Piano Sonata in C major K. 159 L. 104- Domenico Scarlatti is known as one of the best keyboard composers of all time. This piece of sheet music from Domenico Scarlatti's Piano Sonata in C K.159 L.104 is beautifully arrangedand clearly notated for the ease of the the pianist.

Stacey Gibbs wants to bring life to the spiritual for use in the concert hall. This arrangement confirms why his arrangements are so popular: the rhythms and harmonies are fun to sing and he builds things up to arousing finish. This arrangement for women's voices reminds us to keep your hand on the plow as you climb higher and higher...just hold on.

Canadian Brass.

Teaching the piano was an important source of income for Brahms as it was for many nineteenth-century composers. This gave rise to collections of exercises which at first he only occasionally wrote down but later shared with other pianists (e. g.Clara Schumann). It was only after he had largely given up this educational and pianistic activity that he considered publishing them. In order to reflect their level he suggested “all kinds of instruments of torture from the thumb screw to theiron maiden” for the title page. We are now publishing this collection which is essential for Romantic piano playing as an Urtext edition following the musical text of the New Brahms Complete Edition.Teaching the Piano was an important source of income for Brahms as it was for many nineteenth-century composers. This gave rise to collections of exercises which at first he only occasionally wrote down but later shared withother pianists (e. g. Clara Schumann). It was only after he had largely given up this educational and pianistic activity that he considered publishing them. In order to reflect their level he suggested 'all kinds of instrumentsof torture from the thumb screw to the iron maiden' for the title page. We are now publishing this collection which is essential for Romantic Piano playing as an Urtext edition following the musical text of the New BrahmsComplete Edition.

Medley-You'll groove out to the sounds of this 5-minute medley of hits by Stevie Wonder one of the most creative and beloved artists of our time! An outstanding showstopper for choirs of all ages and levels it includes: For Once in My Life I Was Made To Love Her My Cherie Amour Uptight (Everything's Alright). You'll groove out to the sounds of this 5-minute medley of hits by Stevie Wonder one of the most creative and beloved artists of our time! An outstanding showstopper for choirs of all ages and levels it includes: For Once in My Life I Was Made To Love Her My Cherie Amour Uptight (Everything's Alright).

John Leavitt's setting of this classic text is both bright and rhythmic making for an energetic moment of choral praise. The optional instrumentation will add flair and depth. Available separately: SATB ChoirTrax CD. Score andparts (tpt 1-2 tbn 1-2 handbells perc 1-2 db) available as a Printed Edition and as a digital download. Duration: ca. 3:00.

This hymn is a national treasure! Written originally for the American Centennial this celebrated song has adorned many patriotic gatherings through the years. The choral writing full of confident gestures and intense crescendos will showcase your choir at its sonic best and a soaring final stanza invites the congregation to join the music before surrendering to an epic epilogue of joyful amens! Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-3 tba perc 1-2 timp pno hp vn 1-2 va vc db) available as a digital download.

from The Music Man-This arrangement of the Meredith Willson classic from The Music Man will work equally well for a large concert group or a smaller ensemble such as a show or jazz choir. Smooth a cappella vocal lines and expressive harmonies justflow creating a special moment in your concert! Duration: ca. 2:45.

Choral-Perhaps the most iconic song of the '80s is finally available as an a cappella arrangement! Rhythmic full fun to sing yet not too complex so your singers will be able to tackle a few signature dance moves while they sing. Zombies optional.

This unique piano solo collection contains 18 carols arranged in the style of the classical masters. Includes: Away in a Manger (Rachmaninoff) - Deck the Hall (Beethoven) - Hark! the Herald Angels Sing (Haydn) - Joy to the World (Handel) - O Come All Ye Faithful (Mozart) - O Holy Night (Schubert) - Silent Night (Bach) - We Wish You a Merry Christmas (Strauss) - What Child Is This? (Debussy) - and more. This unique piano solo collection contains 18 carols arranged in the style of the classical masters. Includes: Away in a Manger (Rachmaninoff) - Deck the Hall (Beethoven) - Hark! the Herald Angels Sing (Haydn) - Joy to the World (Handel) - O Come All Ye Faithful (Mozart) - O Holy Night (Schubert) - Silent Night (Bach) - We Wish You a Merry Christmas (Strauss) - What Child Is This? (Debussy) - and more.

The “Polonaise-Fantaisie” is among Chopin’s last great piano works and is a testament to his mastery and maturity. The out-of-the-ordinary title betrays the fact that Chopin was uncertain about which genre to assign it to. While the typical rhythm and noble character of the Polonaise repeatedly shine through the notes the Polonaise-Fantaisie is characterized above all by a great freedom in its thematic and formal aspects. The work brushes against a great variety of keys moods and motifs and leads into a grandiose closing apotheosis as if at the end of a long journey. Frédéric Chopin ’s Polonaise-Fantaisie In Ab Major Op.61 was composed and published in 1846 and is dedicated to Mme A. Veyret. The work was initially slow to gain favour with musicians due to itsintricate form and harmonic complexity. One of the first critics to speak positively about it was Arthur Hedley who wrote in 1947 that the work ' works on the hearer's imagination with a power of suggestion equaled only bythe F minor Fantasy or the fourth Ballade '. While Chopin is said to have referred initially to the piece only as a Fantasy the Polonaise-Fantasie takes its metre much of its rhythm and someof its melodic character from the polonaise. This Henle Urtext Edition for solo Piano has been edited by Ewald Zimmermann and includes fingering by Hans-Martin Theopold.

