Saxophone and Keyboard Saxophone and Keyboard

Uses: General Healing Baptism Scripture: Psalm 83:18; Isaiah 12:2 This hymn text re-setting has a robust theme that captures the confidence we have in our journey of faith with a message that reminds us of the provision God has made for us as we travel to the Promised Land. Unison singing mingles with moments of fuller harmonies to create a nimble quality that also has enough sonic substance for larger groups. A gently rhythmic piano accompaniment motivates and supports.

This beloved aria heard so often at weddings and other special events has been associated with J.S. Bach due to its inclusion in Bach's Notebook for Anna Magdalena Bach ; however it was composed by German composer Stolzelfor an opera and has been carefully arranged here for string ensemble in a version that is perfect for teaching legato expressive style.

With a text from the Hebrew Prayer Book this simple memorable melody is a delight for treble choirs! Opening in unison it moves to a well-crafted two part texture. The middle section then features a soloist or small group andthe final verse is a rich and sonorous imitative section with a beautiful descant-like obbligato. The piano accompaniment is well-crafted and supports the voices well. Duration: ca. 3:00

Blues Play-Along Volume 17-For use with all C Bb Eb and Bass Clef instruments the Hal Leonard Blues Play-Along series is the ultimate jamming tool for all blues musicians. With easy-to-read lead sheets and other split-track choices on the included tracks these first-of-a-kind packages will bring your local blues jam right into your house! 8 songs: Ain't Gone 'n' Give up on Love - Couldn't Stand the Weather - Crossfire - Empty Arms - Honey Bee - Love Struck Baby - Rude Mood - Scuttle Buttin'. The price of this book includes a unique code that provides access to audio tracks online for download or streaming. The tracks include PLAYBACK+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right – available exclusively from Hal Leonard. For use with all C Bb Eb and Bass Clef instruments the Hal Leonard Blues Play-Along series is the ultimate jamming tool for all blues musicians. With easy-to-read lead sheets and other split-track choices on the included tracks these first-of-a-kind packages will bring your local blues jam right into your house! 8 songs: Ain't Gone 'n' Give up on Love - Couldn't Stand the Weather - Crossfire - Empty Arms - Honey Bee - Love Struck Baby - Rude Mood - Scuttle Buttin'. The price of this book includes a unique code that provides access to audio tracks online for download or streaming. The tracks include PLAYBACK+ a multi-functional audio player that allows you to slow downaudio without changing pitch set loop points change keys and pan left or right - available exclusively from Hal Leonard.

Exquisite lyrics and flowing vocal lines combine in this Stephen Schwartz ballad taken from one of his most performed musicals Children of Eden. There are times I've been afraid ... Then I feel your hand in mine Andthere's courage in my heart. Available separately: SATB SSAA TTBB and ShowTrax CD. Performance Time: Approx. 3:15.

Using nothing faster than a quarter note (except 8th notes in percussion) and working in melody spots for every section Michael Oare does a masterful job of capturing a sense of adventure - and possibly danger! - in this powerful work for beginners.This is sure to become a favorite! Dur: 1:55

The lyric of this song becomes a personal song of praise for every worshipper: Only a God like You could be worthy of my praise and all my hope and faith. Available separately: SATB ChoirTrax CD. Score and parts (rhythm vn 1-2 va vc db) available as a CD-ROM and as a digital download. Duration: ca. 4:00.

Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm flugelhorn and flute. The song is a symbol of cheer of being in love. Blue days all of them gone. Nothing but blue skies from now on. An American Songbook treasure. Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm flugelhorn and flute. The song is a symbol of cheer of being in love. “Blue days all of them gone. Nothing but blue skies from now on.” An American Songbook treasure.

Bassoon-Introducing the first-ever curriculum for high school band! Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read rehearse and perform band repertoirewith precision and artistry. Using proven methods for superior sound production and ensemble technique your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert bandsetting. Ensemble Concepts is designed to help ensembles to acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually in developmentalorder then combined for more advanced practice. Also available in the Essential Musicianship curriculum: Masterwork Studies (HL00960078 - 00960095) focuses on six landmarkcompositions for band (score/parts not included). Two CD-ROMs are included featuring: 1. Exemplary recordings of each work performed by some of the world's finest ensembles 2. Practice loops onthe more difficult passages for each individual instrument including tempo adjustment software on-screen assessment and a built-in metronome 3. Scale arpeggio and articulation studies in all keys Ensemble Concepts - Fundamental Level (HL00960110 - 00960127) Ensemble Concepts - Intermediate Level (HL00960129 - 00960146)

Meredith Willson's The Music Man is the hottest ticket on Broadway! This arrangement for concert choirs captures all the excitement of the stage and in addition to the classic melodies you can even imitate the sound of themarching band instruments with your singers!Available separately: SATB SAB and 2-Part. Performance Time: Approx. 3:55.(from Meredith Willson's The Music Man). Meredith Willson's The Music Man is the hottest ticket on Broadway! This arrangement for concert choirs captures all the excitement of the stage and in addition to the classic melodies you can even imitate the sound of the marching band instruments with your singers! Available for SATB SAB and 2-Part. Performance Time: Approx. 3:55.

