on The Winter is Past-4 Recorders. Zander Hj 4 Recorders. Zander Hj

Flute Oboe Clarinet Bassoon Horn (parts). Hummel B

for SATB unaccompanied A setting of a poem by Ursula Wood later to become Ursula Vaughan Williams. The dedication reads 'To the memory of Charles Villiers Stanford and his Blue Bird'. A setting of a poem by Ursula Wood later to become Ursula Vaughan Williams. The dedication reads 'To the memory of Charles Villiers Stanford and his Blue Bird'.

Work for Organ.

Beaivi is inspired by the Sami poet Nils-Aslak Valkeapää's poem When that time approaches where the first encounter with light after the lengthy polar night is described with exceptional significance. The word beaivi comes from the northern Sami language meaning sun or day. The play of light - its dawn a brief shimmering before darkening again - are characterized throughout the textures and timbres of the piece. Beaivi is dedicated to the Danish chamber music ensemble Lydenskab who also commissioned the work. When that time approaches I notice how frequently I ski higher than necessary and when I finally see the peaks turn red I am not ashamed to admit that I go to a high placein order to see the sun -Nils-Aslak Valkeapää. English translation by Ralph Salisbury. Parts are available: WH32985A Beaivi is inspired by the Sami poet Nils-Aslak Valkeapää's poem 'When that time approaches' where the first encounter with light after the lengthy polar night is described with exceptional significance. The word beaivi comes from the northern Sami language meaning sun or day. The play of light - its dawn a brief shimmering before darkening again - are characterized throughout the textures and timbres of the piece. Beaivi is dedicated to the Danish chamber music ensemble Lydenskab who also commissioned the work. 'When that time approaches I notice how frequently I ski higher than necessary and when I finally see the peaks turn red I am not ashamed to admit that I go to a high place in order to see the sun' -Nils-Aslak Valkeapää English translation by Ralph Salisbury Parts are available: WH32985A

for unison voices and piano or string orchestra Ralph Vaughan Williams ' Orpheus With His Lute for Unison Voices and Piano.

2 Horns Bassoon. Emmert Aj 2 Horns Bassoon. Emmert Aj

Trumpet. Herbst

Standard US Set (incl. Score - ohne europäische Zusatzstimmen)-Grades 4-5

Hétéroclite (6') (9e) (collection vent de sax) pour saxophone alto et percussion. Par Clément D. aux éditions Leduc. Partition / Livre de chansons pour Saxophone

POD-Wind Walks by Peter Bruun (2004-16). Five songs for mixed choir to poems by Gerard Manley Hopkins. Dedicated to Ars Nova Copenhagen. Contents: 1. Let me be to Thee as the circling bird 2. Peace (insertion: The next war by Wilfred Owen) 3.Hurrahing in Harvest 4. Carrion Comfort (insertion: Tears idle tears by Alfred Tennyson) 5. Heaven Haven Wind Walks by Peter Bruun (2004-16). Five songs for mixed choir to poems by Gerard Manley Hopkins . Dedicated to Ars Nova Copenhagen. Contents: 1. Let me be to Thee as the circling bird 2. Peace (insertion: 'The next war' by Wilfred Owen) 3. Hurrahing in Harvest 4. Carrion Comfort (insertion: 'Tears idle tears' by Alfred Tennyson) 5. Heaven Haven

For solo Piano. For solo Piano.

Written whilst the composer was living in Comeragh Road the litanies of the title are sixteen discrete sections of music varying in length from two seconds to a minute. Each of these blocks has a different texture musical character and registration from its predecessor and the structure of the piece is articulated by a pattern of contrasts repetitions and allusions.

For flute and orchestra (Piano Reduction). A musical interpretation of the Pied Piper legend first performed by the Los Angeles Philharmonic with James Galway soloist under the direction of Myung-Whun Ching inFebruary 1982. Includes suggestions for staging lighting and performance. Orchestral parts available on rental from the publisher. In seven movements: Sunrise and the Piper's Song The Rats Battle With TheRats War Cadenza The Piper's Victory The Burghers' Chorale The Children's March. Reduction for Flute and Piano of the Concerto for Flute and Orchestra.

for SATB choir unaccompanied and with piano Nine classic Chilcott songs including original pieces and arrangements of traditional material. The varied nature of the collection highlights Chilcott's prodigious gifts. Some of the pieces are published here for the first time. Orchestral arrangements for Ar Hyd y Nos (fl ob hn hp str) O Danny boy (2.2.2.2-2.0.0.0-hp-str) and The Skye Boat Song (2.2.2.2-0.0.3.1-hp-str) are available on hire. Nine classic Chilcott songs including original pieces and arrangements of traditional material all written for SATB chorus with some Piano accompaniments. The varied nature of the collection highlights Chilcott's prodigious gifts. Some of the pieces are published here for the first time.

Charles Villiers Stanford's beautiful Sonata No.2 In D Minor Op.39 for Cello with Piano accompaniment. Edited by Julian Lloyd Webber.

This powerful ballad asks us to recognize our differences see beyond them and let love lift us all above the walls. Orchestrated by Mark Hayes this piece can serve as a closing number or a theme for anymulticultural program or need. It will definitely inspire and challenge your singers and audiences. A new classic! Available separately: SATB SAB 2-part StudioTrax CD. Duration: ca. 4:36.This powerful ballad asks us to recognize our differences see beyond them and let love lift us all “above the walls.” Orchestrated by Mark Hayes this piece can serve as a closing number or a theme for any multicultural program or need. It will definitely inspire and challenge your singers and audiences. A new classic! Available separately: SATB SAB 2-part StudioTrax CD. Duration: ca. 4:36.

Play along. The band at home. 12 songs to play with-Guitar. Lonardoni Guitar. Lonardoni

Emily Dickinson's haunting poetry is beautifully set over a gently-arpeggiated piano accompaniment. Ideal for developing ensembles working on blend and phrasing. Performance Time: Approx. 3:05.

A comprehensive collection of 42 exercises for the Viola Da Gamba offering practice pieces that cover the full melodic and technical range of the instrument including scales motivic repetition and bowing challenges. A comprehensive collection of 42 exercises for the Viola Da Gamba offering practice pieces that cover the full melodic and technical range of the instrument including scales motivic repetition and bowing challenges.