from The Wind in the Willows-The finale from The Wind in the Willows is now available in this arrangement for separate performance for SATB choir and piano or orchestra. Orchestral material is available on hire. The fantastic finale from John Rutter and David Grant's The Wind in the Willows is now available in this arrangement for separate performance for SATB choir and Piano or Orchestra.

Chopin’s furioso c-minor etude has become famous as the “Revolutionary Etude”. According to unsubstantiated legend the composer wrote it in September 1831 when news of the crushing of the Polish uprising and the capture of Warsaw by the Russian army began to spread. Yet even independently of such extramusical aspects the etude with its thundering plunging runs and rolling left-hand figures ranks among Chopin’s most moving and overpowering works. Those who are not ready to tackle the complete volume of Chopin Etudes (HN 124) will be well served by this separate Urtext edition.

for double SATB choir and handbells This is a glorious and expansive piece celebrating the way in which we can bring our divided world together through singing. The handbell accompaniment is included in the vocal score and poignantly underscores the message of the text. It is an ideal piece for festival programming. The Singing Heart is a stately and expressive song for SATB choir with Handbell accompaniment. It is was commissioned and premiered by Americafest 2000 International Singing Festival For Men And Boys.

for SATB and piano A favorite text and tune of singers and listeners alike this festival hymn is given new life in this upbeat 7/8 setting. The central section is legato and chorale-like making for a beautiful contrast before a slow build with 'Alleluias' returns us to a reprise of the original flavor creating an exciting and powerful ending. A favorite text and tune of singers and listeners alike this festival hymn is given new life in this upbeat 7/8 setting. The central section is legato and chorale-like making for a beautiful contrast before a slow build with 'Alleluias' returns us to a reprise of the original flavour creating an exciting and powerful ending.

Behold How Good by Michael John Trotta for SATB a cappella.

These four anthems have long had a special place at the heart of the English choral tradition. They were composed for the coronation of George II in 1727. Full scores vocal scores and orchestral material are available on hire.

La Cinquantaine by Jean Gabriel-Marie for Viola and Piano.

for SATB unaccompanied and soprano solo This gentle and reflective piece sets the George Herbert text 'Blest be the God of love'. The poet's intense imagery is enhanced by expressive cross-rhythms and harmonies enriched by split alto and bass lines in a setting suitable for evening service or concert performance. Bob Chilcott has set to music a text by 17th century writer George Herbert creating a gentle yet thoughtful sacred choral work. This piece is dedicated to the choir and congregation of Olivet Congregational Church St. Paul Minnesota and is scored for Soprano solo with unaccompanied mixed choir.

Contents: Bristol Fair Old Oxford Trip to Scarborough Trip to Bath Tyrone Castle The Girls of Blarney The Rakes of Mallow The Humours of Kilkenny The East Neuk o' Fife Pentland Hills The Peterhead Polka The Souters of Selkirk Llancesau Trefaldwyn Pibddawns Gwyr Gwercsam Glân Bargoed Ty Coch Caerdydd.Contents: Bristol Fair Old Oxford Trip to Scarborough Trip to Bath Tyrone Castle The Girls of Blarney The Rakes of Mallow The Humours of Kilkenny The East Neuk o' Fife Pentland Hills The Peterhead Polka The Souters of Selkirk Llancesau Trefaldwyn Pibddawns Gwyr Gwercsam Glân Bargoed Ty Coch Caerdydd.

Tarik O' Regan 'S Corsair For Amplified Oud And Orchestra. Based On Themes From 'Acallam Na Senórach' And 'Chaâbi'. Tarik O' Regan 's Corsair for amplified Oud and Orchestra. Based on themes from 'Acallam na Senórach' and 'Chaâbi'.

Volume Vi - Songs 1923-1926-The Peter Warlock Critical Edition series represents a treasure trove of English song. This the sixth volume focuses upon songs for the Medium Voice from the period 1923-1926. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With fourteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.

A collection of early to middle grade student pieces selected from the works of W.A.Mozart compiled edited and arranged for the Viola by Alan Arnold. A collection of early to middle grade student pieces selected from the works of W.A.Mozart compiled edited and arranged for the Viola by Alan Arnold.

The Great Performer's Edition version of J.S. Bach's Concerto in A Minor (BWV 1056) transcribed for Flute and Piano by James Galway with a piano reduction by Phillip Moll.

