genre creating an exciting supplemental jazz study series for beginner intermediate and advanced jazz students and musicians. The smooth jazz grooves in this 46 page book feature a variety of contemporary rhythm section styles including R&B Jazz Funk Top 40 Rock Gospel Hip Hop and Latin. These stylistic influences are frequently associated with smooth jazz. Popular artists in this genre include The Super Groovers David Sanborn Eric Marienthal Kenny G Dave Koz David Benoit Tom Scott Gerald Albright Candy Dulfer Wilton Felder Boney James Chris Botti Chuck Mangione Sade George Benson Peter White Lee Ritenour Earl Klugh Larry Carlton Jeff Lorber Brian Culbertson George Duke Joe Sample Spyro Gyra Pat Metheny Four Play The Yellow Jackets and The Rippingtons. On each of the 20 tracks the groove is separated into 3 melodic ideas. Each melodic idea (example or riff) is played first by the saxophone with the groove followed by just the rhythm section groove without sax. The 1st example is usually the easiest the 2nd slightly harder and the 3rd the most difficult.

20 Small Etudes- Italian flautist and composer Giuseppe Gariboldi (1833-1905) moved to Paris after his studies where he worked as a virtuoso Flute player and prolific composer. Being exceedingly talented Gariboldi 's compositions range from operettas to studies including his ever-popular teaching aid Vingt Petites études for Flute . Covering a huge spectrum of Flute techniques studies in Vingt Petites études address articulation dynamics note values single and double tonguing breath control range vibrato and ornamentation among other things. Giuseppe Gariboldi 's Vingt Petitesétudes is essential to accompany all flautist's progress.

Contemporary Japanese composer Yuko Uebayashi moved to Paris in 1998. Uebayashi 's works have been met with much success in both Japan and France Suite For Flute And Cello being no exception. Flautist Jean Ferrandis described Uebayashi 's music as 'gems that although they are so different they yet belong to the same world a world of vivacity dreams tenderness humour and one that is subtly contradicted by vehemence virtuosity melancholy and sorrow.' Suite For Flute And Cello is made up of six movements with a typical performance lasting around 18minutes. Suite For Flute And Cello is modern in style exploiting tonality rhythm and the ensemble. Uebayashi 's Suite For Flute And Cello is a sublime addition to the advanced repertoire of the instruments.

Abide by Dan Forrest for SATB choir with Piano accompaniment. This work features words by Jake Adam York.

Four Motets by Marcel Dupré scored for Soprano Alto Tenor and Bass Choir with Organ Accompaniment. This collection includes O Salutaris Ave Maria Tantum Ergo and Laudate .

The dream theme continues with the signature song of the Eurhythmics number one in 1983. A sensational feature for show choirs of today! The dream theme continues with the signature song of the Eurythmics number one in 1983. A sensational feature for show choirs of today!

The wistful atmosphere evoked by this classic song from the 1960s offers a wonderful opportunity for beginning and developing jazz/pop choirs to build intonation and style through the Choral Explorations jazz series. The wistful atmosphere evoked by this classic song from the 1960s offers a wonderful opportunity for beginning and developing jazz/pop choirs to build intonation and style through the Choral Explorations jazz series.