As the nation commemorates 150 years since the Civil War here is an appealing medley for young players that uses music of the period. The bugle call Taps originated during the Civil War and is used here both at the beginning of the piece and incorporated again at the end. The tender ballad Tenting on the Old Campground provides lyric contrast before the piece closes with the rousing spiritual Free at Last.

Score and Parts-For three horns.

Here is the ultimate collection of Patriotic songs arranged to be played by either full band or by individual soloists (with optional accompaniment CD). For each song in the individual student books there is a page for the fullband arrangement as well as a page for solo use. In the same popular format as Michael's Movie Favories and Broadway Favorites each arrangement in Patriotic Favorites is correlated with aspecific page in the Essential Elements 2000 Band Method. However you don't need to be using this particular method to enjoy these wonderful arrangements! Includes: America The Beautiful; America (My Country 'Tis of Thee);Armed Forces Salute; Battle Hymn of the Republic; God Bless America; Hymn to the Fallen; The Patriot; The Star Spangled Banner; Stars and Stripes Forever; This Is My Country; Yankee Doodle/Yankee Doodle Boy.

Randy Stonehill's familiar and well-known song sounds and feels as if it has always been a part of the folk song or spiritual genre. This a cappella setting uses optional percussion and is designed for easy learning to create an atmosphere of musical accomplishment especially for smaller and younger choruses. Repetition is a key component but the addition of solo opportunities key changes and a creative B section lifts this to a level that will appeal to choirs of all sizes and experience. A wonderful programming choice that will become a favorite year after year.Randy Stonehill's familiar and well-known song sounds and feels as if it has always been a part of the folk song or spiritual genre. This a cappella setting uses optional percussion and is designed for easy learning to create an atmosphere of musical accomplishment especially for smaller and younger choruses. Repetition is a key component but the addition of solo opportunities key changes and a creative B section lifts this to a level that will appeal to choirs of all sizes and experience. A wonderful programming choice that will become a favorite year after year.

Global superstar Adele has broken all records with her new album 25 and this single exceeds all expectations with a light island feel over the inviting synth pop groove. Singers will love performing this mesmerizing hit in concert! Global superstar Adele has broken all records with her new album 25 and this single exceeds all expectations with a light island feel over the inviting synth pop groove. Singers will love performing this mesmerizing hit in concert!

Alto Clarinet-Introducing the first-ever curriculum for high school band! Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read rehearse and perform band repertoirewith precision and artistry. Using proven methods for superior sound production and ensemble technique your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert bandsetting. Masterwork Studies focuses on six landmark compositions for band (score/parts not included). Two CD-ROMs are included featuring: 1. Exemplary recordings of each work performed by some of theworld's finest ensembles 2. Practice loops on the more difficult passages for each individual instrument including tempo adjustment software on-screen assessment and a built-in metronome 3. Scale arpeggio and articulation studies in all keys Also available in the Essential Musicianship curriculum: Ensemble Concepts (HL00960059 - 00960077). Designed to helpensembles to acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually in developmental order then combined for more advancedpractice. Ensemble Concepts - Fundamental Level (HL00960110 - 00960127) Ensemble Concepts - Intermediate Level (HL00960129 - 00960146)

(First) Lodron Night Music-The Divertimento K. 247 in F-flat major was composed for the name day of Countess Antonia Lodron and was first performed on 18 June 1776 in Salzburg. The little March K. 248 was presumably used to accompany the arrival anddeparture of the musicians on that occasion – it shares the same date of composition as the Divertimento is in the same key and is scored for the same instruments. Mozart later returned several times to this “First Lodron nightmusic” and posterity appreciated it too: the Divertimento was published just a few years after his death and was also available in numerous 19th century copies. The only authorised sources for our Urtext edition however werethe two autographs. Here incidentally the lowest part is designated “Basso” which leaves open the question as to whether it was to be played by a cello a double bass or both – a typical case of “as you like it” in the music ofthe 18th century!

37 Part Books with Conductor Score and CD-A collection of Broadway songs arranged to be played by either full band or by individual soloists with optional accompaniment CD or tape. Each arrangement is correlated with a specific page in the Essential Elements Band Method Books. Includes: Beauty and the Beast Cabaret Circle of Life Don't Cry for Me Argentina Edelweiss Get Me to the Church on Time Go Go Go Joseph I Dreamed a Dream Memory The Phantom of the Opera and Seventy Six Trombones.

Missa C major op. 86-Ludwig van Beethoven composed his first-ever mass setting in 1807 to a commission from Prince Nikolaus II Esterházy: the Mass op. 86 for soloists chorus and orchestra. The occasion was the celebration of the name day of the Prince’s wife. In the temporal proximity of such famous works as the Fourth Piano Concerto the Violin Concerto and the Fourth and Fifth Symphonies he here created a work of an entirely different nature. He informed his publisher that he believed he had treated the text of the Mass “like it has seldom been treated”. This study score reproduces the full musical text of the Beethoven Complete Edition. The sources consulted for this edition arepresented in detail in the preface and the critical report.