For most of the recorded history of jazz the piano has been the main and usually the only comping instrument. This text will help guitarists get a handle on the most important job they have when playing in a small group: comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book they are isolated for study in particular sections. The book and accompanying audio cover voice leading multi-use voicings voicing variations passing chords harmonized scales intervallic comping rhythm and studies (blues standard modern and modal). Includes access to online audio. For most of the recorded history of Jazz the Piano has been the main and usually the only comping instrument. This text will help Guitarists get a handle on the most important job they have when playing in a small group:comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book they are isolated for study in particular sections. Thebook and accompanying audio cover voice leading multi-use voicings voicing variations passing chords harmonized scales intervallic comping rhythm and studies (blues standard modern and modal). Includes access to onlineaudio.

3-5 Octaves of Handbells Level 4-A clever introduction tells right away the three tunes included: O Come Little Children œ The First Noel œ Ding Dong Merrily on High. The First Noel is scored for optional flute or violin.

50 easy anthems The Oxford Easy Anthem Book includes 50 anthems for SATB chorus and Organ accompaniment.

Samuel Lifschey's first book concentrates soley on the First Position and is intended for both Violinists who wish to alo study the Viola and for players who are starting from scratch. The exercises are carefully graded to ensure steady progress through the basics of Viola technique.

Michael Cox offers a setting of the often-quoted St. Patrick's Breastplate with beautiful legato lines and a charming broken chord accompaniment support. The linear quality of the part writing makes it easy to achieve a richsonorous quality with your choir. This is a beautiful final statement for any worship event. Delightful!

I Dreamed A Dream is one of the most successful musical numbers of all time having transformed its popularity from the stage into a global chart topper for the numerous artists who have covered and performed it. Taken from ‘Les Misérables’ the song is a lament sung by the anguished Fantine who thinks back to happier days and wonders at the path her life has taken. Arranged for SSA chorus with Piano accompaniment this is an excellent piece for choirs looking for a well-known emotional highlight for their repertoire or climax to a choral pop concert programme.

Ken Kolodner's book presents transcriptions with detailed bowings in tandem with three recorded versions of 35 Appalachian fiddle tunes ranging from some very common and easy tunes (for more beginning players) but also quite a few less typically played tunes. All transcriptions are based on festival versions of the tunes meaning the versions are those most commonly encountered at jams and festivals. The book includes a clearly written description of old time style focusing on default bowing systems designed to develop rhythmic bowing. Ideas presented include Nashville shuffle 3-1 bowing bow rocking ghost bows anticipations left-hand ornamentation drones chording dissonances altered tunings the concept of swing tips on learning by ear and more. The tunes are played three times each for nearly 150 minutes of recording: (1.) very slowly and simply: (2.) at a modest tempo but with double-stops drones and other ornaments: and (3.) up-to-tempo. While this effort was designed for fiddlers the recordings should serve as an excellent source for non-fiddlers at all levels who desire to build their repertoire and practice learning tunes by ear. The book and accompanying online audio are appropriate for any level of player. The difficulty of the tunes ranges from simple to relatively complex. Similarly the bowing techniques include the simplest ideas to relatively difficult. The three recorded speeds make the learning and processing of the tunes appropriate for all levels of players wishing to improve their ear training. Includes access to online audio.Simple and highly accessible transcriptions with detailed bowings of 35 festival versions of Appalachian fiddle tunes. All tunes are recorded three times to accommodate players at all levels of experience.Includes comprehensive and practical discussion of old-time bowings and style and how to learn by ear.Strong focus on developing default bowings to get the characteristic groove of old-time.Designed for all levels of players and non-fiddlers who desire to improve their learning by ear and/or increase their repertoire. This book presents transcriptions with detailed bowings in tandem with three recorded festival versions (played very slowly at a modest tempo and up-to-tempo) of 35 Appalachian Fiddle tunes. A clearly written description ofold-time style focuses on developing a rhythmic bow by presenting default bowing systems (Nashville shuffle 3-1 bowing bow rocking ghost bows) and other techniques and topics such as anticipations left-hand ornamentation drones chording dissonances altered tunings the concept of swing tips on learning by ear and more. This book and accompanying online audio are designed to be accessible and appropriate for all levels ofplayers.