50 songs from 50 movies including: Beauty and the Beast - Born Free - Candle on the Water - The Candy Man - Endless Love - FlashdanceWhat a Feeling - The Godfather (Love Theme) - Hello Again - Kokomo - Mona Lisa - Moon River - Never on Sunday - Thank Heaven for Little Girls - Unchained Melody - The Way We Were - A Whole New World - more! 50 songs from 50 movies including: Beauty and the Beast - Born Free - Candle on the Water - The Candy Man - Endless Love - FlashdanceWhat a Feeling - The Godfather (Love Theme) - Hello Again - Kokomo - Mona Lisa - Moon River - Never on Sunday - Thank Heaven for Little Girls - Unchained Melody - The Way We Were - A Whole New World - more!

Featuring some of the best-known spy themes from the silver screen here is a very playable medley of James Bond soundtrack favorites through the years. Includes: James Bond Theme Goldfinger Live and Let Die and Skyfall.

We Have Come to Sing!-Vibrant and percussive this original a cappella work uses both Swahili and English text creating a dynamic multicultural opening or processional performance. The theme of coming together to sing allows for a wealth of programming opportunities. The piece is filled with musical learning using language rhythm independent singing and harmonic expression. The addition of percussion enhances both rehearsal and performance. Vibrant and percussive this original a cappella work uses both Swahili and English text creating a dynamic multicultural opening or processional performance. The theme of coming together to sing allows for a wealth of programming opportunities. The piece is filled with musical learning using language rhythm independent singing and harmonic expression. The addition of Percussion enhances both rehearsal and performance.

Uses: Concert General Music Appreciation Scripture: Genesis 1:26 Acts 17:28 Romans 8:19 Romans 11:36 A majestic larger anthem this artful composition presents the imagined moment that music is given to the world. Beginning quietly with a rising melodic line this motive grows and expands into a full and rich hymn of joy. The voice of the Creator is delivered with large hymn-like chords with divided choir to create a moment of deep emotion and awe and the finale is pure joy! A full orchestration gives this anthem wings to soar and opens it up to larger festival choral performances in both sanctuaries and concert halls. Truly an inspiration this anthem will be appreciatedby fans of the composer's classic choral piece The Awakening. Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tba timp perc 1-2 hp vn 1-2 va vc db) available as a digital download.

from Motet VI BWV 23-Treble choruses can experience Baroque style and performance practice in this setting from Bach's Motet VI. Performed a cappella or with the continuo accompaniment it will make a fine addition to honor choir or festival concerts. Duration: ca. 2:15.

Für Klarinette Bassetthorn (2 Klarinetten) und Klavier-Favourite dish in exchange for favourite music – this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl who also played the basset horn stopped to pay a visit to Felix MendelssohnBartholdy in 1832 they came to a most curious agreement: they promised their composer friend a generous portion of “Dampfnudeln” (steamed dumplings) and “Rahmstrudel” (sweet-cheese strudel) that Mendelssohn was mad about if he were to write a piecefor them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in d minor. Both are extremely effective works which wonderfully bring out the uniquesound and performance technique of the two instruments from the clarinet family.“Favourite dish in exchange for favourite music” – this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl who also played the Basset Horn stopped to pay avisit to Felix Mendelssohn Bartholdy in 1832 they came to a most curious agreement: they promised their composer friend a generous portion of “Dampfnudeln” (steamed dumplings) and “Rahmstrudel” (sweet-cheese strudel)that Mendelssohn was mad about if he were to write a piece for them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in dminor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the Clarinet family.

Something for all ages! This novel little swing number is a cool selection to add humor and spirit to your holiday or winter concert. The upbeat song laments the return of Jack Frost and cold weather and pleads for him to get lost. A lesser known gem from the American songbook.

The substantial cycle published in 1853 unites splendid concert pieces (Bénédiction and Funérailles) and simple short compositions which partly make use of Gregorian modes. The volume was composed over a long period of time. As early as 1835 No. 4 was published in a compositionally revolutionary first version entitled Harmonies poétiques et religieuses after the volume of poetry with the same title by Lamartine. In 1853 Liszt distanced himself from the important early piece presenting it in a slightly smoother form as Pensées des morts although it still had considerable impact. Henle has reproduced the bold early work in the appendix to this volume (Bénédiction andFunérailles are available as separate editions HN 984 and 748). Henle Urtext Edition of Franz Lisz's Harmonies Poétiques et Religieuses for Piano solo edited by Ernst-Gunter Heinemann.

Wunderkind-Sonatas III K. 26-31-The Six Sonatas for Piano K. 26–31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These jewels by the “Wunderkind” Mozart have only been known in the form of violin sonatas up to now (also see Henle Urtext edition HN 1079). Our edition for solo piano the first time it has ever been printed in this form is now available for piano teachers to make use of in their lessons as well as for all lovers of Mozart.The Six Sonatas for Piano K. 26–31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These jewels by the “Wunderkind” Mozart have only been known in the form of Violin sonatas up to now (also see Henle Urtext edition HN 1079). Henle's edition for solo Piano the first time it has ever been printed in this form isnow available for Piano teachers to make use of in their lessons as well as for all lovers of Mozart .